Fahlstrom, Oyvind
MINNESLISTA (From "Dr. Schweitzers sista uppdrag"). (Translates as "Dr. Schweitzer�s last mission")
Stockholm, Kerberos, 1964.
Uniformly 35 x 46 cm, 4 sheets loose in printed wrappers. An artist's game/artist's book from the politicaly committed Swedish artist who once designed a board game entitled "Kidnapping Kissinger" which was exactly what is said on the label - a game where the winners successfully kidnap Nixon's right hand man. Here each sheet is illustrated with a coloured, imaginative yet slightly surreal map with texts "PLUTTSALONG / PLUTTS�NG / PLUTTSARONG / PLUTT�NG" which are Swedish portmanteau words which infer uselessness and/or insignificance. The first sheet also contains the "rules of the game" which are equally obtuse whilst still fulfilling the Witgensteinian idea of a game. The whole relates to a series of 'variable paintings' (installations and works which can be recombined in different ways using magnetic pieces) regarding 'Dr. Schweitzer' - a comic, stereotyped authority figure who Fahlstrom uses to create disturbing scenarios where the worldview is unsettled by the intrusion of medical instruments and procedures: thus may be viewed as a symbolic and all powerful stand-in for reactionary government. Small scratch on back cover, otherwise a fine copy of this very scarce 60s work from the famous agit-prop artist who has been influenced at different times by US underground comics (especially Crumb), Scandinavian pornography and Nordic expressionism. Intriguing.

1,000 uk pounds.

(Fahlstrom, Oyvind)
Hultberg, Teddy
OYVIND FAHLSTROM I ETERN - MANIPULERA VARLDEN. Faglar i Sverige, Den helige Torsten Nilsson, bilder & manuskript.
Stockholm: Sveriges Radios F�rlag/Fylkingen,1999.
Folio, 336pp plus cloth boards with dustjacket with laid in 2 cd set of artist's recordings, all in printed slipcase. The title translates as "�yvind Fahlstr�m on the Air - Manipulating the World". Texts in both Swedish and English. The two CDs have recordings of works: "Birds in Sweden" (1963) and "The Holy Torsten Nilsson" (1966). A recent review of the genre - spanning Swedish artist's soundworks. Fine.

60 uk pounds

Feldman, Hans Peter
BILDER
Germany: s.p. (the artist), 1968 - 1971
A number of Feldman's extremely rare artist's books from the earliest period - each is an. approx 12 x 8cm offset book content of appropriated photographs. The books available are
12 BILDER (In flight aeroplanes captured on film from the ground) 1968
3 BILDER (2 busty girls in saucy poses) 1970
7 BILDER (Photographs of weddings) 1970
6 BILDER (Footballers) 1971
14 BILDER (Mountains) 1971
11 BILDER (Clouds) 1971

Each book is 295 uk pounds or all 6 books for 1,950 uk pounds

Feldmann,Hans Peter
POSTKARTENEDITIONEN
n.p., n.p. (Feldmann), n.d. (1974)
14.8 x 10.5cm, 11 postcards from appropriated images one for each month of the year with February missed out . Feldmann sent out such groups of postcards to friends but always removed one card from the set so that no-one had a complete set. This is a pristine unmailed set. Very good. Very scarce.

750 uk pounds

(Fillou/Williams)
Lebel, Jean-Jacques.
2ieme FESTIVAL DE LA LIBRE EXPRESSION. Organised by Jean Jacques Label. Original poster/programme + three handbills and a hand out along with 3 original b/w photographs from the event.
Paris: Centre Americains des artistes, May 17 - 25, 1965.
Poster: 44 x 32cm, black on pink paper - folded with some paper loss bottom right and left. Programme notes participation of Alain Jouffroy, Robert Filliou, Emett (sic) Williams, Earle Brown and many others. Design includes a reproduced photographic image.
Programme hand out for the Earle Brown Lecture on "Composing Music by Chance" and the Filliou/Williams Extra-Sensory Misperception. 27 x 22cm, 6pp. Included in the stapled leaflet is a "souvenir sheet" which consists of a copy of the Filliou/Williams multiple "The Pink Spaghetti handshake". The artists shook hands while holding painted spaghetti onto a sheet of white paper and the resulting "print" was allowed to dry and included here. This is a rare and important example of this famous work - which takes pride of place in both poet's oeuvre and is oft mentioned in William's autobiography. Some folding and tears without any paper loss - a very good example of this rare work
3 handbills: 4to, both 1pp. Mimeotext on white paper. Programme details respectively for the Ferlinghetti contribution ("Underwear")and a Lebel happening and le Groupe Panique International (a drama). Some tears but no paper loss. previous creases where folded. The third hand out is the programme for a concert by Nam June Paik and Charlotte Moorman on 21 May 1965 where works by Paik, Chiari, Brown, Corner, Cage, La Monte Young, Dick Higgins and Ichiyanagi were performed. Interestingly the programme notes the loss of a Paik sculpture "Robot" as having "disappeared mysteriously on the way from iceland to Paris in the international air labyrinth."
Three original photographs - respectively 18 x 24cm, (image 12.5 x 18.5cm) ; 24 x 18cm (image 18.5 x 12.5 cm) and 9 x 13 cm (image 5.5 x 9.5 cm). All are b/w and press shots from "Chapman-Fotogram" Cignac, France (company stamps and hand written descriptions verso) . The images are of a performance by Alexandro Jodorowsky (2 images) where he and his naked female co-performers had his body smeared with honey and hair and where a sacrilegious ceremony was performed where a priest handed out hosts for consumption by the same participants. The third smaller photograph is a portrait of Label. All have very minor surface scratches but are otherwise very good. Images on request.
Together - a rare group of material from this historic festival. The material is also with some significance to the works of several Fluxus affiliated artists (especially the bound in copy of the "Pink Spaghetti handshake") and despite the typical wear associated with such freely distributed material a very desirable group of material.

500 uk pounds

Filliou, Robert ("et co").
POEME COLLECTIF
La Louviere, Belgium: Daily-Bul, 1968
Small 8vo, 16 blank pages, 4pp with text and card wrappers- laid in 2pp card. The artist's book which is intended for use by a group of participants to create a communial poem from Filliou's intial instructions. Numbered from an edition of 1000.

75 uk pounds

Filliou, Robert
UNTITLED (AUTOUR DES VISITES A SPINOZA). Unique work/wall sculpture c. 1968
110 x 14.5 x 4cm sculpture. Cardboard, wood, string and found text on paper. 12 x 14.5 x 4cm cardboard box with a found single page of text from a book "AUTOUR DES VISITES A SPINOZA" glued to the bottom of the box. On the text is glued a wooden block from which over 2m of string is attached. The string is designed (as was typical of this vintage period work by Filliou) to hang the work on a wall. Spinoza was, of course, a Dutch rationalist and determinist (of sorts) and Filliou�s various researches into science and the origin of art are comparable and no less encompassing if less well known. Fine condition with some minor yellowing of the page from the book. Full and clear provenance available.

4,950 uk pounds

Filliou, Robert
TEACHING AND LEARNING AS PERFORMING ARTS
Koln: Konig, 1970.
270 x 210mm, 231 pp. artist's book - spiral bound in yellow card covers. Filliou's notebook is designed for use - a lot of space is left deliberately blank for the reader's participation. Contributions by John Cage, Benjamin Patterson, George Brecht, Allen Kaprow, Marcelle, Vera and Bjoessi and Karl Rot, Dorothy Iannone, Diter Rot, and Joseph Beuys. Fine condition.

85 uk pounds

Filliou, Robert
15 WORKS OF ROBERT FILLIOU TO BE LOOKED UPON AS EXHIBITION FOR THE 3RD EYE
Antwerpen: Wide White Space, 1971
Invitation card designed by Filliou � with a work reproduced verso in b/w . Fine.

75 uk pounds

Filliou, Robert
ROBERT FILLIOU
Berlin: Galerie Rene Block, 1971
15 x 10.5cm, 20pp plus covers. Exhibition catalogue for Fillou�s one man show at the famous Berlin Gallery. 16 works illustrated in b/w with no text. Former owner�s name on inside cover (ex libris the curator and artist, Peter Van Beveran), stamped "Art Information Centre" (a project where artist�s books were meant to be registered and submitted voluntarily) and a numbering system neatly inscribed on the bottom left cover from the Centre but a rarity in any condition. One of only 500 issued.

195 uk pounds

Filliou, Robert
RECHERCHE SUR L�ORIGIN/RESEARCH ON THE ORIGIN/ERFORSCHUNG DES URSPRUNGS
Dusseldorf: Edition der Stadtischen Kunsthalle, Dusseldorf, 1974.
4to card box content of one 11" x 29 ft. (unrolled) printed paper scroll; either end with wooden attachment. Signed and numbered by the artist. Also included (as issued): the catalogue for the title exhibition. Tri-lingual text (German, French & English). Introduction by Jurgen Harten. Dusseldorf: Edition der Stadtischen Kunsthalle, Dusseldorf, 1974. 16 mo. 27 pp. wrappers. One of 400 numbered examples issued of this obviously "lengthy" multiple by Filliou. Both pieces fine in like box.

550 uk pounds

Filliou, Robert
DEBUT FIN D�UN LIVRE SANS FIN
Germany: Klaus Groh, 1973
10.3 x 7.5cm, 32pp plus card covers. Artists book. Hand made on a xerox machine and with rubber stamped covers ("R.F.") this is a very scarce limited edition by the Fluxus affiliate and poet. The work consistes of the number sequence 1 + �.. n+ ,,,, n+1 spread over the pages of the book � thus making the book endless. Numbered and dated in pencil on the inside back cover. Fine.

125 uk pounds

Filliou, Robert
ANNOUNCEMENT CARD FOR PORTA FILLIOU
Canada: Arton's Video Production, 1977
10 x 15cm, 2pp b/w card for Filliou�s Fluxus film. Recto a still from the film showing Fillou's profile in a car. Verso ordering information. Very good.

45 uk pounds

Filliou, Robert
LE SIEGE DES IDEES ANALYSE LOGIQUE DE EDWIGE REGENWETTER
Br�ssel/Hambur: Edition Lebeer Hossmann 1977
Small landscape 4to, 36pp plus card covers. First edition of Filliou's artist book. One of 900 numbered examples. Fine.

45 uk pounds

(Filliou, Robert, Ken Friedman Alison Knowles, Ben Vautier, Robert Watts and Others)
CENIZAS Nr. 6
San Francisco: Cenizas, 1980
8vo, 30pp plus card covers. Self folded and bound. Tipped in 10.5 x 9cm, 30pp, stapled artist's book by Larry Wendt (Earthworm). Ben's contribution is noteworthy - a poem edited from a facsimile reproduction of his letter from Berlin to the editor (Mike Crane) by the selection of sections underlined by Vautier. A single issue of this artist's publication with original and reproduced contributions. Fine.

35 uk pounds

Filliou, Robert
MUSICAL ECONOMY NO. 2
Zurich: Seedorn Verlag, 1983
21.5 x 30.5cm printed transparent envelope content of a 62 x 42cm folded printed poster which reproduces a drawing by Filliou of conductors' stands. One of 150 signed and numbered prints. Fine in like envelope. Scarce.

400 uk pounds

Filliou, Robert.�
LONGS POEMS COURTS A TERMINER CHEZ SOI
Brussels/Hamburg: Editions Lebeer Hossmann, 1984
Sixteen artist's postcards, uniformly 10 x 15cm, which reproduce poems which were left incomplete for the later participation of the owner. Fine.

40 uk pounds

THREE HAND DRAWN FLUXUS CARDS

Fine, Albert
UNTITLED (WRIGHT EMOS). Unique drawing on postcard. 1973
8 x 13cm, 2pp hand drawn black ink on postcard. A unique example of hand-created mail-art by the Fluxus artist and filmmaker Albert Fine. The front of the card is a typographic design in Fine�s ideosyncratic style where letters are embellished with additional ascenders and horizontal flourishes to the point of obscurity - in addition in FIne's unstated rules of design, words could be placed up-side down to further confuse the reader. Fine's texts CAN be read with some difficulty however as Fine�s lettering/ornamentation and the placing of words is consistent (a word can change direction but it remains in series with the rest of a sentence or phrase). Here the text on the front reads: "WRIGHT RONG / ART WRONG / NOT RITE/ DO NOT SEND /SEND TO TUTTLE/SMUDGE" � the "Do not send" is a clear referencing of Ray Johnson�s series of "Do not send to�" mail art pieces. There is also a hand drawn paper clip which is continued 'a la trompe d�oeil' over the overside of the card. The entire work is addressed to "(Norman Viet Con) Doctor Patient 94 Chambers St. NYC 10007". Franked and mailed through the US post, this card has survived in very good condition and is a wonderful piece of personalised mail art.

200 uk pounds

Fine, Albert
UNTITLED (CAFFE ALUMETTE MAGGOT). Unique drawing on postcard. 1973
8 x 13cm, 2pp hand drawn black ink and stains on postcard. Yet another unique example of hand-created mail-art by Fine. The front of this card has been stained with coffee and the stains used (as if by a post-modern Ernst) to create a postcard equivalent of a captured tabletop by Spoerri. Franked and mailed through the US post this item was again addressed to "Tostado Obscure 94 Chambers St. NYC 10007" and is in very good condition.

225 uk pounds

Fine, Albert
UNTITLED (DINASAUR STAMP). Unique drawing on postcard. 1974
8 x 13cm, 2pp hand drawn black ink on postcard. A further unique example of hand-created mail-art from Fine. The front of this card has a typographic design with printed elements to give the impression that the card has been impressed with a rubber stamp. Given the poor quality of many mail art items sent within the network during the 60s and 70s (typically xeroxed collages) this is a timely reminder that some artists took care and effort to create miniature works of art. Franked and mailed through the US post this item was addressed to "Tostado Obscure 94 Chambers St. NYC 10007" and is in very good condition.

195 uk pounds

Fini, Leonor
LEONOR FINI
London: Hanover Gallery, 1967
10 x 21cm, 8pp (including 2 fold-outs) in typographically-designed printed card covers. Exhibition catalogue, 8 b/w reproductions of works and 16 displayed paintings noted. no text. Slight browning to covers and very minor damage to ends of spine but otherwise very good.

