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Anderson,
Laurie
BIG SCIENCE (Songs from "United States I - IV")
Warner Brothers, UK: 1982 Twelve inch LP in offset printed sleeve and printed
inner sleeve (with lyrics). Cover large b/w picture of Anderson in white suit
and white glasses. First UK publication of Anderson's cross-over hit record
- "Oh Superman" was strangely regarded as many UK diskjockeys as a
novelty record and the single from this LP reached number two with massive radio
play. LP now out of print. Fine Estate.
35 uk pounds
Anderson,
Laurie
MISTER HEARTBREAK
Warner Brothers, UK: 1983
Twelve inch LP in offset printed sleeve and printed inner sleeve (with lyrics
and illustrations by Anderson). First UK publication of this Artist's recording
with some contributions from Peter Gabriel amongst others. LP now out of print.
Fine Estate.
25 uk pounds
(Anderson,
Laurie; Byrne, David)
Glass, Phillip
Songs from Liquid Days
CBS, UK: 1986
Twelve inch LP in offset printed sleeve, plain inner sleeve and printed lyric
sheet. Reworked music by Glass and the "Phillip Glass Ensemble" contains
contributions by Anderson (lyrics to "Forgetting"), Byrne and others
including Vaga and Simon. First UK publication of this now out of print LP record.
Fine Estate.
25 uk pounds
Barney,
Matthew
Drawing Restraint 7
NY/Zurich:1994.
Large offset litho artist's book with many illustrations and foldouts. Text
in English and German. Documentary record of an early Barney film which prefigures
the artist's later interests. Two horned satyrs wrestle in a back of a travelling
limousine. Eat your heart out WWF. Scare in this condition.
125 uk pounds
Barney,
Matthew
Cremaster 1
NY/Zurich:1997.
Large offset litho artist's book with many illustrations and foldouts. Text
in English and German. Documentary record of Barney's out of sequence Cremaster
films. Set on a football pitch (US that is - not the real UK game of
soccer) - the transgender and transformation theme is as usual to be found in
the explicit and less literal symbolism with the two blimps rising overhead
of Mis Goodyear an obvious uterine reference. This copy in unwrapped, mint condition.
Increasingly scarce.
175 uk pounds
Barney,
Matthew
Cremaster 2
NY/Zurich:1998.
Large offset litho artist's book with many illustrations and foldouts. Plastic
wrapper. Text in English and German. Documentary record of Barney's out of sequence
Cremaster films. Houdini, speed metal, Gary Gilmore's eyes (looking through).
The most accessible of Barney's films perhaps. This copy in unwrapped, mint
condition.
165 uk pounds
Barney,
Matthew
Cremaster 4
NY/Zurich:1996.
Large offset litho artist's book with many illustrations and foldouts. Text
in English and German. Documentary record of Barney's seminal first Cremaster
film. Set in the Isle of Man - the transgender and transformation theme is to
the fore with a TT Race to find a 4 horned goat. This copy
unqieuly signed by the artist on the book cover. Has glassine wrapper (slightly
torn). Extremely rare.
1,450 uk pounds
Barney,
Matthew
Cremaster 5
NY/Zurich:1998.
Large offset litho artist's book with many illustrations and foldouts. Text
in English and German. Documentary record of Barney's out of sequence Cremaster
films. Transgender and transformation in a Hungarian opera house. The testical
raising pigeons are a high point. This copy in unwrapped, mint condition.
165
uk pounds
Barney,
Matthew
Pace Car for the Hubris Pill
The Netherlands: Museum Boymans-van Beuningen Rotterdam, 1997.
24cm x 17cm, limited edition artists book which is now hard to find. Imaginatively
illustrated throughout in colour and b&w, with fold-out illustrations; text
in English and French, complete with transparent heavy duty plastic wrapper
which, appropriately, seals the book. A documentation in book form of many of
Barney's early performance / sculptural works. Covers Cremaster 1, facility
of INCLINE, OTTOshaft, facility of DECLINE, Cremaster 4, Drawing Restraint 7.
85 uk pounds
(Barney,
Matthew)Ê
T-SHIRT FOR CREMASTER 2.