45 uk pound

Concrete Poetry /IHF
POETRY 66 Exhibition of Concrete/Spatial Poetry.
Nottingham: Trent Book Shop, 1966
10.5 x 25.5 cm, 4pp announcement leaflet for an exhibition of Concrete/Spatial Poetry at the Midland Group Gallery in Nottingham. 36 contributors listed (including dsh, Hugh MacDiarmid, Bob Copping, Edwin Morgan, Jonathan Williams, John Furnival, Tom Clark and others) and the reproduction of one early poem by Ian Hamilton Finlay - "No Thank You, I Can't Come"which is amusing in context. Very rare.

50 uk pounds

A RARE EARLY STANDING POEM AND BOOKWORK

Finlay, Ian Hamilton
STANDING POEM 1 (PEAR/APPEAR/DISAPPEARED)
Dunsyre: WIld Hawthorn Press, 1963 21 x 18cm, 1pp. the very first of all of Finlay's cards - this is an extreme rarity since the work is often not identified because of the mistakes in both Murray and the Druckgrafik catalogue raisonne - both have incorrect sizes for this work. The words (PEAR/PPEAR/APPEAR/SAPPEAR/ISAPPEAR/DISAPPEAR/ISAPPEAR / SAPPEAR/APPEAR/PPEAR/PEAR) run around the outside of the card - which when stood up creates a 3-D paper sculpture. This copy is believed to be one of only circa 250 produced. Very good. Rare.

345 uk pounds

Ibid Another copy but damaged thus - one large tear (5cm along a seam and then inward for 4cm), a smaller tear (3 cm) and several bumps on the card where a rough heavy object has marked the surface. Nonetheless the item could be easily repaired. This copy is printed on cream coloured card � and as such is unusual since the reported print run according to Murray is on white card. Priced thus due to damage.

90 uk pounds

Finlay, Ian Hamilton (with Michael Harvey)
HOMMAGE TO JONATHAN WILLIAMS
Stoneypath: Wild Hawthorne Press, 1972
17.7 x 13.7cm black on cream artist designed postcard. A drawing of a barque is numbered as to indicate a paint scheme � which is white all over) One of 350 copies. Slightly bumped top right. (Murray 4.65)

45 uk pounds

Finlay, Ian Hamilton (with Karl Torok)
FAMILY GROUP
Stoneypath: Wild Hawthorne Press, 1973
9.7 x 18 cm black on white lithograph of a series of formally trimmed trees � mounted on a 15.5 x 26cm 4pp printed folder. Laid in is a 15.5 x 26cm key to the image in outline � indicating the various trees as named human family members. The similarities with formal, well-manicured, family portraits from the early part of the century is thus made apparent. Mild bumping to edges of folder. One of 350 copies (Murray 5.43)

95 uk pounds

Finlay, Ian Hamilton
PACIFIC
Stoneypath (later Little Sparta): Wild Hawthorne Press, 1975
19 x 28 cm. Board war game for two players consisting of playing board, die cut counters and printed instructions. Fine copy of this rare work. Still in original plastic wallet. This example has never been played - the die cut counters are still in their original card mouldings. Finlay�s fascination with the WWII war in the Pacific led to the production of this unusual artist�s game. (Murray 7.8).

450 uk pounds

Finlay, Ian Hamilton
MARAT ASSASSINE AND OTHER WORKS
London: Victoria Miro, 1986
22 x 11cm, 2pp artist designed announcement card. Reproduces Finlay's 'A David Marat' a plinth with revolutionary rosette along with verso a variation of the same drawing by Gary Hinks - as if seen from behind. Fine. Murray 8.20.

8 uk pounds

Finlay, Ian Hamilton (with Steve Wheatley)
ARCADIAN GLIDERS
England: White Lies Publications, 1981
22 x 15.5 x 1.2cm box content of 9 printed cards (plus instructions) which allow the owner to make model gliders. Scarce multiple. Fine.

135 uk pounds

Finlay,Ian Hamilton (with Jo Hincks)
1794
N.P. (Little Sparta), n.p. (Wild Hawthorn Press): n.p. (1994)
18.5 x12cm, 4pp folded artist designed card. The image on the front of the card is of a wildrose � a reference to the French Revolution. To steal from Yeats: a terrible beauty is born�. Fine estate.

45 uk pounds

Finlay,Ian Hamilton (with Gary Hincks)
REEF POINTS
NYC/Little Sparta: Wild Hawthorn Press/Nolan/Eckman Gallery: 1996
16.2 x 18.4cm, 34pp plus printed boards. Exhibition catalogue which is in fact a Finlay artists� publication. Various methods of stitching of sails are reproduced as lithographs and tipped onto the pages � each functions as an abstract work as well as a visual pun on seamaps. One of 350 copies released. Fine estate.

75 uk pounds

Finlay,Ian Hamilton (with Jo Hincks)
RUDDER
N.p. (Little Sparta), n.p. (Wild Hawthorn Press): n.p. (c. 1997)
17 x 6.8cm printed white folder content of two elements � a printed card with a ship�s rudder � with a clear plastic overlay which is printed with the word "Varnish" . Card or object multiple? One of 350. There is a slight crease damage (1cm) to the plastic overlay � priced thus.

25 uk pounds

Finlay, Ian Hamilton
HUFF LANE
Little Sparta: Wild Hawthorn Press: Xmas 2000
16 x 21.5cm , unpaginated (60pp approx.) in casebound. One of 300 copies - a book of photographs of Little Sparta by Robin Gillanders. Fine.

65 uk pounds

Finlay, Ian Hamilton
A PROPOSAL (FOR THE GROUNDS OF SERPENTINE GALLERY)
Little Sparta/London: Serpentine Gallery/Wild Hawthorn Press 1997
16 x 21.5cm , unpaginated (60pp approx.) in casebound. One of 250 copies a book of suggestions by Finlay for the Serpentine Gallery London on the occasion of its reopening. Fine.

55 uk pounds

Finlay, Ian Hamilton
DIE HEIMAT IST NICHT DAS LAND�.
n.p.: n.p., 1997
52.5 x 80cm silver on grey silkscreen containing the title text in three languages. Based on a work installed in Hamburg, this work translates into a quotation: "The native land is not a land, it is a community of feelings." An unnumbered copy aside from the edition of 75 � fine. (Druckgrafik 4.97.1)

100 uk pounds

(Fischer, Lili).
LILI FISCHER - HAUSGEISTER. Installationen, Objekte, Zeichnungen. Texts by Hanna Hohl, Lothar Romain, et. al.
Heidelberg: Heidelberger Kunstverein, 1988.
21 x 30cm. 68pp. 70 b/w photo-documents. Original wrappers. First edition. The superb catalogue documentation of Fischer�s thematically-related performance and installation work of the title. One of only 500 copies printed. A very good+ example. Uncommon.

40 uk pounds

(Fischer, Lili and Timm Ulrichs, Jochen Gerz)
KUNST LIVE. THEATER, PERFORMANCE, WORKSHOP.
Bremen: VSWK, 1978.
30 x 21 cm, 20pp + wrappers, the programme for a week-long series of performances. 10 b/w images of artists and earlier works - Fischer's contribution was Kraut & Zauber - a daily workshop. Slight tear to spine otherwise VG.

15 uk pounds

Fischer, Lili.
KUNSTLERISCHES ZUBEHOR FUR DAHEIM
Wiesbaden: Harlekin Art, 1989.
30 x 21.5 cm, circa 150 pp. A detailed survey of the performance artist's work including many photographs, drawings and facsimiles - one of 873 examples. Very good.

35 uk pounds

Flavin, Dan
SOME CORNERED INSTALLATIONS IN FLUORESCENT LIGHT FROM DAN FLAVIN SET TO CELEBRATE TEN YEARS OF THE ALBRIGHT-KNOX ART GALLERY FROM MAY 13TH THROUGH JUNE 25TH 1972
Buffalo: Albright-Knox, 1972
42 x 56cm, 5 colour lithograph designed by Flavin based on his title installation - with a 14 word hand written dedication by Flavin in ink neatly written above the title on the front of the poster. Not only very attractive but rare thus. Fine.

325 uk pounds

Flavin, Dan
SOME UNEVEN COOL WHITE CIRCULAR FLUORESCENT LIGHT FOR THE NEW EVEN WALLS OF THE LEO CASTELLI GALLERY.....
NYC: Castelli Gallery, 1974
12.8 x 23.8cm, 1pp black on grey typographic card for a piece of minimalist opportunism from Flavin. Fine. Scarce.

45 uk pounds

Flavin, Dan
CORRIDORS
NYC: Castelli Gallery, 1981 68 x 68cm full colour exhibition poster for Flavin's title installation. The entire poster displays a photograph of the work in situ with text info at the bottom of the image. Folded with some very slight wear at folds but otherwise very good.

95 uk pounds

(Fluxus/Maciunas)
BROCHURE PROSPECTUS FOR FLUXUS YEARBOXES (VERSION B)
Ehihalten: Maciunas, n.d. (circa October 1962)
21 x 21cm, 8pp plus printed card covers (black on olive green card). This is the second � yet still extremely scarce � printing of Maciunas� plans for the future 7 Fluxboxes (most of which did not come to fruition). A slightly earlier version of the prospectus was printed on orange paper but this is the very slightly later b/w copy (a difference of 4 months at most). Page 1 has the famous definition of Fluxus reproduced from a dictionary. Designed by Maciunas this was the first public manifestation of the plans for Fluxus aside from the "Fluxus � Tentative Plans for Contents of the First 6 (and 7) issues" and "News-Policy-Letter No 1" which were only circulated to potential supporters and participants. On the back cover here some gloss paint remains from some past unknown activity but otherwise this is very good+ with minor browning. Amazingly the paint does not distract from the look of this important document partially because of the patterning of the cover paper chosen by Maciunas. Silverman 541. Very rare.

750 uk pounds

(Fluxus) de Ridder, Willem
SOCIETY FOR EXHIBITION ORGANISING
Amsterdam: s.p. (de Ridder), c. 1963
31 x 16.4cm, 1pp leaflet advertising the artist�s offer of organising a surprise exhibition while gallery owners take a long bath or go on vacation (or in a collector�s home if desired). Quite a serious suggestion by de Ridder it is not known how many took up his offer. An early example of this event/happening by the Flux-ateer. Slight crease marks top right but otherwise a fine example of this rare ephemera.

295 uk pounds

(Fluxus)
Maciunas, George
I WISH TO REMAIN ON FLUXUS MAILING LIST �
NYC: FLuxus, n.d. (c.1965)
6.7 x 12cm, 1pp. Maciunas�s typical typography is utilised in creating this small mailing list reminder card which was designed to be returned to the Fluxus HQ. Verso is stamped: "Fluxus PO Box 180 New York NY 10013". Scarce. Fine.

95 uk pounds

Fluxus/Maciunas
FLUXORCHESTRA AT CARNEGIE RECITAL HALL
NYC: Fluxus (Maciunas), 1965
26 x 21.5cm, 1pp black on beige leaflet/poster/programme for this Fluxus event designed by George Maciunas using a repeating "tongue out" logo. This copy was used in an actual Fluxus event on the night and was folded up into a paper airplane and sent out to the audience. Very good condition apart from the foldlines. Very scarce and unique in this manner.

375 uk pounds

Fluxus/Maciunas
MARCH 24, 8PM AT 80 WOOSTER ST. FLUX-HARPSICHORD
NYC: Fluxus (Maciunas), n.d.
28 x 22cm, 1pp black on blue leaflet for this Fluxus event designed by George Maciunas. Only circa 200 were printed for this concert of works by Brecht, Higgins, Ichiyanagi, Jones, Knowles, Maciunas, Paik, Miller, Schmit, Tone, Wada, Wattsa and Young. Slight fading to the upper edge otherwise very good. Rare.

400 uk pounds

Fluxus/Maciunas
ARTIST'S BENEFIT FOR JUDSON CHURCH
NYC: Fluxus (Maciunas), n.d. (circa 1970)
28 x 22cm, 1pp black on green leaflet for a benefit exhibition and sale of works donated by artists including many Fluxus affiliates. This leaflet was designed by Maciunas. The exhibition was "What happened/A look back". Very good apart from a crease fold (caused by cheap paper employed). Rare.

250 uk pounds

Fluxus
Hendricks, Jon and Barbara Moore
WAS IST
NYC: Backworks, 1976 30 x 21cm, 32pp exhibition catalogue for this early show of Fluxus memorabilia and items. 192 items are listed along with small b/w images. Texts in English by Hendricks and Moore. Extremely interesting resource. Fine apart from some browning to the cheap paper employed. This copy was formerly owned by Charlotte Moorman and it has her address sticker on the back (a mailed copy).

95 uk pounds

Fluxus/Maciunas, George
PERPETUAL FLUXUS FESTIVAL
NYC: Washington Square Gallery/Fluxus, 1964.
44 x 41cm, black on brown publicity poster designed by Maciunas in a Fluxus parody of a circus poster. Advertises street events by Brouwn, Ben, Ono, Higgins, Jones, Ay-o, Knowles, Roth Saito and many others. A previously mailed copy, it is nonetheless a very good example of this rare poster.

450 uk pounds

(Fluxus, Zero, Nul)
SIGNALEMENT
Holland: n.p., 1963
Standard VHS cassette containing a 20 minute nationally broadcast (VARA) Fluxus tv program organised by Wim T. Schippers and Willem de Ridder with performances and features on the two artists, Spoerri, and Vostell. There is also an interview with Henk Peeters, the founder of the Nul movement in the Netherlands, where there is an attempt at a definition of the Zero Group's aims: 'We present reality as we see it' and clips of Piero Manzoni, Stanley Brown and Yves Klein at work. In addition, the programme covers among others Pop Art, Nouveau Realisme, Fluxus, the Zero and Nul Groups and kinetic art. To the best of our knowledge, there was no reguilar edition of this video (this version is European PAL only). Fine condition. A interesting document.