Minneapolis: Walker Art Centre, 1999.
X-Large clothing multiple Ð black long sleeved heavy cotton t-shirt. A deliberate
parody of the current Indie-clothing, this is an artist designed t-shirt sold
as ephemera at the showing of Cremaster 2 at the Walker. Front is a full colour
skull, hive and flag motif bound in flame. Back is the Cremaster logo over printed
with the "tour details" ie the showing of C2 at the Walker. Down each sleeve
are the texts: "The dronesÕ exposition" and "Cremaster 2". Hip.
90 uk pounds
Barney,
Matthew/ Bepler, JonathanÊ
MUSIC FOR CREMASTER 2.
USA: n.p., 1999.
Standard audio cd picture disc in jewel case and with 24pp pictorial artist
designed pictorial insert (with lyrics to BeplerÕs score for Cremaster 2). From
an edition of 500 copies, this copy is signed in ink on the picture disc by
both Barney and Bepler. The Cremaster series is soon to be completed by Barney
with the release of # 3 which is set in an Irish bar seemingly atop of the Chrysler
Building and ends at the GiantÕs Causeway. A masterpiece of art, the entire
schema for what Barney insists are sculptures in film should be revealed at
last. This is the music from the most recent release Ð which had Gary Gilmore
as HoudiniÕs grandson. Mint condition.
95 uk pounds
Barney,
Matthew/ Bepler, JonathanÊ
MUSIC FOR CREMASTER 2.
UK: n.p., 1999.
As above but with a variant cover and inset to the US release. one of only 700
released. This copy is unsigned.
65 uk pounds
Barney,
Matthew and Bepler, Joseph
The Man in Black/Drone Harness
Printed Matter, New York, USA, 2000
12" picture disk containing Bepler's music from Cremaster 3 found within a gatefold
sleeve showing images from the film which Barney regards as a sculpture. Houdini
as the grandfather of Gary Gilmore, blood sacrifice to access Morman heaven,
stunning landscapes and speed metal. Signed by Barney in an edition of only
500.
575 uk pounds
Other Barney items are available including unused stickers from Cremaster 4, early souvenirs of work and other books. Contact Heart Fine Art for details
Vanessa Beecroft
Beecroft,
Vanessa
VB-08-36
Germany, Cantz Verlag, 2000
136 x 92.5 cm offset lithograph in full cover with silver foil stamping printed
on high gloss paper. Signed and numbered by Beecroft from an edition of 300.
A very large and impressive print - the image of which is the cover of the recent
Beecroft monograph and catalogue raisonee - namely a naked girl with army hat
and high heels. Mint condition. Now out or print. Image on request.
895 uk pounds
Bellany,
John
Portrait of Sir Walter Scott
Edinburgh: Cannongate, 2001
50 x 40cm digital print using archival 300 gsm cotton rag art paper. Signed
and numbered from a small edition of 100. Bellany's work appropriates Scott's
likeness from Raeburn but places him in an East Lothian setting with fisherwives
(as opposed to Midlothian). Celtic neo-expressionism from one of Scotland's
best known artists who has happily recovered fully from his recent heart and
lung transplant.
150 uk pounds
Byrne,
John
Portrait of James Kelman
Edinburgh: Cannongate, 2001
50 x 40cm digital print using archival inks on 300 gsm cotton rag art paper.
Signed and numbered from a small edition of 100. Byrne is a poet, writer, dramatist,
director, actor, by far Scotland's foremost living watercolourist and versatile
artist. Here his subject is a painting of his fellow writer Kelman - winner
of the Brooker Prize and Scots realist - craggy in visage and polemic. ByrneÕs
rough, painterly treatment matches its subject.
150 uk pounds
Colvin,
Calum
Portrait of Robert Burns (after Skirving)
Edinburgh: Cannongate, 2001
50 x 40cm digital print using archival inks on 300 gsm cotton rag art paper.
Signed and numbered from a small edition of 100. Colvin is known for his photographic
assemblages which when photographed, literally, give a larger picture of his
true subject matter. Colvin's best laid plans have not gone awry in this work
where Burns' handsome face (after Skirving's portrait) emerges from the painted
bookcase and other living room debris that physically and metaphorically underlies
the work.
150 uk pounds
Chapman,
Jake and DInos
Chapman Industries T-shirt
London: 2000.
Cotton with plastic transfer. Printed t-shirt multiple with two skulls motif.
Typical imagery from the creators of "Hell" and the "Disasters
of war" maquettes. Small size only. From an edition of 500.
60 uk pounds
Other Chapman Brothers items are available including a signed telephone card and individual drawings. Contact Heart Fine Art for details.
Cragg, Tony
UNTITLED - a suite of 5 lithographs
London: Coracle Press, 1983 - 1995
Uniformly 66 x 87 cm, four colour lithography with silkscreen additions. A long
term project by the sculpter; each print consists of an overlaid drawing emphasising
a photorealistic sculpture or industrial scene. Particularly interesting is
the fifth print in the series (Untitled, 1995) which imposes Cragg's signature
bottles and glasses on a sketch of Duchamp's Bottle Rack (itself overlaid on
a reproduction of Cragg's own piece Stack) - perhaps, at last, completing the
readymade's destiny? Each print is signed and numbered within the edition of
80. Images available on request.
Entire portofio of 5 prints - 2,250 uk pounds
Individually each print - 700 uk pounds
Cragg, Tony
SCULPTURE
TONY CRAGG GLASGOW
Glasgow: CCA/Tramway, 1992 24 x 17.5cm , 48pp plus card covers. Exhibition catalgoue.
15 colour and 28 b/w reproductions of Cragg's installations and land works.
Texts by the artist. Fine condition.
25 uk pounds
Dean,
Tacita
A kiss
XXGallery, 1997
15 x 6 cm carboard grey box containing a strip of video tape dissected from
one of Dean's video works. The original tape was a recording of the titular
act. Signed and numbered from an edition of only 20 examples. Dean's video work
has concerned itself with the medium's relationship with reality. A typical
YBA's (Young British Artist's) fascination with dissection.
125 uk pounds
Dean, Tacita
A breath
XXGallery, 1997
20 x 6 cm carboard grey box containing a strip of video tape dissected from
one of Dean's video works. Again he original tape was a recording of the titular
act. Signed and numbered from an edition of only 20 examples. Dean's video work
has concerned itself with the medium's relationship with reality and thus mirroring
humanity's mediated perception of reality. Breathcatching.
125 uk pounds
Emin, Tracey
Love Birdy
Unique drawing, London 1997
Pen (biro) and pencil on paper. Emin drawing in her usual scratchy style. A
remarkably romantic piece from the Turner Prize nominated YBA who created the
notorious condom strewn "Bed" and who's recent work has stressed her earthy
sexuality. Signed bottom left. The image is 11cm x 12.5cm and the frame is 20.5
x 19.5cm
2,350 uk pounds
Emin, Tracey
Fighting For Love...
New York 1998
29.7 x 21cm photocopy on apple green paper, signed and numbered in pencil by
London's most honest YBA. It's a hard life...From an edition of 300. Fine.
175 uk pounds
Emin, Tracey
LOVE IS A STRANGE THING
London: 2000.
Screenprint 27 1/2 x 21 in. (70 x 53.3 cm)
The image on the screenprint is an outtake from Emin's newest video-"Love
is a Strange Thing" - a kind of love story involving an encounter between
her and a dog. Emin's recent work (and to some extent he past activities) have
been documentary in nature. From a
signed and numbered edition of 250 which sold out very quickly after release.
250 uk pounds
Fritsch,
Katharina
Spazierganger mit Hund.
Arnhem Netherlands: 1986.
14.5 x 10.5 cm offset artist's postcard specially printed for the exhibition
and distributed free to the public attending the show. Supposedly unlimited
but as with other Fritsch items there was only one printing of the card and
it is in effect a multiple and designated such in the catalogue raisonne. Image
is of a bourgoise with his boxer dog. Fine
45 uk pounds
Other multiples by Fritsch
may be available - contact Heart Fine Art Ltd for details.
Hershman,
Lynn.