150 uk pounds

A RARE FIND

Fluxus Collective/de Ridder, Schippers, Schmit, Williams
INTERNATIONAAL PROGRAME FOR AN EVENING OF NIEUWESTE MUZIEK - NIEUWESTE THEATER - NIEUWESTE LITERATUUR. Werken o.a. van Mood Engerneerin Society Holland (MESH), Fluxus International, High Red Center Tokyo anbd Adynamical Works zpv. Organised by de Ridder, Schippers, Schmit, Williams
Amsterdam, De Kleine Komedie, n.d. (circa 1962)
32 x 21.5c, 4pp black on green programme for an early Fluxus event in Amsterdam - the planned programme includes works by Patterson, Koepcke, Watts, Kusugi, MacLow, de Ridder, Williams, Page, Brecht, La Monte Young, Filliou, Schippers and Schmit. A scarce early document. Slight fading to the green paper (due to light) and some evidence of past folding but otherwise very good. Not in Silverman.

345 uk pounds

Fluxus.
Fluxus international & Co. Co-ordinator Ben Vautier. Katalog der Direction des Musees de Nice Action Culturelle Municipale.
Lyon / Nice: Avril 1979 / 5. juillet au 23 septembre 1979.
23 x 21 cm, yellow ringbinder containing circa 50pp diecut sheets - with many Fluxus artists having a page each including George Brecht, Tomas Schmit, Henry Flynt, George Maciunas, Wolf Vostell, Joseph Beuys , Robert Filliou and others. Very good condition with some marks to the cover.

85 uk pounds

(Fluxus/Happenings)
Dreyfus, Charles
FLUXUS ELEMENTS D'INFORMATION (Documents d'art contemporain Nr 2)
Paris: Musee d'art moderne de la ville de Paris, n.d. (1975)
30 x 21cm, 50pp plus covers - all in spine binder. Exhibition catalogue. A short essay by Dreyfus is followed by 36 pages of very details Fluxus chronology (1958 - 1974) and biographies of all the artists - text in French. Published on the Paris exhibition "Fluxus Documents" it is a very good period document outlining the movement's history realised in part with the help of Ben Vautier and with 6pp of reproduced documents (most common) at the end. Very good if wrappers a little grubby. Essential.

95 uk pounds

(Fluxus/Happenings)
HAPPENING UND FLUXUS
Koln: Kolnischer Kunstverein, 1970
20 x 15cm, 44pp - stapled. Exhibition catalogue from a German show. This catalogue not only has a text in English by Kirby and another detailed German essay by Heubach (the publisher of Interfunktionen) but has on the cover an original drawing (offset) by Wolf Vostell showing the exhibition layout (with drawings of where the various exhibits - Maciunas Flux-Toilet, Kaprow's Yard, Higgins Thousand Symphonies and others including Ay-o, Judo, Jones, Corner, Friedman etc. would have stalls/spaces). One major aspect of this catalogue was a 12pp list of documents and items offered at the show for sale. This copy was originally owned by the English Beau Geste Press/David Mayor who organised Fluxshoe and was an active English Fluxist and is annotated in his hand throughout - mostly noting dates on many of the listed items and a "tick" if he bought the item or not at the show. Thus what might normally be a defect is actually a plus here since this catalogue contains extra research information about many Fluxus items. A very good copy. Rare.

90 uk pounds

(Brecht, George and Dick Higgins)
Knowles, Alison
BEAN PROJECT SUMMER
NYC: s.p. (Brecht), n.d. (1963/1964)
46cm x 18cm (unfolded). Black on cream leaflet/poster designed by George Brecht and Dick Higgins for Knowles. Recto is taken up with a reproduced photographic work by Brecht and verso a complicated typographic design with illustrations which is similar in design to the Water Yam poster that Brecht also designed at this time. References to the first edition of An Anthology, works by la Monte Young and Angus MacLise date this poster at circa 1963. The text (involving beans, natch!) is by Knowles and includes a recipe for Beans Mozarella that you could actually eat (unusual for Fluxus!). Fine, folded as issued. Rare.

395 uk pounds

(Fluxus).
FILM CULTURE - EXPANDED ARTS. No. 43. Special issue of Film Culture.
New York: Film Culture Non-Profit Corp., 1966.
40 x 55 cm. 12pp. B/w illustrations throughout. Tabloid format designed by George Maciunas. Single number of this revue. Denoted as the �Fluxus number�. Includes an extensive account of a symposium on Expanded Cinema (NY Film Festival, 1966) & 5 �Fluxpages� + Fluxsale list. Contributions by Maciunas, (�Expanded Arts Diagram�), Jonas Mekas, Henry Flynt, Gregory Battock, et. al. One of the most desirable numbers of this vanguard publication. Very good apart from some unavoidable small tears where it has previously been folded.

95 uk pounds

(Fluxus)
FLUXFEST
San Francisco: n.p., 1967
28 x 21.5cm, 1pp b/yellow offset invite leaflet/poster for an all day Fluxus festival. Ben Vautier. MKilan Knizak and Ken Friedman are noted as participants on the photographic poster. Fine example.

55 uk pounds

(Fluxus)
FLUXFEST 1967
California, n.p., 1967
45 x 34cm silkscreen poster for West Coast Fluxus event . This design is notable for its psychedelic design which reflects the then vogue for hippie typography and colours. Fine example of this rare poster.

195 uk pounds

(Fluxus)
Schmitt, Tomas & George Maciunas
EKSTRA BLADET no 239.
Copenhagen, 1962. Long folio. 4 pp (two separate sheets), b/w on newsprint. First edition of this collage of news articles covering the Copenhagen Fluxus Festival which acted as publicity for the show. Slight browning to the paper and folded for storage but otherwise very good.

295 uk pounds

(Fluxus)
Maciunas, George
FLUXUS STATIONERY
NYC: Fluxus, 1966
28 x 21.5cm, 1pp offset on white. A stationery design by Maciunas for the four official designated zones of Fluxus � thus Fluxwest � Friedman; Fluxeast � Knizak; Flux-south - Vautier and Fluxnorth - Kirkeby � the addresses all are spaced along the right edge. Circa 500 were printed. Some mild browning to right edge due to the paper employed but otherwise very good. Scarce.

125 uk pounds

(Fluxus)
Filliou, Robert, Ben, Beuys, Schmit, Tomas and others
Untitled announcement leaflet for exhibition of music and works by various Fluxus artists
Amsterdam: Gallerie A, 1975
30 x 21cm, b/w 1pp announcement leaflet. Text in Dutch with a reproduced Schmit drawing "Utopia". Fine but folded for mailing.

25 uk pounds

Fluxus
POSTER FOR FLUXSHOE
Exeter, UK, Fluxshoe, 1972
52 x 44 cm b/cream offset poster for the Fluxus travelling show that moved from town to town within the UK during the 1970s and also featured some well known performance artists. Noted on the poster as participants are Ay-o, Brecht, Chopin, Crozier, Higgins, Lennon, Vautier, Vostell, Watts and many, many more., This copy has had a gallery sticker overlaid for the local event datails and rubberstamped "Good grief!". Very good.

55 uk pounds

(Fluxus)
FLUXSHOE. Conceived by Ken Friedman and Mike Weaver, realised and coordinated by David Mayor.
Devon: Beau Geste Press, 1972
210 x 293mm 144 pp + wrappers. Catalogue for touring exhibition. Numerous contributors to this catalogue/artists' book include George Maciunas, Yoko Ono, Joseph Beuys and Ben Vautier, Bob Watts, Sharrits, Schneeman, etc., etc. Fine condition

100 uk pounds

(Fluxus )
Fluxus International & co.
France,Liege Musee St-Georges, 1980
25 x 26cm silkscreened folder content of circa 100 pages of inserts - each by a participating artist. Most of the major Fluxus artists are included in this useful catalogue. Fine example.

100 uk pounds

Fluxus
AKI-FLUXFEST
Amsterdam: Akademie Voor Beeldende Kunst, 1981
49 x 33.5cm, 3 colour poster for a week of fluxus events organised by Harry Ruhe - with the participation of Eric Andersen, Giuesseppe Chiari, Dick Higgins, Ben Vautier, Wim Schwippers, Takak Saito, Milan Knizak, Willem de Ridder. Folded and posted (slight tear on one side) otherwise very good

25 uk pounds

FUTURE FLUX '90
n.p., n.p.,1990,
28 x 22cm, 6pp stapled b/w offset litho handout listing participantsand their addresses in the 1990 Fluxus /Mail Art exhibition. Slight folds but very good.

15 uk pounds

FLUXUS (V TRE). Editors: Geroge Brecht, Fluxus Editorial Council, George Maciunas.
New York: Fluxus, 1964 - 79.
A number of issues of this important organ for Fluxus propaganda. Originally conceived by Maciunas during a frustrating delay in production of 'Fluxus 1'. Consistently issued during the period of 1964 - 66, later numbers appeared only occasionally in 1970, 76 & 79 (respectively). A complete run being composed of eleven separate issues. The title was derived from Brecht's earlier one- off journal 'V TRE), and this term was integrated into the title of each issue (possibly adapted from the French 'votre' and /or the English 'voter', while eliminating the letter 'o').

Descriptions per number offered here as are follows:

No. 5. Vacuum TRapEzoid. 1965. 17 x 22". Tabloid format. Overall design by Maciunas. Composed of text pieces and scores by various contributors. Formerly folded else in fine estate. Silverman No. 557.

150 uk pounds

No. 8. Fluxus Vaseline sTREet. May: 1966. 17 x 22". Tabloid format. This issue contains two posters for events by Hi Red Center, a pagework by Wolf Vostell & a Flux shop price list. Formerly folded, else in fine estate. Silverman No. 569.

150 uk pounds

No. 9. JOHN YOKO & FLUX all photographs copyright nineteen seVenty by PeTer mooRe. New York: 1970. 17 x 22". Tabloid format. Composed of 123 b/w reproductions of photographs by Peter Moore documenting the 'Fluxfest presentation of John Lennon & Yoko Ono'. Laid-in is the single sheet catalogue of events. This number was edited by Robert Watts. Participants included Maciunas, Higgins, Joe Jones, Flynt, Vostell et. al. Formerly folded else in fine estate. Silverman No. 603.

200 uk pounds

No. 10. FLUXUS maciuNAS V TRE FLUXUS laudatio ScriPTa pro GEoRge. May: 1976. 17 x 22". Tabloid format. Issued on the occasion of a festival organized by George Brecht, Geoff Hendricks, + many others in honor of George Maciunas. Formerly folded else in fine estate. Silverman No. 603.

90 uk pounds

Fine, A. M.
PIECE FOR FLUXORCHESTRA
New York, NY: ReFlux Editions, 1983.
9.3 x 12 x 1.6 cm, transparent plastic box from the original Fluxus source with 25 offset printed cards (some are vintage, others re-printed). The instructions for a 15 minute performance using 15 performers (who remain anonymous amongst the audience until required) are very co-ordinated and great fun. With vintage Maciunas-designed label. Fine.

50 uk pounds

(Fluxus/ Maciunas)
FLUXUS PIN BADGE
n.p.: n.p. (Fluxus), n.d. (circa 1964?)
5 cm dia b/w button plastic badge with metal pin. The image is the well known face with sticking out tongue (such an appropriate logo was never better appropriated by any other art movement). The badge is "copyright 1964". Fine.

65 uk pounds

(Fluxus)
A GROUP OF 20 ANNOUNCEMENT CARDS FROM FLUXUS AFFILIATED ARTISTS FROM THE PERIOD 1980 - 1990 AND SOME ADDITIONAL 21 ITEMS OF EPHEMERAL MATERIAL
The group includes cards designed by Ben (2 cards "Take your time" and "Art does not exist"- 1979/1984), Higgins (3 cards for performances - 1990, 1993 and 1996), Ono (n.d. c. 1993), Knowles (1992), Saito (a 6pp full colour fold out card 1999), Shiomi (1998), Chrstiansen (1992), Patterson (1989), Wada ( 1989), Filliou (c. 1987), Williams (6pp colour fold-out, 1987 and 4pp from 1989) and 6 post-Maciunas Fluxus group shows (1983, 1989, 1990, 1991, 1992, 1996) added: 2 leaflets from Fluxfest 1996 NYC - along with a 7.5cm diameter sticker from the show added: leaflet from Flux Fest 1983 Neuberger Museum added: 4pp 42 x 10cm promotional leaflet for the Fluxus 30th Anniversary (Sound Events) editions added: Filliou 2pp announcement for the release of Arts Vivents c. 1990 added: 4pp announcement for "Women on the Verge (Fluxus and not) NYC 1995 including 1pp A5 leaflet for an Ono event 1995 added: the programme for Fluxfest 1992 NYC 'In and around fluxus' 28 x 21cm, 24pp. added: Ono - Press release for "YEAR LONG PARTICIPATION ART PIECE" NYC 1990 35.5 x 22cm, 1pp mimeographed leaflet along with 2 handouts - one the invite leaflet (replicated from a drawing by Ono) for "painting to Hammer a Nail In" nr 4, 1990 ("Self censorship feeds dictatorship") and the other a short text piece dedicating the 'Painting to hammer a nail in' to all "martyrs in the history of the earth." 1990 and the Judson Centenial newsletter which reports on the Ono event.. added: the programme for The Spirit of Fluxus 1983 Berlin. 24 x 20cm, 16pp. added: the announcement card for "documents from the Harry Ruhe archive"Conz, Italy 1999. 4pp added: the programme for Fluxus Etc. 1983 Neuberger Museum NYC. 4pp tabloid. added: announcement leaflet for "George Maciunas, Fluxus and the face of Time" by Fred Truck / The Electric bank. n.d. added: Announcement leaflet /poster for Fluxus & Happenings Galerie 1900 - 2000 Paris 1989 63 x 30cm and separate 4pp invite card added: Reflux Catalogue nr 3. 21.5 x 18cm, 8pp plus card covers - a nice catalogue from Barbara Moore's reflux editions with a great number of editions reproduced. added: Maciaunas - reprint of "Historical Development and relationship to avant garde movements" no date, no publisher - printed black on red. All of the above

41 separate items for 175 uk pounds

Fondane, Benjamin. (ne. Fundoianu).
LA CONSCIENCE MALHEUREUSE.
Paris: Denoel et Steele, 1936.
8vo. Original wrappers. First edition of this intriguing title by the audacious emigre Romanian avant-garde poet and theorist. There was no large paper or �du tete� examples issued of this work. Some minor browning to wrappers, else a very good copy. Uncommon.