ROBERTAÕS CONSTRUCTION CHART.
Italy/San Diego/San Francisco: the artist, 1973.
100 x 150cm. Original photographic print in colors with underscoring text/legend.
Signed and numbered by the artist. An extremely rare photo-piece by the influential
multi-media artist and filmmaker. Composed of a portrait of HershmanÕs crucial
alter-ego (as work) ÔRobertaÕ (make-up in extremis). In the 1970Õs, Hershman
created/became/lived within ÔRobertaÕ to the utmost and fully-fleshed out detail.
One of only 10 signed and numbered examples (total edition). Fine estate. Image
upon request.
5,000 uk pounds
Hershman,
Lynn.
CHELSEA HOTEL.
New York: self-published,1974.
23 x 30cm. Black paper folio printed in gold text content of 3 spiral bound
photo/text booklets (uniformly 12 x 17cm.). Signed by the artist. The rare bookwork
documentation of the artistÕs Ôunofficial residenceÕ installation of the title.
For 28 days visitors were shuttled by bus to 3 separate rooms in the venerable
Chelsea Hotel. Each room held clues to the identities of 3 fictitious women.
The installation was open to visitors 24 hours a day. This example signed by
Hershman. All elements fine in like folio.
125 uk pounds
Hershman,
Lynn.
Cyborg 9
LA, California: self-published: 2000.
Digital printt. Hershman's recent work has involved a series of photomanipulated
portraits of women enpowered by technology. Adjunct to a forthcoming feature
film by the director of Conceiving Ada. Fine.
50 x 50cm , edition of twenty
2,250 uk pounds
75 x 75cm, edition of ten
3,500 uk pounds
Damien Hirst
Mirror
Unique work. Oil and collage on found mirror 1986
Provenance: Acquired directly from the artist by the previous owner. 76 x 86
cm / 30 x 33 inches approx. Inscribed "MOOSE" This painting was constructed
from objects acquired from the house of Mr Barnes, Hirst's next-door neighbour
in the period between school and art college. Amply described in Stuart Morgan's
essay for the catalogue of In and Out of Love, Hirst's 1991 exhibition, it demonstrates
the emergence of two strands of his work, an interest in the work of Kurt Schwitters
and an investigation into the use of colours chosen entirely intuitively. From
these two apparently disparate themes came the development of the spot paintings.
For a full discussion of this period of the artist's work, see D. Hirst "I want
to Spend the Rest of My Life Everywhere, With Everyone, One to One, Always,
Forever, Now" London 1997, pp.68-73
30,000 uk pounds
Damien Hirst
Hirst, Damien.
RELATIONSHIPS.
London: ICA, 1991.
7.5 x 17.5cm (in diameter) mixed-media sculptural multiple. Signed and numbered
by the artist. First issue of this object-multiple by the enfant terrible representative
of the new British art scene. Edition of 125 examples signed and numbered by
Hirst. This example never opened. Fine estate.
2,250 uk pounds
Hirst, Damien.
Magnificent Seven
NY, USA : 2000. Gagosian
Mixed-media sculptural multiple. Signed and numbered by the artist. First issue
of this object-multiple by the the best known of the YBAs. Seven ping-pong balls,
each with one of the words in black text written on them: Theories, Models,
Methods, approaches, Assumptions, Results,...or... and Finding; each is literally
a ping-pong size of about 1-1/2in circular; each sit side by side in box ( 13-1/4
x 2-1/4 in & 2-1/4 high, top of box is red top and white interior; text in gold
and black on top of the box reads: "The Magnificent Seven, a limited edition
produced to coincide with the exhibition .. Theories, Models, Methods, approaches,
Assumptions, Results, and Findings ..Damien Hirst" Edition of 500 examples
signed and numbered by Hirst. This example never opened. Fine estate.
375 uk pounds
Other editioned and unique works by Hirst available. Contact Heart Fine Art for details if interested
Forg, Gunter
Signed postcard
Koln, Germany, 1993
Hand-signed (recto) postcard (148 x 105mm) image is of "Frau mit Hut".
50 uk pounds
(Laib,
Wolfgang)
Wolfgang
Laib
Stuttgart: Edition Cantz 1989
144pp 34 x 25cm. hardbound exhibition catalogue. Texts in German and English
by Tilman Osterwold, Johannes Cladders, Hans-Joachim Muller, Harald Szeeman,
98 illustrations all in colour. Dustjacket (some finger marking probably easily
removed) Many astonishing images from Laib's melange of eastern and western
influences. Fine other than as noted.
45 uk pounds
Lucas,
Sarah
UNTITLED (MOBILE)
London: s.p. (The Shop), circa 1993
Overall: 30 cm x 65cm (approx) consisting of four color photographs each of
a reclining, smoking Lucas, handcut to the outline of each figure (each 8 to
10 cm approx x 6cm approx), attached by string to two pieces of thin iron to
create a mobile. Signed and dated 'Sarah Lucas 1993' in ballpoint pen at the
back of one of the four self-portraits. First presented in a show curated by
Gilbert and George, this piece was from an unnumbered edition of 10 - each unique
within the edition, the piece was first displayed in the London Shop/Museum
that Lucas and Emin co-opened in the early 1990s. Lucas is feigning disinterest
as she smokes a cigarette in antithesis to the more usual 'model' shot. In very
good condition; with the exception of some tiny spots at the back of two of
the photographs. Full provenance available. Images on request.
POA
Sarah Lucas
Lucas, Sarah
LION HEART, 1995
Zurich: 1995 Edition for Parket
Cast metal, approx. 7 x 7 x 5cm. Lead or brass?; Paper weight or sculpture?;
Heart or testicle? From an edition of 100 consisting of 50 pieces of cast lead
and 50 pieces of cast brass. This one in lead. Signed and numbered on cardboard
bpx. Fine estate.
950 uk pounds
Sarah Lucas
Lucas, Sarah
BEER CAN PENIS
Dublin: n.p., 1999
15 x 15 x 10 approx object multiple. Recycled beer cans. Two Guinness tins are
forced together to create another of Lucas's leud and deliberately crude metaphors.
Unlikely to have been sponsored by the Irish Brewery giants. Signed and dated
on the base in felt tip pen from a small edition. Fine estate.
850 uk
pounds.
Metzel,Olaf
Frei. Zeit. Frei.
Germany, 1999,
54 x 92 cm offset lithograph on gloss paper, Signed and numbered by the artist.
Fine.
95 uk pounds
(Oppenheim,
Dennis).
NINE DAYS WITH DENNIS OPPENHEIM. Text by Jorge Glusberg.
Buenos Aires: CAYC, 1971. Small 4to. Thirteen unbound leaves. B/w photo-documentation.
Laid into printed card folder (as issued). First edition of this contemporaneous
documentation of Oppenheim's film and video works (to date). Bi-lingual Spanish/English
text by Glusberg. All contents fine in like folder. Uncommon.
65 uk pounds
Oppenheim,
Dennis
Two signed postcards and a signed invitation card
Spain and California, 1998
Hand signed (verso) postcard image is of Study for verticle (sic) pool 1995
and hand signed (verso) invitation card for recent Installations and Models
45 uk pounds for both
Oursler,
Tony
Spheres D'Influence
Paris, France: Editions Georges Pompidou Centre, 1985
40pp catalogue (full colour) and audiocassette in specially designed box recording
from the retrospective and installation.
40 uk pounds
Parker,
Cornelia
Lost Volume: A catalogue of disasters
Book Works, London 1993
24 x 24.5cm Artist's Book. Edition of 500. Content of various photographs of
flattened objects (or previously extant flat objects) such as damaged toy soldiers,
a medal, starfish, a broken lightbulb - with left hand side page showing the
illusion of damage to the page from the flattening process.
50 uk pounds
Redfern,
June
Portrait of Ulrike Meinhoff
Unique work. S.P . Edinburgh, Scotland 1982
39.5cm x 39.5cm.. Acrylic on board. Contemporary Scottish artist better known
for her expressionist landscapes (which often contain figurative elements) of
Venice and Edinburgh. This is a curious choice of subject matter for Redfern
- Ulrike Meinhoff; the German Red Brigader and terrorist, who committed suicide
under suspicious circumstances in a German prison. Signed and dated. In original
cloth and wooden frame.