85 uk pounds

DEDICATED BY FONTANA

Tapie, Michel
DEVENIR DE FONTANA
Torino: Fratelli Pozzo, 1961
28 x 29 cm, 212pp plus covers. Reproductions of works thorughout with tipped in colour plates along with the full text of Fontana's 'Manifesto tecnico dello spazialismo' and the 'Manifiesto Blanco' which was written during Fontana's 40 year soujourn in Argentina -the country of his birth. This copy is very good apart from typically missing the hard to find dust jacket but has a hand-written dedication with signature by Fontana on title page. Thus scarce.

425 uk pounds

Fontana, Lucio
CONCETTI SPAZIALLI
Torino: Einaudi, 1970
21 x 13 cm, 160pp exhibition catalogue illustrated throughout. Introduction by Paolo Fossati, texts and manifesto by Fontana. Very good copy of this posthumous survey of the artist's work.

65 uk pounds

(Freddie, Wilhelm).
Schmidt, Palle.
WILHELM FREDDIE. Den Evige Oprorer.
Kobenhaven: Chr. Erichsen�s Forlag, 1976.
4to. 122pp. 109 reproductions of works in b/w and color. Cloth. First edition of this scarce monograph detailing the life and work of the extremist and pioneering Danish Surrealist painter, filmmaker and provocateur. This example signed by Freddie. A fine example in pictorial dustwrapper with one slight closed tear. Essential.

125 uk pounds

Fridjonsson, Helgi.
DAGDRAUMAR.
Reykjavik: self-published, 1983.
Small 8vo. Composed of 26 unnumbered pp. Content of figure drawings on vari-colored stock. Printed wrappers. First edition. One of 100 signed and numbered examples printed of this bookwork by the foremost Icelandic book-artist and publisher. Laid into this copy are two exhibition cards for programs organized or contributed to by Fridjonsson. A fine copy. Scarce.

45 uk pounds

Friedman, Ken
SURREALISM IN EVERYDAY LIFE
California: s.p. (the artist), 1967
28 x 22cm, 4pp (printed one side only on each sheet) b/w mimeograph publicity leaflet for Friedman's instruction courses in surrealism - a precursor to his Fluxus event. Fine condition. Original Friedman graphic on cover. Rare.

45 uk pounds

Friedman, Ken
SURREALIST CONGRESS
San Francisco: s.p., 1967 28 x 22cm, 1pp b/w offset publicity leaflet for an early Friedman's surrealist event - essentially a Fluxus event under a different banner. Fine condition. Original Friedman work on cover. Rare.

45 uk pounds

Friedman, Ken
FLUXGARNISHT (A FLUXUS JAM)
San Francisco: (the artist), 1967 22 x 33cm, 1pp b/blue offset publicity leaflet for a Freidman organised Fluxus event on the West Coast where participants were encouraged to build a co-operative large sculpture out of items brought to the site on the day. Reproduced drawing by John Furnival and another of the Maciunas designed Fluxus stamp. Fine example of this rare document.

60 uk pounds

Friedman, Ken
HAPPENING NEO HAIKU EVENT
San Francisco: (the artist), 1967
28 x 21.5cm, 1pp b/yellow offset publicity leaflet for a Freidman organised Fluxus event in Port Loma (Red Shed). Design incorporates the Maciunas designed Fluxus stamp. Fine example.

50 uk pounds

Friedman, Ken
TONY TUSLER
San Francisco: (the artist), 1967
22 x 28.5cm, 1pp b/yellow offset publicity leaflet for a Freidman organised Fluxus event in Port Loma (Red Shed). Original Friedman drawing. This is noted as a "Flux West Production" and "Fluxwest events co-ordinated by Ken Friedman". Fine example.

45 uk pounds

Friedman, Ken
TRANSFER A FLUXUS SEE-POEM
San Francisco: (the artist), 1967
28 x 22cm, 1pp b/orange-red offset - an unusual Fluxus coincrete poem piece with an original graphic by Friedman. Rare. Fine example.

50 uk pounds

Friedman, Ken
KOOKFEST - SRB
San Francisco: (the artist), 1967
28 x 21.5cm, 1pp b/w offset publicity leaflet for a Freidman organised Fluxus event in under the title of the Surrealist research Bureau. Original Friedman graphic. Fine example.

40 uk pounds

Friedman, Ken
SURREALIST CONGRESS OF AMERICA
San Francisco: (the artist), 1967
28 x 2wcm, 1pp b/w offset publicity leaflet on card for a Freidman organised Fluxus one day Congress / event). Photograph of an early Friedman event - where participants wore masks on stage. Fine example.

45 uk pounds

Friedman, Ken
UNTITLED FLUXUS/CONCRETE POEM (DADA)
USA: n.p. (Freidman), n.d. (1968)
30 x 21cm, 1pp A4 leaflet containing a concrete design by Friedman who at the time was organising Fluxus events in California as Fluxus Zone West. This is one of a number of handouts produced as free artworks by freidman who sometimes called his activities the "Surrealist Research Bureau". Fine, scarce.

65 uk pounds

WITH AN ORIGINAL SIGNED DRAWING

(Friedman, Ken)
Robson, Ernest M.
THOMAS ONETWO
NYC: Something Else Press, 1971
21.3 x 14.5cm, 80pp plus hard covers. A book of a parable by Robson with 10 original lithographs by Ken Friedman who was working as an editor with Higgin�s press at that time. This copy has a unique initialled and dated drawing of three hearts in black ink on the inside front cover. Unique thus. Fine. 100 uk pounds Furnival, John UNTITLED. (MANHATTAN) Woodchester: Openings Press, 1973 43 x 57cm, b/w lithograph of a complex Furnival drawing using typewriter and hand-drawn letting. Edition size unknown. Two small marks but overall they do not detract. Very good else.

60 uk pounds

Friedman, Ken
ANNOUNCEMENT CARD FOR INTERNATIONAL SOURCES MAGAZINE
Sacramento, Calefornia: Composer/Performer Editions, 1973
8 X 14cm, 2pp artist designed postcard which displays a reproduction of a Friedman collage which was the front cover of this special number of IS edited by Friedman (which included articles on Paik and Ray Johnson). Fine, unmailed.

35 uk pounds

Friedman, Ken
UNTITLED. UNIQUE FLUXUS COLLAGE 1973.
30 X 40cm, a unique collage consisting of various used postal labels on a deliberately torn envelope - the whole attached to a card. Signed and dated "KF72" by the artist. One of the labels is for Emmett Williams and another from Eric Andersen and incorporates the latter's signature. Fine estate.

145 uk pounds

Friedman, Ken
KEN FRIEDMAN
NYC: Nobe Gallery, 1979
42 x 30cm vb/w exhibition poster with b/w reproduction of a Friedman drawing "The Burghers of Calais". Formerly folded.

30 uk pounds

(Friedman, Ken)
FRIEDMANSWERK
Koln: Edition Hundertmark, n.d.
42 x 30cm, b/w announcement poster for the Fluxus West release of the Friedmanswerk Box with works by all of the Fluxus artists included. 16 small b/w reproductions of the works and a list. Folded but otherwise very good.

35 uk pounds

Friedman, Ken
UNTITLED ESSAY ON MAIL ART/INTERMEDIA Circa 1980.
5pp A4 xeroxed pages of typescript (with hand-written but also xeroxed corrections) stapled together which includes a long essay by Ken Friedman on correspondence art and intermedia. As far as we know the only copy of an unpublished article. Fine

30 uk pounds

Friedman, Ken
COMPLETION
Germany: Klaus Groh, 1974
10.3 x 7.5cm, 32pp plus card covers. Artists book. Hand made on a xerox machine and with rubber stamped covers ("E.A.") this is a limited edition by the Fluxus affiliated artist. The work consists of the text: "When you have finished reading this sentence you have finished reading my book" spread out one word at a time. Numbered and dated in pencil on the inside back cover from the total edition of 80 copies. Fine.

65 uk pounds

Friedman, Ken
GARNISHT KIGELE
NY: ReFlux Editions, 1983.
9.3 x 12 x 1.6 cm, transparent plastic box and an opaque white bottom from the original Fluxus source. Contains a lapel button printed with "Garnisht Kigele" which is apparently Yiddish slang for "nothing pudding". With vintage Maciunas-designed label.

45 uk pounds

Friedman, Ken
OPEN AND SHUT CASE
New York, NY: ReFlux Editions, 1987.
9.3 x 12 x 1.6 cm, opaque white plastic box from original Fluxus source, containing a vintage attached card which tells the opener to "Shut Quick". Vintage Maciunas-designed label with detailed instructions on how to use the box.

45 uk pounds

Friedman, Ken
ACROPOLIS OF TULSA
USA: Philbrook Art Center, 1978
51 x 41cm exhibition poster illustrated with a design by Friedman (an owl on the Acropolis). Folded and printed verso with gallery information for mailing, otherwise fine.

50 uk pounds

Friedman, Ken
FLUX MED - ROBERT WATTS
Madrid: Obra Grafica, 1987.�
29.5 x 21.5 cm, unpag., designed titles by Watts and many b/w and colour illustrations with a pseudo-medical feel. Embossed dj. Text in English and Spanish and includes an extensive list of exhibitions, performances, etc. A very good copy with slightly faded and worn in part dustwrapper. Laid in a gallery price list of works by Watts.�

65 uk pounds

Friedman,Ken
52 Events
Edinburgh, Shgow and Tell Editions, 2001
140 x 158mm artists book and diary. (With Paul Robertson) 118pp plus card wrappers and dj. 53 (not 52!) of Friedman's event scores are reproduced in a deconstructed 2002 diary. With 5pp of detailed, fascinating and historically important notes on the events and the Fluxus movement. Small edition of 250 signed and numbered books (with 10 deluxe copies available - contact HFA for details). On-line version of the book and order form here. Fine estate.

25 uk pounds

Friedman, Ken
A FLUX CORSAGE BY KEN FRIEDMAN
New York: ReFlux Editions, 2002
9.3 x 12 x 1 cm, transparent plastic box from original Fluxus source with printed vintage Maciunas designed label, containing loose plant seeds. Unlimited edition. Fine condition

40 uk pounds

Fulton, Hamish.
THE SWEET GRASS HILLS OF MONTANA (KUTOYISIKS) AS SEEN FROM THE MILK RIVER OF ALBERTA (KINUKSISAKTA).
Torino: Sperone Editore, 1971. Small 4to. 88pp. Solely composed of b/w drawings as documentation + minimal accompanying text by the artist. Boards. First edition of this very early bookwork by Fulton. The on-site documentation of the title series of walks. A close to fine example in like black dustwrapper.

195 uk pounds

A GROUP OF 4 INVITE CARDS BY FULTON

Fulton, Hamish, Richard Long and others ARTISTS OVER LAND 21 x 14.6cm, 2pp b/w invite card for a group show. Recto is a b/w image of Fulton�s photogrpah On Illampu Bolivia 1972. ADDED: Fulton, Hamish WINTER SOLSTICE FULL MOON NYC: John Weber Gallery, 1992 17.8 x 12.8cm, 2pp. Typographic design after text by Fulton. Record of a continuous 125 mile walk without sleep. Fine. ADDED: Fulton, Hamish NO TALKING FOR 14 DAYS NYC: John Weber Gallery, 1998 15.2 x 10.8cm, 2pp. Typographic design after text by Fulton: A 21 day wandering walk/20 nights camping in the Beartooth mountains of Montana ending with the September full moon 1997. Fine. ADDED: Fulton, Hamish YOU ARE INVITED TO TALK THE WALK BY HAMISH FULTON NYC: Art In General, n.d. 10.2 x 7cm, 1pp. Typographi only. A dull little card for �completists� only (I understand: I�m one too). Fine. It is interesting how Long and Fulton have diverged as artists � the former continuing to "make his mark" on the landscape while Fulton has tended to incorporate elements of performance in his walks � including strong elements of behavioural restriction which mirror the later years of other gallery-based performance artists. As a result the latter�s work is more literal and conceptual in that the early photopieces have been replaced by text-only works � the inner emotions of semi-masochistic activities being invisible to the camera�s focus.