325 uk pounds
Salle, David
Lively Iris
Munich: 1992
69 x 54cm lithograph/linocut. Signed and numbered from a small edition of 40.
We hold three different prints from this portfolio. Luscious, rococco-esque
Salle imagery from the master of the layered composition. Images available on
request. Fine.
650 uk pounds each or all three for 1600 uk pounds
Serra,
Richard
Hand-signed invitation leaflet with small sketch
Dortmund, Germany: Der Dortmunder Kunstverein, 1990.
21 x 99cm. Single 2pp invitation sheet printed in b/w. Signed by the artist
recto in felt tip pen with a small sketch of a typical Serra construction added
by the artistÐ still oppressive even in outline. Fine estate.
65 uk pounds
Sherman,
Cindy
Fitcher's
Bird (Brother's Grimm)
NY: Rizzoli, 1992,
First edition artist's book. 25 x 25cm 34pp plus cloth covers and dust jacket.
Sherman's coloured photographs (as usual highly styled puppets and self adornments
in rich settings) illustrate a gory Brothers Grimm tale. Now out of print. Fine
estate
25 uk pounds
Sherman,
Cindy
UNTITLED, 1991
Zurich: 1991
Edition for Parket
Printed
silk, padded, in gilded wooden frame, 8 3/8 x 6 7/8" with frame, From an
edition of 100, signed and numbered in cardboard box
1250 uk pounds
Cindy Sherman
Sherman,
Cindy
UNTITLED NYC;
S.p. 1999
100 x 64cm full colour offset photograph signed by the artist from an unnumbered
edition of 250. Sherman in modern filmstar pose - flexing her muscles through
prosthetics and a short shift. Fien estate. Image on request.
800 uk pounds.
Schnabel,
Julian
(The converstion of St.) Malfi
Schellman, Munich 1998
50 x 40cm, a portfolio of three uniformly sized silkscreens on museum board
with handworkings in resin and monotype . All signed an numbered.
1,750 for the portfolio of three or 700 uk pounds each.
Shrigley,
David
The Human Body
London: Bodyworks, 1999
127 x 82 cm screenprint printed as a large reversed black on 270gsm white mold
paper. Signed and numbered from an edition of150, Shrigley's cartoon human is
stupidly reading an up-side-down book. "How to read art?" Shrigley's reputation
is growing as the producer of artist's books, prints, photography and multiples
following his recent inclusion in the Brit Art Show 5. Humour often belies the
pathos and Scottish 'class warrior' angst in the work. Increasingly collectable.
Fine estate.
125 uk pounds
Shrigley,
David
THE BEAST IS NEAR
London: Redstone, 1999
26pp plus wrappers and postal full colour dj artist's book. This copy is handsigned
and dated "2001" by Shrigley - art cult hero, visual poet and misspeller. "What
should have held your attention: your wife giving birth. What held your attention:
The midwife's wart." Thus scarce. Fine estate.
25 uk pounds
Shrigley,
David
GRIP
Edinburgh: Pocketbooks, 2000 15 x 12 cm 208pp plus wrappers artist's book. This
copy is handsigned and dated "2001" by Shrigley. "Difficult penance: transcribe
bible in Letraset". Thus scarce. Fine estate.
45 uk pounds
Shrigley,
David
DO NOT BEND
London: Redstone, 1999
27 x 24cm 112pp plus wrappers artist's book. This copy is handsigned and dated
"2001" by Shrigley. "Why are you happy? Because I am fat." Essential for modern
living." Thus scarce. Fine estate.
50 uk pounds
Shrigley,
David
CERTIFICATE
London: W&P, 1999
30 x 21cm folded (as issued) 1pp A4 xerox handmade print Ð of a hand drawn certificate.
The text reads "Certificate. This is to certify that; (name) É.. has a certificateÕ.
And a drawn "official stamp". Humorous minimalism from the wittiest of contemporary
artists. Numbered from an edition of 100 and initialed verso "DS". Fine condition.