The group � 45 uk pounds

Furnival, John
A SMALL GROUP OF 15 ITEMS RELATING TO THE WORK OF THE CONCRETE POET AND ARTIST
Consisting of: LES TOURS DE BABEL CHANGEES EN PONTS. n.p., n.d. 21 x 21cm, 2pp b/w folded card. A single reproduction of Furnival drawing. Probably limited edition but unknown. Slight damage from pin holes where the piece has been carefully attached to a wall, otherwise very good. EPITAPH FOR LORINE NIEDECKER. Woodchester: Openings Press, n.d. 14 x 19.6cm, 2pp b/w card #14 in the openings Press Card Series. The typographic design says: "So long" in Furnival's hand. Fine. CHRISTMAS BROADSIDE Buffalo: State Universitiy of New York at Buffalo, 1981 21.4 x 14cm, 4pp, small folded broadside on card . With Jonathan Williams: " The blood red berries on the cold dark snow" Edition of 2,000 copies. Fine except for some minor damage from light on the spine. JOHN FURNIVAL Selected work of the last 20 years. Verona: Conz, n.d. (prob 2000) 22 x 17cm, 16pp plus wrappers. Exhibition catalogue. Fine. Invite card for FRYING TONIGHT 1983 Arnolfini, Bristol. 21 x 15cm, 2pp b/w. Recto: a Furnival design. Fine Invite card for JOHN FURNIVAL 1987 Galerie Hoss, Stuttgart.. 11 x 16cm, 2pp full colour. Recto: reproduction of a mail art piece. Fine Invite card for JOHN FURNIVAL WORKS 1998 Bath University. 21 x 15cm, 2pp b/w. Recto: reproduction of "Ant on Bruckner" drawing. Fine Invite card for JOHN'S JAM SESSION. England: s.p., n.d. 21 x 15cm, 2pp b/w. Recto: reproduction of collage and verso a Furnival drawing. Fine FURNIVAL GARDENS. Invite card for an open house at Furnival's home. Woodchester; s.p., 1999. 21 x 15cm, 2pp b/w. Recto: photograph of the artist as a "gardener" with pitch fork under a fortuitously discovered sign: "Furnival Gardens" . Fine DOROTHY Oxform: Bear Lane Gallery, n.d. 25 x 20.5cm, 8pp plus wrappers. Ex. cat. for concrete poetry show including Furnival. 5 works reproduced. Very good. FURNIVAL Germany, n.p., circa 1978, 25 X 21cm exhibition catalogue - 20 single sided pages, a mixture of mimeographed and offset pages and the whole collated into a plastic spine.3 works illustrated full page b/w and one photograph of the artist. Very good. ASTRID AND JOHN FURNIVAL, USA: Roswell Museum, 1984 17 x 25cm, 12pp plus pictorial card wrappers. 8 works reproduced. This copy is dedicated by Furnival in blue ink inside the cover. Fine. A handwritten and signed postcard from the artist to Harry Warschauer dated 24 July 1984. 150 words approx dealing with a request for the use of a Warschauer "translation" A xerox of an ALS dated 12 December 1983 from the artist to Harry Warschauer. Text relates to further co-operation regarding Warschauer's "translation" into Hebrew of a Gomringer work "Silenzio". Added: a artist's postcard reproduction of Warschauer's translation of "Silenzio"

99 uk pounds the group

(Furnival, John)
Meyer, Thomas
THE BANG BOOK
USA: The Jargon Society, 1971
23 x 20.5cm, 44pp plus wrappers and printed mylar dj. Meyer's homo-erotic ghost tale/poem about Wild Bill Hickok, his ghost and a young boy's introduction into an aggressive frontier manhood. This copy is signed on the title page by Furnival. Very good copy with a 5 x 1cm loss of plastic from the rear of the transparent dust jacket.

45 uk pounds

(Futurist manifesto).
Carra, Carlo.
LA PEINTURE DES SONS, BRUITS ET ODEURS. Manifesto Futurista.
Milan: Direzione del Movimento Futurista, 1913.
Quarto single sheet folded to comprise 4pp. First French language issue of this all encompassing tract. A veritable appeal to the senses. Herein, the dynamic painter and theorist calls for: "Reds, rrrreds, the reddddddest rrrrreds that shouuuuuuut. Greens that can never be greener, greeeeeeeeeeeens, that Screeeeeeam, yellows as violent as can be, polenta yellows, saffron yellows, grass yellows� Oblique lines which affect the soul of the observer like so many bolts from the blue, along with lines of depth�.. Ellipsoidal curves seen like nets in movement�. We have already evolved, as artists, a love of modern life in its essential dynamism - its sounds, noises and smells - thereby destroying the stupid pattern for the solemn, the bombastic, the serene, the hieratic and the mummified: everything purely intellectual, in fact. Imagination without strings; words-in-freedom, the systematic use of onomatopoiea, antigraceful music without rhythmic quadrature, and the art of noises. These have derived from the same sensibility, which has generated the painting of sounds, noises and smells". Some typical minor browning (owing to stock), else a very good example of this ultra-dimensional statement. Scarce.

245 uk pounds

(Futurist manifesto).
Pratella, Balilla.
MANIFESTE DES MUSICIENS FUTURISTES.
Milan: Bureaux de �Poesia�, Oct. 1911. Quarto single sheet folded to comprise 4pp. The French language issue of the composer, inventor, and painter�s initial manifest. Pratella produced three manifests altogether, which were subsequently collected in his �Musica Futurista per Orchestra� (1912), accompanying by a piano reduction. Some typical browning, else a very good example of this very important document.

195 uk pounds

Garnir, Ilse & Pierre.
LE SPATIALISME EN CHEMINS.
Amiens: Editions Corps Puce/Collections �Le Poemir et Poezie�, 1990.
16.5 x 24cm. 192pp. Original wrappers. First edition of this extensive collection of concrete poetic experiments by the authors. The Garniers were the originators of the text-based spatialist form, and throughout the 1960�s they published the journal �La Lettre� and a series of bookworks and manifestos. A fine copy.

40 uk pounds

Garnier, Ilse & Pierre.
ESQUISSE PALATINES
France: Collection Spatialisme. Editions Andre Silvaire, n.d. 31 x 22.5 cm b/cream printed folder content of 18 b/coloured cards: uniformly 27 x 21.3 cm. A collection of concrete poetic experiments by the authors. The Garniers were the originators of the text-based spatialist form, and throughout the 1960�s they published the journal �La Lettre� and a series of bookworks and manifestos. A fine copy apart from slight bumping to the folder.

50 uk pounds

Garnier, Ilse & Pierre.
POEMES MECANIQUES
Paris: Editions Andre Silvaire, 1965
16 x 13.5 cm, 30pp. Original wrappers. First edition of this early collection of concrete typewriter prints and the first of a series of "Spacialisme" publications produced as suppliments to the 'Les Lettres' revue. The Garniers were the originators of the text-based spatialist form, and throughout the 1960�s they published the journal �La Lettre� and a series of bookworks and manifestos. A very good copy with a signed ink dedication from the authors (with a contact address) to the artist/critic R. Joostens on the first page.

95 uk pounds

Gautier, Jean Paul
Signed postcard with small unique drawing
21.2 x 17cm offset card - Gautier as Botticelli's Venus (as realised by Samuel Sallout) rises from the waves. Signed recto in ink, Gautier has dedicated the card and drawn a stylised head in his typical oblique style.

55 uk pounds

General idea
FILE MAGAZINE
12 ISSUES including the scarce nr 1 and 2. issues and the artist's book "General Idea" issue plus 1 suppliment - a index of Canadian mail art (29 numbers = all) 1972 - 1983 - VOl 1 Nr 1, Vol 1, Nr 2 and Vols 3-3 to Vol 5 - 4
File was General Idea's art periodical counterpoint to the USA's LIFE magazine and the earlier numbers parodied the covers. Content is a mixture of conceptual, mail and intermedia art including the GI's own work - often with a homoerotic element. Ray Johnson was a frequent contributor here and Issue 1 has Mr Peanut on the cover. The first two numbers here are very scarce indeed but are not in good condition - the wrappers are torn apart and detached and one has doodles on the masthead but all pages are present and all the other issues are very good - over all a worthwhile and scarce part run of this influntial artist publication. Notable is the General Idea number which has a content entirely of three day-glo stylised poodles in various adventurous and flexible sexual positions.

All 12 numbers and the suppliment for 750 uk pounds

(A.A. Bronson)
Harrison, A.S.A.
TWENTY TWO WOMEN TALK FRANKLY ABOUT THEIR ORGASMS
Toronto: Coach House Press, 1974
31 x 23cm, 78pp plus boards and pictorial dj. An interesting book of verbatim interviews by the author asking women about their intimate sexual moments. Typical of the self-awareness books that came out in the 1970s as a result of the feminist movement and a growing realisation of the marginalisation of openly expressed sexual feelings in many women�s lives; the design and a short dust jacket note are by A.A. Bronson of General Idea. A book with serious and useful intent it is not without fascinating anecdote - even if it requires one to admit the pleasure is mostly voyeuristic: "I think one day I did about ninety-seven. Then I got hungry. And I went out for fish and chips with coleslaw. I had a mad craving for fish and chips and coleslaw." Bronson's design is mostly functional but also clear and neat. Slight bumping to extremes and mildly bowed but overall very good.

65 uk pounds

General Idea
MENAGE A TROIS
Toronot: Art Metropole. (General idea), 1978
27 x 20.5cm., 18pp plus printed card wrappers. Limited edition artist's book in the form of a magazine/exhibition catalogue, (500 printed) very good although slightly browned on the spine of the cover. Ref General Idea: Multiples

25 uk pounds

General Idea
NAZI MILK Photographic print on kodak paper. Circa 1985.
26 x 20.4cm. b/w. The image is that of the well known General Idea 'aryan' boy with milk moustache - the image is the same as the front cover of FILE magazine FALL 1979 (#29m in the catalogue raisonne) since it is not only reversed from the editioned print but the hand position is different but matches the one on the FILE cover. One tiny surface surface scratch but otherwise very good condition. After discussion with AA Bronson it is still not clear as to the provenance - it may possibly be a GI issued print but more likely a promotional item used during a gallery show. Offered thus.

75 uk pounds

General Idea
AIDS Stamps
Parkett, Zurich, Switzerland, 1998
25.5 x 21cm single sheet of perforated stamps, signed and numbered. The General Idea AIDS logo repeated thirty-five times on a sheet of postage stamps. Produced as a multiple for Parkett No. 15. From the edition of 200. Now scarce - as the edition is out of print. Fine.

650 uk pounds

General Idea
AIDS Stamps
Parkett, Zurich, Switzerland, 1998
25.5 x 21cm single sheet of perforated stamps. The General Idea AIDS logo repeated thirty-five times on a sheet of postage stamps. Produced as a multiple for Parkett No. 15. An unsigned and unnumbered copy. Fine.

60 uk pounds

General Idea
General Idea: Multiples Catalogue Raisonn�. Multiples and Prints 1967-1993. �
S. L. Simpson Gallery: Toronto 1993
Small 8vo, 140pp plus wrappers - with many ilustrations. While this edition does not cover the entire cannon of GI work (it is missing details of the last 20 or so issued works before the tragic deaths of two of the group) it does include a General Idea multiple, Yen, 1993, loosely inserted. Edition of 500 signed and numbered copies. Fine.

65 uk pounds

General Idea
TEST TUBE.
Amsterdam, De Appel n.d. (circa 1978) 29. 5 x 42 cm. offset exhibition poster printed offset black and green on white. Folded. ADDED: General Idea GENERAL IDEA. NYC:, Centre for Canadian art, 1986 12.7 x 17.8 cm. Invitation card (typographic). Mailed copy. ADDED: General Idea GENERAL IDEA. TEKENINGEN DRAWINGS 1989 - 1993 Amsterdam: Stedelijk, 1994 12.5 x 17.4 cm, 4pp. Full colour invitation card (with an image of Untitled (A Box for a Hoax series) Fine. ADDED: General Idea GENERAL IDEA. EDIZIONI PERFORMANCE VIDEO FILE Firenze: Zona, 1978 14 x 14 cm, 2pp. B/w invitation card (with an image of a drawing recto. Fine.

55 uk pounds for all 3 items together

General Idea
GENERAL IDEA
NYC: 49th Parallel, 1981
25 x 19cm full colour 2pp invitation card. Recto: a full colour reproduction of Liquid Assets the test tube cocktail server from the Colour Bar Lounge at the 1984 Miss General Idea pavilion. A mailed copy � hence the colour image is a bit rubbed especially because of the use of gold ink on part of the image.

20 uk pounds

General Idea
PLACEBO PIN. Artist's multiple.
Toronto: General Idea, 1993 1.5 x 4 x 1.5cm (approx) enamel and metal pin. Artist designed multiple which was produced as an unlimited edition. The c in Placebo is a copyright sign � thus reminding the world of the campaign against pharmaceutical companies� use of copyright on research and medicines for HIV, etc. GI editions nr 148. Fine.

25 uk pounds

General Idea
PUTTI. Artist's multiple.
Toronto: General Idea, 1993
5 x 5 x 3cm (approx) soap shaped as a baby seal in a plastic bag along with a base (a 10.5cm dia.) printed pulpboard (beermat), the all in a grippa-bag. Artist's multiple which was produced in an edition of 10,000 copies. Cute. Fine.

25 uk pounds

(Gilbert, Stephen).
Jaguer, Edouard.
STEPHEN GILBERT.
Copenhagen: Ejnar Munksgaard, 1950.
13 x 17cm. 16pp. 12 b/w reproductions of works by the artist. Stiff wrappers with an original lithographed design by Gilbert. First edition of this first monograph devoted to the artist�s oeuvre. Gilbert was the only British member of the Cobra group. One of a series of 15 monographs issued in the important Cobra Bilbliotheket series, as edited by Asger Jorn. A close to fine example. Scarce.

75 uk pounds

Gillick, Liam
UNTITLED. Unique work. Glasgow, 2002
A standard white t-shirt with a hand-drawn design by Gillick in black ink. Created for a charity event, the text is "ZWEITAUSENDUNDZWEI" on the front. Signed and dated. Fine. Image on request.

195 uk pounds

Gilbert & George
A MESSAGE FROM THE SCULPTORS
London: Gilbert & George, 1970.
One of the earliest G&G postal sculptures. The work consists of a folding card with a embossed and printed cover content of 4pp with b/w text " G&G are walking along a new road..." and taped in five "sculptors' samples" which are under clear scotch tape namely: "G&G Make-up / G&G tobacco / G&G hair / G&G shirt / G&G breakfast" alongside a pouch which holds five small original photographs by the artists. This copy is in the original, postmarked mailing envelope. A very good example although mailed. Ref.: Eindhoven G + G 1968 - 1980, pg 61. Very rare.

2,250 uk pounds

Gilbert & George
GENTLEMEN... Having a lovely time
London: the artists,1972. ca.
14 x 9 cm. A handsigned and postmarked postcard " The Gentlemen" which was designed by the artists as one of their "postcard sculptures". One of two such works from '72 which show the artists at one with nature enjoying rural England while wearing tweeds. Ref.: Eindhoven G + G 1968 - 1980, pg 102.

350 uk pounds

Gilbert & George
The Paintings (with us in the nature) of Gilbert & George, the human sculptors.
Amsterdam, Stedlijk Museum, Oct. 1971.
14 x 9 cm invitation card for this important G&G show of large paintings hung on the walls - perhaps the beginning of an end of an important era for the artists and their work - after a short hiatus of significant work during the late 70s, they moved away from conceptual and hand drawn works towards large-scale photographic installations. Scarce. Fine.

95 uk pounds

Gilbert & George
THE PAINTINGS (WITH US IN THE NATURE) OF GILBERT & GEORGE, THE HUMAN SCULPTORS
Art for All / Stedelijk Museum London / Amsterdam 1971
21 x 15cm, 8pp. Statements by the artists in English and Dutch. Published at the occasion of the artists' exhibition at Stedelijik Museum where their wall sized paintings of rural scenes were displayed. Scarce.

125 uk pounds

Gilbert & George, the Human Sculptors
THE PAINTINGS (WITH US IN THE NATURE)
Dusseldorf/London: Art for All 1971
21 x 15cm, 4pp plus typographic covers. Text in English ("Six Points towards a better understanding") and 1 b/w reproduction of a G&G painting as well as a translation into German. Very similar to the publication produced in Amsterdam the same year where G&G's nature paintings were also shown, this is the much scarcer variant of this artists� book. Fine.

165 uk pounds

Gilbert & George
IN THE BUSH/GORDON'S MAKES US DRUNK/PORTRAIT OF THE ARTISTS AS YOUNG MEN
Koln, Videogalerie Gerry Schum, 1972
12.5 x 15.5 cm announcement card - recto a design by the artists where they have adapted the Gordon's Gin label by replacing the manufacturer's name with their own, verso gallery details - a mailed copy. Scarce. Very slight tear to bottom edge - otherwise very good.

100 uk pounds

Gilbert & George
GILBERT & GEORGE (PINK ELEPHANT)
Dusseldorf, Konrad Fischer, 1974
11 x 15cm invitation card - reproduction of a close-up of a pink embroidered elephant on front, verso gallery details. Scarce. Fine. Unmailed.

95 uk pounds

Gilbert & George
ANY PORT IN A STORM
Paris, Galerie Sonnabend, "Early 1973"
11.5 x 8.8 cm invitation card - typographic design by the artists parodying a gin bottle label. Scarce. Fine. Unmailed.

95 uk pounds

Gilbert & George
BLOODY LIFE
Paris, Galerie Sonnabend, "Spring 1973"
11.5 x 8.8 cm invitation card - typographic design. Scarce. Slight tear to bottom edge, Priced thus. Mailed copy.

65 uk pounds

Gilbert & George
THE RED SCULPTURE
London: n.p., 1975
17.8 x 12.6cm, 2pp postcard - recto there is a full colour of the duo with faces painted red in the middle of their last grand public performance (the 'Cherry Blossom' section) before they moved onto the large scale photoworks of recent years. Fine

45 uk pounds

Gilbert and George
DARK SHADOW
London: Gilbert and George the Sculptors, 1974
13 x 19.5cm, offset printed artists book in eight chapters, with 128 duo-tone photographic plates, each with a facing page of text, hard bound cloth covered boards no dj as issued. G&G's second book: each book had a unique cover of red and black stained cloth with gold blocked title, This is an unnumbered and unsigned copy of the book aside from the numbered edition of 2,000. Fine.

275 uk pounds

Gilbert & George
DARK SHADOW
London, Nigel Greenwood, 1976
15 x 20 cm announcement card - typographic design, gold foil on red. Fine - announces the book.

50 uk pounds

Gilbert & George
DARK SHADOW
Amsterdam, Art & Project, 1977
10 x 21cm announcement card - typographic design. Fine - announces the book.

45 uk pounds

Nan Goldin

Goldin, Nan
Kee in bed, E. Hampton, N.Y.
n.p., 1995
27 x 39cm (image) c-print signed by the artist verso. Goldin's documentary record of alternative lifestyles (and death-styles) in the US brings the viewer away from voyeurism but rather forces a concerned viewpoint. Fine estate.

900 uk pounds

Nan Goldin

Goldin, Nan
Lynelle in Japanese restaurant, N.Y.C.
n.p., 1996
27 x 39cm (image) c-print signed by the artist verso.Fine estate.

825 uk pounds

Goldin, Nan
April out of the window
n.p., 1996
39 x 27cm (image) c-print signed by the artist verso.Fine estate.

795 uk pounds

Gomringer, Eugen. Translated by Harry Warschauer.
SILENCIO. Openings Press Card Series Nr. 16.
Bath: Openings Press, n.d. (c. late 1980s) 14 x 18.9cm artist's card. Gomringer's best known (and possibly concrete poetry's most famous) work translated into Hebrew by Warschauer. The original "sh" is replaced by the equivalent symbol and as with the original the middle space is left empty and, thus, silent. Limitation not known. Fine.

15 uk pounds

INVITATION CARD FOR FGT'S 3RD SHOW

Gonzalez-Torres, Felix
TOM BURR FELIX GONZALEZ-TORRES MICHAEL JENKINS JOHN LINDELL
NYC: Paula Allen Gallery, 1989
14 x 10.8cm, 1pp typographic design announcement card. Felix Gonzalez-Torres, when one considers the matter, had a surprisingly short solo career (ignoring his role within Group Material) - with a first exhibition in 1987 and a retrospective at the Whitney only 7 years later (one year before his death). This is the scarce invite card for his 3rd show (as part of a group show). Fine condition. Scarce.

65 uk pounds

Gonzalez-Torres, Felix
ANNOUNCEMENT CARD FOR UNTITLED (IMPLOSION)
NYC: Edition Julie Sylvester, 1991 5.34 x 10.2cm, 1pp typographic design announcement card for a Gonzalez-Torres edition silkscreen. Sadly no image. Formerly folded.
Added:
8 x 12.5cm, 4pp invite card for a posthumous show in Paris at Jennifer Flay's Gallery in 2000. Full colour image of a candy pile work.

Together 25 uk pounds

Gonzalez-Torres, Felix
UNTITLED (BLUE)
NYC: Andrea Rosen, 1993
31 x 22cm sheets of transparent paper bound together by a single metal paperclip. The first sheet is printed minimally with the details of the artist's show and the following 12 sheets (perhaps one for each month) consist of a pale blue printing on each page - reminiscent of the artist's later solitary mood and his fascination with the creation of a minimalist conceptual art. All bookworks by Gonazalez-Torres are extremely scarce despite usually being distributed without charge by the artist during shows. This has minor former crease lines top left on the cover sheet where it has been opened and a very small, slight rust stain from the paperclip but is otherwise very good+.

275 uk pounds

Gonzalez-Torres, Felix
FELIX GONZALEZ-TORRES
LA: MOCA, 1994
28 x 22cm, 80pp plus extended wrappers bearing a detail of Untitled (Jorge), exhibition catalogue in the form of a monograph for a travelling show about the conceptualist which toured before his death. Gonzalez-Torres work is perhaps one of the most effective and accessible of the conceptualists - Kosuth's essay contained within discusses in part the difference between the emotive work of FG-T and that, of say, Flavin despite surface similarities. Other essays by Cruz, Goldstein and Merewether amongst others. 16 reproductions including an extended work Untitled (21 days of bloodwork - steady decline) which with a single sloping-down line sums up the tragedy of AIDS and personal loss. Fine.

50 uk pounds

Peter Greenaway

Greenaway, Peter
THEY ALL DO HATE HIM AS ROOTEDLY AS I
Geneva: Association Stairs, 1994
100 x 60cm, offset four-colour lithograph. Greenaway's later work has been heavily influenced by his work with Tom Phillips on "Dante's Inferno" - a densely layered, very ornate - almost rococco-esque - working of drawn and photographed images in image manipulation programmes creates fascinating works - full of Shakespearean and other references. Fine estate. Image on request.

600 uk pounds

Greenaway, Peter
UNTITLED (ANGEL)
Geneva: Association Stairs, 1994
60 x 100cm, offset four-colour lithograph. A different image from the series - a dramatic angel moves across the picture plane. Fine estate. Image on request.

600 uk pounds

Gudmundsson, Kristj�n
Once Around The Sun
4to, unpaginated. Uniformly 2 volumes in slip case, 2nd ed/100, Aachen M�nchen: Ottenhausen Verlag, 1982
Gudmundsson's work is conceptual and minimalist and very reminiscent of Stanley Brouwn or Roman Opalka in that his interest is in the way humans represent the world and universe around them. This artist's book involves the printing exactly the distance and the time taken for the earth to go around the sun by the use of lines and dots which represent the physical space and time. The exactitude of the system is impressive and the books contain no text at all. This is the second edition of only 100 books and follows a minuscule, extremely rare first edition printed by the Silver Press in both Reykjavik and Amsterdam in 1975-76. Scarce. Fine condition.

550 uk pounds

Gudmundsson, Kristj�n
Down
Amsterdam: Piesport, 1989 4to, unpaginated. Again a second edition after a very rare first - the unpaginated book contains a repeated line of whose true total length is exactly the distance from the earth's highest mountain top to the deepest point below the sea. One of only 150 copies after 30 (released although 150 were planned) first edition copies. This second edition had to be created after the artist found that new scientific research had found a deeper trench!

125 uk pounds

(German Dada/Letterisme)
Hausmann, Raoul
SOUNDREEL /INTERVIEW AVEC LES LETTRISTES. Tonband Nr. 5.
Marketplatz, Germany: S-PRESS, 1971 15x 15cm, printed slip case content of card covers and a single standard audio-cassette in original plastic bag and colophon sheet. Raoul Hausmann was one of the founding members of Dada Berlin together with Richard Hulsenbeck and Frantz Jung. He founded and ran with Joannes Baader and Hulsenbeck, "Der Dada," the best known publication of the Berlin dadaists. His work in creating photo-montages influenced John Heartfield and Georges Grosz amongst others. After creating many "phonetic poems" during this early Dada period he returned to the genre late in life and published many sound poems - something which unsurprisingly led him to the Lettristes. Here are two recordings of the poet (dealing with Dada and the Letterists, recorded respectively in 1951 and 1962) issued soon after his death as part of a series of such publications from the publisher Einhorn. This copy is dedicated and signed by Einhorn on the internal covers. Edition not known although a reel-to-reel version was also published. Fine, increasingly scarce.

175 uk pounds

A SMALL ARCHIVE OF MATERIAL FROM ART�S SHOCK TROOPS

Guerrilla Girls WHY IN 1987 IS DOCUMENTA 95& WHITE AND 83% MALE NYC: Guerrilla Girls, 1987 8.7 x 5cm, b/w card with title message. Distributed at Documenta and elsewhere � agit prop that really agitates. Fine and scarce. ADDED: Guerrilla Girls THE ADVANTAGES OF BEING A WOMAN ARTIST NYC: Guerrilla Girls, n.d. (circa 1990) 28 x 21.5cm, b/w small poster. The advantages include: "Not having to be in shows with men." and "Not having to choke on big cigars or paint in Italian suits". Witty but very pointed. Fine and scarce. ADDED: Guerrilla Girls HOT FLASHES Nr 1 NYC: Guerrilla Girls, 1993 56 x 31cm, b/w broadside/journal. Taped on (as issued) subscription card. Various articles � some close to libel - about the injustices of the artworld. Great reading and mostly accurate. The subscription card offers a cheaper rate for women and �artists of color� than to white males. Folded for mailing. Fine. ADDED: Guerrilla Girls 3 WHITE WOMEN, 1 WOMAN OF COLOR AND NO MEN OF COLOR � OUT OF 71 ARTISTS NYC: Guerrilla Girls, n.d. 10 x 15cm, b/pink card designed to be mailed to Margit Rowell of MOMA, NYC. Complaining of the lack of ethnic and gender balance in a still life show. Recto is a collage utilising Meret Oppenheim�s furry tea cup and the Gorrilla masks worn by GG. Fine. ADDED: Guerrilla Girls GUERRILLA GIRLS EXHIBITION OF POSTERS NYC: Guerrilla Girls, 1992 30 x 21cm, 1pp b/yellow announcement leaflet for the title show. Folded for mailing. Fine. ADDED Guerrilla Girls GUERRILLA GIRLS EXHIBITION OF POSTERS NYC: Guerrilla Girls, 1992 8 x 21cm, 2pp b/yellow typographic announcement card for the title show. Fine. ADDED: Guerrilla Girls GUERRILLA GIRLS NEED YOUR BANANAS NYC: Guerrilla Girls, 1995 30 x 21cm, 1pp b/w appeal leaflet trying to raise money for further activities. Folded for mailing. Fine. ADDED: Guerrilla Girls GUERRILLA GIRLS NYC: Guerrilla Girls, n.d. (circa 1995) 30 x 21cm, 1pp b/w appeal leaflet (original xerox) trying to sell posters by the GG raise money for further activities. Fine. ADDED: Guerrilla Girls CONFESSIONS OF THE GUERRILLA GIRLS NYC: Guerrilla Girls, 1995 10 x 15cm, b/w card promoting the book Confessions of the GG and also an invite to a show in the New Museum of Contemporary Art. Fine. Missed if not forgotten � for two decades the �conscience of the art world� attacked stereotyping, lack of gender and racial balance and dodgy curatorial practice. This is a small group of material and emphemera from mostly the later years of their activities.

All nine items together 200 uk pounds

(Goldsworthy, Andy; Mach, David)
IMPULSE 8. 4 KUNSTLER AUS ENGLAND
Monchengladbach: Galerie Lohrl am Abteiberg, 1985
23 x 31cm individually numbered folder with printed label content of a 24pp + wrappers exhibition catalogue with 34 b/w reproductions of works by Goldsworthy, Mach, Connearn and Leapman and a folded exhibition poster - 60 x 40cm. Fine condition - a relatively early group show for the land artist Goldsworthy displaying his early experiments in drawing with natural materials and intervening directly in nature with found materials (branches, reeds, mud). Mach's witty photo-assemblages/collages are also reproduced. Edition not known (this one is numbered #110).

50 uk pounds

Gordon, Douglas�
TRUST ME
Prague: Gandy Editions, 1997
Large screenprint, signed and dated by Gordon from an edition of 100. Filmaker and photographer Gordon incites the viewer to take him at face - or, at least, arm - value by reproducing his isolated forelimb with its "trust me" tattoo. Fine estate.

185 uk pounds

Douglas Gordon

Gordon, Douglas
Kittelmann & Gordon
Germany, K�lnischer Kunstverein, 1999,
A set of four 10cm x 3.5cm "shnaps" drink glasses from the Scottish filmmaker and conceptualist - perhaps English purchasers can fill them with a festive G&T - Gordon's of course. From an edition of 200.

60 uk pounds for a set of all 4 glasses. Please note shipping must be insured - charged at cost.