195 uk pounds
Other bookworks and editioned items by Shrigley are available from heart Fine Art Ltd.
Sugimoto,
Hiroshi
In Praise of Shadows
Kitakyushu, Japan: Center for Contemporary Art, CCA Kitakyushu and Korinsha
Press & Co., Ltd. 1999.
21.6 x16cm, 50pp + (40) artists book. First edition. Illustrated fine matt paper-covered
boards (with a color image of a burning candle on the front cover), in a spiral
binding, in a printed matt black stiff paper slipcase with silver lettering.
800 unnumbered copies were produced but due to a financial crisis at the company
almost half the edition was later recalled making this a hard to find and hugely
desirable artist's book. The content is typically minimalist, replicating various
photographs of bright candle flames, with 20 b/w plates reproduced on acetate
(with white cards in between acetate reproductions) in such a way that when
held up to the light the brilliance of the original flame is returned to life
in the photograph. Fold out is a two-page full colour, gatefold reproduction
of the exhibition installation. Scarce. Fine estate.
145 uk pounds
Sugimoto,
Hiroshi
Hiroshi Sugimoto
Chiba, Japan: Chiba City Museum of Art, 1996.
18 x13 cm, 54pp + boards exhibition catalogue. First edition. 17 b/w illustrations.
Essay by Norihiro Kato. Text in Japanese and English. Reproduces Sugimoto's
Seascape photographs. Biography of the artist and bibliography (latter in Japanese
only). Listed in The Hara Museum book this is an often sought-after catalogue
of some of Sugimato's most uncompromising but stunning work. Uncommon. Fine
estate.
75 uk pounds
Turk,
Gavin
KNOB
Habitat Ltd., London, 1997
70 x 100 cm offset 7-colour lithograph on gloss paper. The self referencial
(and thus typically egotistic) image is that of the artist's own facsimile signature.
Thus signed twice (once by hand). A bizarre foray into art publishing by the
furniture multinational who produced a series of works by a number of YBAs including
Emin, Wearing, Hume and Turk. Framed as issued. Numbered from an edition of
70. Now scarce. Fine.
595 uk pounds
Wool,
Christopher.
Cats in Bag, Bags in River
Museum Boymans-Van Beuningen Rotterdam, Netherlands: 1991
Artist's Book in two volumes. issued on the ocassion of the major exhibition
in the museum. Uniformly 28 x 22cm. Volume one - 96pp plus covers and dj. Offset
single sided reproductions of the artist's typographic and wallpaper inspired
paintings. Volume two - 12pp plus card covers. Test by Wim Crouwel. Contains
biography, bibliography, lists of works in the show and a "outline of a
book on Christopher Wool" by Crouwel. Not often found in two volumes. Fine
estate.
45 uk pounds
(Young
British Artists Portfolio)
Other Men's Flowers.
S.p. London 1995
All uniform - 61.5 x 47cm. One of only 50 issued plus A/Ps. A famous, seminal
print portfolio curated by Joshua Compston before his early death of a heroin
overdose. All works are textual in content with many of the artists producing
their first print for this portfolio. Included are Henry Bond, Stuart Brisley,
Don Brown, Helen Chadwick (now sadly dead), Mat Collishaw (first print), Itai
Doron, Tracey Emin (first print), Angus Fairhurst, Liam Gillick, Andrew Hermen,
Gary Hume (first print), Sarah Staton, Sam Taylor Wood (first and only print),
Gavin Turk and Max Wigram. The prints are all in fine condition, and all are
signed. Contained in a two colour, blue and red box with some minor wear around
edges but otherwise very good + condition.
3,750 uk pounds
All items subject to availability and our terms. While we will do our best to minimise change, because we are trading internationally all prices are liable to change due to currency fluctuations - please contact Heart Fine Art Ltd for a firm quotation. All invoices billed in pounds stirling unless otherwise agreed in advance. To check currentconversion rates then one easy way to do is to consult the following on-line currency converter.
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Jake and Dinos Chapman
Tony Cragg
Tracey Emin
Katharina Fritsch 
Lynn Hershman
Gunter Forg
Olaf Metzel
June Redfern
David Salle