Gordon, Douglas
Masked Portrait of an Ettrick Shepherd
Edinburgh: Cannongate, 2001
50 x 40cm digital print using archival inks on 300 gsm cotton rag art paper. Signed and numbered from a small edition of 100. Gordon is internationally known for films such as "Through a looking glass" (shown at the Venice Biennale in 1999 appropriating "Taxidriver") and "24 hour Psycho" as well as his photographic work. His reproduced image of a painted cloth which has a form that resembles a sheepdog hints at a visual pun regarding James Hogg, the Scottish author of the "Confessions of a Justified Sinner" and former Borders' shepherd.

150 uk pounds

(Land Art)
Gormley, Antony, Wilson, Richard and others
TSWA3D
London: Television South West, 1987 29 x 21cm, 60pp plus covers. Catalogue for a variety of land and site specific artworks throughout the UK which included works by Antony Gormley, Kate Whiteford, Richard Wilson and others. The whole unusually sponsored and published by a television company in an edition of 500. Each artist's work is documented in a series of b/w photographs and accompanying texts. Very good example.

15 uk pounds

FIVE ORIGINAL PAINTINGS BY JANE GRAVEROL

Graverol become the pre-eminent female artist of Belgian Surrealism after she met the Surrealist group (primarily Magritte, Scutenaire, Goemans, Colinet and later Mariens and Nouge) in 1949. Soon she was an important and central part of the group's breakaway from mainstream (ie as defined by Breton) movement explicitly repudiating Breton's increasing mysticism and remaining decidedly revolutionary. After founding the Temps Meles group with Andre Balvier, Graverol helped organise an important conference with Marien on the surrealist revolutionary icon Majakovskij which directly led to the founding of �Les Levres nues� � the publishing house which for many years was the main propaganda vehicle for the group. After 1954, she became the Director of the venture � while maintaining her own her own art activities throughout. Slowly her work became better known and Graverol experimented with many different media eventually producing works in oils, pastels and gouache and sometimes other mixed media - works which have increased in their fame as the role of female surrealists became better understood and noticed. Nonetheless, there is an unavoidable, understandable and distinct influence of Magritte within some of her works - yet his fame and popularity has unfairly overshadowed her (and other Belgian surrealist�s) work for many years. She died in 1984. We offer here five paintings all from the collection of R. Ortmans � Graverol�s daughter.

Graverol, Jane
UNTITLED (BLEEDING WOMAN) Unique work. Early 1970s.
65 x 50cm, pastel on paper. Unsigned. Verso � written in pencil on the back � "Pastel de Jane Gaverol authentique par sa fille R. Ortmans." And signed by Ortmans beneath. The surrealist image is of a bleeding (two limited cuts on legs and body) reclining woman who has a cloth-covered head - the figure posed in an industrial landscape. Fine estate � extremely attractive.

1,250 uk pounds

Graverol, Jane
UNTITLED (FLOWER) Unique work. Early 1970s.
65 x 39cm, oil on paper. Unsigned. Verso � written in pencil on the back � "Painture de Jane Gaverol authentique par sa fille R. Ortmans." And signed by Ortmans. The surrealist image is of a flower with a unfeasibly long stamen in a bleak sun-bleached landscape. There are several, minor, unfinished pencil sketches by Graverol verso. Fine.

1,250 uk pounds

Graverol, Jane
UNTITLED (BURNING HOUR-GLASS) Unique work. 1973.
50 x 38cm, pastel on paper. Signed and dated bottom right by Graverol in paint. The surrealist image is of a hourglass with flames burning brightly in the upper enclosure while sand falls below (as normal) � the whole against an intense blue background. Fine.

1,450 uk pounds

Graverol, Jane
UNTITLED (CLOUDY WOMAN) Unique work. Early 1970s.
Paper size � 64 x 34.5cm, image size 59 x 34.5cm, gouache on paper. The surrealist image is of a woman in a jungle � but the silhouette is filled with clouds - a common Graverol trope � still the Magritte influence is very clear here. The work is unfinished bottom left with various vegetation drawn in but remaining unpainted but this does not distract from a fine work. Verso: "Painture de Jane Gaverol authentique par sa fille R. Ortmans." And signed by Ortmans. Fine.

1,200 uk pounds

Graverol, Jane
UNTITLED (COILED SERPENTS) Unique work. Early 1970s.
Paper size � 58 x 38.5cm, image size 32.5 x 52cm, gouache on paper. The surrealist image is of several pairs of entwined serpents or possibly dragons in a mottled sky: the most abstract of the paintings offered here. The image is painted on the top left of the sheet and may require cropping if ilater framed. verso: "Painture de Jane Gaverol authentique par sa fille R. Ortmans." And signed by Ortmans. Fine.

750 uk pounds

For all 5 paintings together � 4,950 uk pounds

Gursky, Andreas
Hand-signed invitation card
Kunstehalle Dusseldorf, Germany 1999
10.5 x 21cm 4pp offset folded invitation card signed over the internal image by Gursky in red marker. Image is of "May day III" from 1998.

85 uk pounds

Haacke, Hans
MOBIL UPSTAIRS AT
NYC: John Weber Gallery, 1981
15 x 10cm, 1pp announcement card showing Haacke's appropriation of the Mobil logo. A mailed copy but otherwise very good.

20 uk pounds

Haacke, Hans
4 WORKS 1983 - 1985
NYC: John Weber Gallery, 1985
28 x 22cm, 18pp plus card covers. White plastic slide binding. Exhibition catalogue of Haacke's political interventions - Margaret Thatcher as a Pieta (as if!). Text in English by Haacke. Scarce. Fine.

125 uk pounds

Haacke, Hans
HANS HAACKE. Volume II works 1978 - 83.
London/Eindhoven, Tate Gallery/ Van Abbemuseum, 1984 27 x 21cm, 124pp plus printed card covers. Exhibition catalogue - effectively a catalogue raisonne of Haacke's agit-prop photography. Extensive interviews with the artist and texts in English by Haacke. Very good condition

25 uk pounds

Hamilton, Richard
MOTHER
NY: Letter Edged in Black Press, 1968
13.5 x 23cm, folded and glued card with a 7 x 9cm (folded size) 7 plate tipped on folded insert. Hamilton's multiple for the SMS set consists of a reproduced and appropriated postcard image of a crowded beach at the UK resort of Whitley Bay (beloved of many Bank Holiday weekends). Verso the card is designed as if a seaside postcard and carries the message: "A Richard Hamilton Novelty". The tipped in small booklet enlarges. step by step, part of the image eventually centring on a family group of two small children and their mother. The last image is a very enlarged blob which still retains a sensibility of motherhood much like a Henry Moore sculpture. A peon to childhood memories. Very fine condition.

95 uk pounds

(Duchamp, Marcel).
Hamilton, Richard.
UNTITLED Poster designed by the artist for the Marcel Duchamp exhibit 'Tate Gallery, London 1970'.
London: Petersburg Press, 1970.
Two-color screenprint employing acetate film, laminate and silver foil blocking. Printed on white cartridge paper. 58 x 80 cm. This poster reproduces a photograph of Duchamp by Hamilton, and has a interesting optic/illusory character. Edition not noted. Fine condition.

350 uk pounds

Richard Hamilton

Hamilton, Richard
RELEASE
London, n.p., 1971
68 x 85 cm screen print. The (in)famous pop image of Rolling Stone Jagger and (later gallery owner) Fraser handcuffed together and hiding their faces from the camera after their arrest during a "drugs bust" as I believe the 'beautiful people' call it. One of several states of this famous print - Hamilton's role as ground breaking pop artist is well documented. This is an essential pop image. JPG on request. Fine estate.

16,000 uk pounds

INCLUDES ONE UNIQUE WORK AND TWO EDITIONED PRINTS

Hansen, Al
FLUX FLAK PAK
Amsterdam: Gallerie A, 1979
32 x 29cm red folder (ring binder) with xeroxed label content of 37 plastic pockets. The pockets contain many xeroxes of original texts, leaflets, booklets and cuttings assembled by Hansen during his last years in Amsterdam. Many of the texts, posters and leaflets are from the vintage period of Fluxus - 1963 - 1969 and include some rarities including leaflets from Metzger's London Destruction in Art Symposium , co-publications with the Viennese Aktionists and other vintage Fluxus material including original promotional material for Hansen Happenings. However additionally bound in are the following three works by Hansen:

Included: Hansen, Al LITTLE MOMMA. Unique work. Amsterdam 1979 16 x 20.5cm collage made out of matchsticks in the shape of an earth-mother mounted on a polaroid photograph. Signed, dated and titled by Hansen. Fine.

Included: Hansen, Al HERSHEY. Amsterdam: Gallerie A 1979 14.5 x 20.colour xeroxof a typical Hansen Hershey figure. Signed and numbered from an edition of 20 by Hansen. Fine.

Included: Hansen, Al CHRYL VENUS Amsterdam: Gallerie A 1983 14.5 x 20.colour xerox of a typical Hansen Hershey figure. Signed and numbered from an edition of 20 by Hansen. Fine. the last 10pp are hard written on graph paper and include an original hand-drawing by Hansen of Dick Tracy (10 x 8cm approx) which is drawn over the texts. The folder is hand signed on the back cover by Hansen and numbered from a small edition of 20 copies. Complete and fine as issued.A treasure trove.

2,500 uk pounds for all elements in the original folder

Hansen, Al
INVITE CARD FOR RECENT COLLAGES AND ASSEMBLAGES
NYC: Gracie Mansion Gallery 1988 10 x 15cm, 2pp with a Hansen design verso. Added: press release from Gracie Mansion Gallery 1995 - 30 x 21cm b/w for the memorial event for Al Hansen, Folded. Added: press cutting from the New York Times 27 June 1995 - Al Hansen's death announcement and obituary

Added
Hansen, Al
MEMORIAL EVENT FOR AL HANSEN - INVITATION OBJECT
NYC: Gracie Mansion Gallery, 1995
7 x 6.5cm appropriated Hershey's chocolate bar wrapper - which has been printed with the invite text verso - which wraps a flattened Pall Mall cigarette which has the text "Art always wins A.H." on it in red. All in the original posted envelope which has been carefully opened.. Hansen was drawn to the use of the Hershey's bar because of the company's lack of advertising to promote itself - something which seemed admirable to him within capitalism. The Hershey's wrapper here is sadly torn and this item is priced thus but all of the other elements are very good.

65 uk pounds for all 4 items

Hansen, Al
AL SKAL RUTUELL
Christianshavn: n.p., 1982
57 x 44cm b/w exhibition poster designed by the artist, for a Fluxus performance (possibly televised). "Al Skal Rituell/Aug 27, 82/Kanal 2 8:30/Fredag/overgaden N/V 19 Christianshavn/ Ammassatut / Kuasati Gusutut/Ammassatut / Kasugta Nappekatiginek/kal Aagaard Gunnar Andersen!" Folded but otherwise very good. This copy signed in ink by Hansen.

100 uk pounds

Hansen, Al
THE ULTIMATE AKADEMIE, COLOGNE, W.-GERMANY
Koln: der Ultimat Akademie (the artist), 1988
Studien ab M�rz bzw. April in der Ultimat Akademie, Marin Radu, Geoffrey Dear, Lisa Cislik, Pietro Pellini, Al Hansen, Martina Baumgarten, R�diger Bunz, Hans-J�rg Tauchert, 42 x 60 cm b/w announcement poster with two colour hand applied rubber stamping for a series of courses and lectures by the participating artists. Signed in ink by Al Hansen under his listing as offering "Mixed Media and Performance" for "experienced and inexperienced Leute" . Very good condition.

75 uk pounds

Haring, Keith
AMAZING MAGNETS. HARMFUL IF SWALLOWED!
NYC: Pop Shop, 1985
19 x 57cm plastic bag and cardboard packaging (printed with a design by Haring) content of 6 diecut magnetic plastic fridge magnets. The first edition of this commercial multiple designed by Haring and sold in his Pop Shop. NOT a later re-issue. The magnets have never been taken out of their wrapper and include the barking dog, the crawling baby, batman, three-eyed square, the angel and wolf-man. Wonderfully colourful, truly authentic before Haring�s estate over-did the merchandising. Remember not to swallow. Fine.

100 uk pounds

Haring, Keith
UNTITLED (3 EYED SMILE)
n.p. (NYC): n.p., n.d.
9.2 x 9.4cm black on florescent green sticker with a design by Haring of a 3 eyed face. This is a vintage item published before Haring's death and not a later estate issued item. Scarce ephemera/multiple. Fine and unused with the original paper backing still extant.

95 uk pounds

Have, Henrik.
AUDITORIUM H.G. 5.
Copenhagen: Edition Unovis, 1970.
4to. card box content of hand-prepared and/or appropriated elements: a picture postcard with zig-zag pattern cut, title-legend and over-stamping in Braille, a group of photo-based �spirit stencils�, a tea bag dipped in unidentified blue liquid, a yellow packet content of vacuum residues, photo-copies with attached Braille piece, et. al. The whole being wrapped in white cloth. An elaborate hand-prepared assemblage of symbolically related objects by the innovative Danish concrete poet and artist. Issued in a small unstated edition. All contents intact and in fine estate in like box. Rare.

325 uk pounds

Have, Henrik.
DEN HOS�STADIG STIGENDE SUBLIMERINGSTILSTAND.
Copenhagen: Edition Unovis, 1970.
Small quarto packet wrapped in silver paper and with affixed yellow title label. Content of hand- hand-prepared and/or appropriated symbolically related elements: photo-based �spirit stencils�, cards treated with unidentified liquids, sheets printed with the artist�s trademark �cross� motif, a ribbon piece, et. al. An intriguing assemblage by the ingenious Danish concrete poet and artist. Hand-prepared and personally manufactured in an undesignated edition of something less than 100 examples by Have. All elements intact in like packet. Fine estate. Rare.

175 uk pounds

Have, Henrik.
SUN AFTER LUNCH.
Copenhagen: Edition Unovis, 1971.
Small quarto. Composed of unbound sheets, each with pictographic image, which have been bundled and tied together with a red ribbon. Decorative self-wrappers. A wonderful book object by Have which suggests a long-lived romantic correspondence. Printed and hand-assembled by the poet and artist. Issued in an unstated, though undoubtedly small edition. A fine example. Rare.

400 uk pounds

(Have, Henrik).
NORTH. No.16. Henrik Have - Works�.
Roskilde: North - Information, 1985.
4to. 72pp. 76 illustrations, including 14 in color after works by Have. Pictorial wrappers. Single number of this prominent Danish avant-garde journal. This issue being solely devoted to a survey-retrospective of Henrik Have�s multi-faceted oeuvre (to date). Includes detailed analyses of the poet and artist�s singular book objects and assemblages in multiple format. Bilingual Danish and English texts by Jane Pederson, Peter Laugeson, Bent Peterson, Lawrence Weiner, et. al. The latter�s contribution relates to his edition �In Relation to Hanging�, which was dedicated to Have. A very good+ example of this essential documentation.

70 uk pounds

(Heartfield, John).
JOHN HEARTFIELD - KRIEG IM FRIEDEN. Photomontagen zur Zeit 1930-38. Texts by Wieland Herzfelde, Konrad Farner, et. al.
Frankfurt: Fischer, 1982.
8vo. 154pp. 83 b/w full-page illustrations reproductions of photomontages. Glossy, pictorial wrappers. Third printing of this compact monograph, detailing Heartfield�s photomontage work during the course of the rise of Nazism. A fine example.

50 uk pounds

Hecke, Paul-Gustave van.
SOUVENIRS DE P.-G. VAN HECKE. Autograph manuscript. 1930.
4pp. Holograph in ink. Written in French. The original manuscript for this speech by van Hecke drafted for presentation at the colloquium 'Fauves et Pompiers' (Palais des Beaux-Arts - Brussels, April 30, 1930). Herein the pioneering Flemish modernist gallersit, director of the revues 'Selection' & 'Varietes', and experimental poet, expresses in concise detail his thoughts per the historical avant-gardes since 1900. Excellent estate.

200 uk pounds

(Heinisch, Barbara).
BARBARA HEINISCH - MALEREI ALS LEBENDIGER. Prozess. Texts by Francoise Metz & the artist.
Berlin: publisher not noted, 1980.
4to. 52pp. 24 photo-documentation and installation views. Pictorial wrappers. First edition of this bookwork/catalogue; detailing the artist�s series of sculptural and montage adaptations of iconographic motifs from allegorical Renaissance works in tableau. Heinisch�s actions and sculptural environments represent the best of the second wave of performance-oriented women artists in Germany. Some minor wear to wrappers, else a very good example. Uncommon.

45 uk pounds

A SIGNIFICANT ARCHIVE FROM SOMEONE ELSE'S WORLD

Hershman, Lynn
ROBERTA BOX # 3
San Francisco/ San Deigo/Italy: s.p. (the artist), 1973 - 1978
20 x 28 x 6 cm box content of a 45 unique documents/objects and 14 multiples as well as 11 large c-prints (supplied separately) all relating to Hershman's groundbreaking performance/conceptual artwork about identity in the mid-1970s when she lived as Roberta Breitmore. Hershman, an influential multi-media artist and filmmaker, created/became/lived as 'Roberta' for a 9 year period and documented many of Roberta's daily activities through photographs, keep-sakes and artworks. Eventually the power of Roberta lead Hershman to create three multiple characterisations of Roberta, and ultimately, to hold an exorcism to destroy the persona after the full power of the alter ego become too strong. This assemblage is a museum quality archive of almost all of the works created/extant from that period and is one of only 3 such works created by Hershman in this format (the other two boxes are currently in private collections). The complete listing of the contents of the box are as follows: Roberta's Body Language Chart 1978; Roberta in Session 1977; Letters to Roberta from her psychiatrist ; Roberta's Psychiatric Evaluation 1978, 7 pages from the Roberta Comix 1974, Lost Button from Roberta's Coat 1975, Roberta's Diary Open, Roberta's Diary Closed, Page from Roberta's Diary, Description of Use of the Diary, Dental X Rays, Purse, Driver's License, Check, Roberta with Blaine/Ad/Transcript 1974, 3 Surveillance images with Blaine 1974, San Diego Ad 1976, Letter to Irwin 1975, Letter from Irwin 1975, Envelope response to the ad 1976, Roberta with Hand, Roberta with Irwin, S.F. Museum of Art, 1976, Roberta with Preacher, San Diego 1976, Roberta with I in Park 1975, two x film strip collages 1978, water woman 1979, Roberta as Cat, Areas of Sensitivity, Roberta with ghost face, Lynn looking at Roberta, Roberta on Bridge, Multiple dancing in North beach (Kristine Stiles) 1978, Multiple with Lynn Hershman 1978, Roberta's Replacement after She Was Fired from Work 1977, Multiple on bus 1977, Lynn becoming Roberta 1974, Multiple (Stiles) becoming Roberta 1974, Multiples looking at construction Chart 1978, Close up on Multiple (Stiles) 1977, Multiple at a Gallery 1977, Roberta at Gallery 1976, Lynn watching Multiple at Gallery 1978, Going to Work 1974, Multiple on a Bus 1979, Roberta waiting for a Bus 1974, Check, Roberta Button, Audio tape, Dental X Ray, 1 celluloid frame of a Roberta film Added: large C-prints Construction Chart 1 1974, Construction Chart 2 1975, Roberta's Physical Stance1975, Lay Off and Leave Me Alone 1975, Chair Roberta Sat on to Write in her Diary 1975, Roberta's Handwriting chart 1973, Roberta's Jacket 1975, Roberta meeting Blaine 1976, Roberta Thinking of Writing Letters 1976, Roberta's Transformation1977, Meaning is the Message 1976 , Plastic Flowers from Roberta's Crypt 1979, Roberta multiple in Exorcism Ritual 1979. A fuller description including sizes, images and other details are available on request. All in fine condition.

70,000 uk pounds for the entire archive

Hess, Felix
FROGS 1
Groningen, Holland: Sonagram, 1982
Standard C-90 audio cassette in original box with printed insert (of a sound wave of Ranidella bilingua). The tape is the first of Hess' unedited recordings of frogs from South and West Australia - each around 22 mins long. Scarce in this first edition format.

95 uk pounds

Hesse, Eva
EVA HESSE. Skulpturen und Zeichnungen.
Hannover: Kestner-Gesellschaft Hannover, 1979
20.7 x 20.7cm, 110pp plus 12pp gallery adverts and pictorial wrappers. Exhibition catalogue. 89 b/w reproductions of sculptures (vast majority of which are full page) and instruction drawings and 1pp b/w photograph of the artist. Extracts from the artist's diary in German and essay by Rosalind Krauss. Fine condition.

100 uk pounds

Heyboer, Anton
Geh' durch den Spiegel. Text by Heyboer, Pliers and Fabri.
Galerie der Spiegel, Berlin, 1963
4o. Six full page etchings and three tipped-in photographs of works as well as an aquatint cover, designed to be removed and displayed. From an edition of only 250 copies. Outsider art at its most untainted - if that is possible. Fine estate.

350 uk pounds

Heyboer, Anton
OVERZICHTSTENTOONSTELING
Maastricht, Bonnefantenmuseum, 1974.
4to. 26 pp plus printed foldout wrappers. A numbered example of this exhibition catalogue - from an edition of 1000. 66 detailed notes on paintings, 6pp of facsimile texts by the artist and 12 b/w reproductions of works, 2 original typographical designs by the artist on the wrappers and additional text in Dutch. Very good condition.

45 uk pounds

Heyboer, Anton
ANTON HEYBOER
Den Haag: Haags Gemeentemuseum, 1967
22 x 21cm, 78pp exhibition catalogue for the first major retrospective of Heyboer's work - contains 171 small b/w illustrations of works and is, de facto, an early attempt at a catalogue raisonne. Essay by J.L. Locher. Laid in the, mimeographed, room plan for the exhibition. Very good

75 uk pounds

"WE ALL ARE HURT"

Heyboer, Anton
THOUGHTS TO MISTER LEFBRE.
NYC: Le Febre Galery (sic), 1971.
24 x 20.3 cm. 24 pp.An interesting explanation in English throughout in facsimile of Heyboer's hand of "het systeem" to Mister Lefbre from the former mental patient and "outsider" artist. Scarce.

45 uk pounds

Higgins, Dick
JANUARY FISH. FUTURA 21 Edited and published by Hansjorg Mayer.
Stuttgart: Edition Hansjorg Mayer, 1967.
47.5 x 62.5cm (unfolded). Comprising of 8 sections, printed on recto only in b/w. Self-wrapper. The Higgins contribution to the FUTURA series of concerte and visual poetic works in poster format. Fine estate.

25 uk pounds

Higgins, Dick
SOMETHING ELSE NEWSLETTER (Vol 2, Nr 4 and Nr 5) September 1972
NYC: Something Else Press, 1972
30 x 21.5cm, 4pp, b/w newsletter. Two separate numbers from the series comprising the texts "Why do we publish so much Gertrude Stein" and "Seen, heard and understood" by Higgins. Both formerly folded for mailing purposes but otherwise fine.
Added:
DICK HIGGINS - ACTIVITIES IN EUROPE, 1982
NYC: s.p. (the artist), 1982 30 x 21 cm, 1pp mimeographed sheet distributed by the artist as an invitation to aroudn 20 events throughout Europe and contact address for Higgins in Berlin. fine although previously folded.
Added:
DICK HIGGINS EN RETROSPKTIV
Denmark: Henie-Onstad Kunstsenter, 1995
21.5 x 15cm, 2pp invitation card. Recto a full page reproduced photograph of Higgins. Verso gallery info. Fine.

Together - 45 uk pounds

Higgins, Dick
Five traditions of art history, an essay by Dick Higgins
Vermont, s.p., 1976
41 x 53 cm green and black on white offset poster with extensive texts surrounding a 5 pointed star design by Higgins: considering art as being in a tradition of Plato, Cage, Aristotle, Emerson, Bergson or James, Bense or Chomsky. Art is classified as Objective, Exemplificative, Expressive, Pragmatic or Mimetic. Clearly sIgned by Higgins bottom right in black ink. At one point part of the text has been altered by a scoring out in the same ink as the signature - suggesting a later artist modification of the text. Folded as issued but otherwise very good.

175 uk pounds

Higgins, Dick
SOME POETRY INTERMEDIA
NYC: Unpublished Editions, 1976
54 x 39.5cm, black and purple artist-designed poster explaining Higgins theory of Intermedia and the role of poetry within the structure ofall of the arts. Folded for mailing but otherwise very good.

75 uk pounds

Higgs, Matthew
I MARRIED AN ARTIST
s.p. 2001
25 x 19 x 0.5 plastic printed mouse mat (with foam backing). Image is of a (seemingly) found book written by "Billy Button" with an illustrated dust jacket displaying a sobbing woman: who is clearly regretting marrying an artist. Perhaps Mrs Martin Creed who likes to sleep with the lights out? One of a small edition of 10 produced by the artist - curator and publisher. Fine estate.

125 uk pounds

(HIller, Susan)
A COMPLETE RUN OF WALLPAPER MAGAZINE (4 issues = all published)
London and New York. 1974/5.
Uniformly 210 x 290mm, unpaginated, the wrappers of each magazine comprised of off cuts of wallpaper papers (usually somewhat tastelessly florid). Contributions were by a wide range of UK working artists including Richard Brenas, Susan Bonvin, David Coxhead, Andrew Eden, Anthony Howell, Richard Quarrell, Amikam Toren, John Welch and others. An unusual and interesting artists journal/book limited to 200 copies of each issue. Throughout are original contributions and bound in silkscreen and offset multiples. Issue two is particularly notable - with an original work by Susan Hiller: Transformation which is a bound in silkscreen wallpaper design (each within the edition is unique because of the deliberately inaccurate way Hiller's design is trimmed and printed). In addition issue 4 has another Hiller original offset work. An entire run of this magazine is very scarce indeed and this is one of Hiller's very first works - predating her later feminist group work and the Freud Museum appropriations. All are in fine condition.

495 uk pounds for all 4 issues.

Hiller, Susan
ROUGH SEA
England: Gardner Centre Gallery, University of Sussex 1976.
12.5 x 17cm. Reproductions of Hiller's 56 appropriated postcards featuring British views of wild seas - Brighton Pier, Ilfracombe Beach, Aberystwyth etc etc and her analysis of their content. Pictorial thick card covers. Scarce early publication. Fine.

100 uk pounds

Hiller, Susan
SUSAN HILLER
Devon: Spacex Gallery, 1980
21 x 15cm, 8pp which opens out to 42 x 30cm, 2pp. The exhibition catalogue/poster for the Hiller show that included new works such as her appropriated postcard display of unknown artists' photographs. Interesting if short text verso, recto a full sheet reproduction of the artist in b/w. Fine.

45 uk pounds

Hiller, Susan
SISTERS OF MENON
London: Gimpel Fils and Arts Council of Great Britain, 1983
4o. Unpaginated artist's book with integrated text and original lithographic illustrations. Complete in unique grey card covers - each of which spray painted and hand coloured by Hiller herself - thus each within the edition is unique. One of a limited edition of 750 copies. Hiller's oeuvre has stressed female solidarity, shared Jungian collective unconsciousnesses and her "After the Freud Museum" book (and series of related object multiples) soon became an essential artist's publication. Fine estate. Scarce.

225 uk pounds

Hiller, Susan
SUSAN HILLER 1973 - 1983: THE MUSE MY SISTER
Glasgow/London/Londonderry: Third Eye Centre/Gimpel Fils /Orchard Gallery, 1983
23 x 16cm, 48pp plus wrappers. Over 50 b/w reproductions of works and installations and 15 in colour. Exhibition catalogue and artist's book (designed by Richard Hollis with Susan Hiller) examining Hiller's early work in 3 simultaneous exhibitions in Ireland, Scotland and England. Lengthy conversation with the artist. Very good copy.

35 uk pounds

Hiller, Susan
"BELSHAZZAR'S FEAST".
The Artist's View Tate New Art, London 1985
21 x 11.5 cm, 16pp plus card wraps. 10pp interview with the artist about her earliest "feminist" work and automatic writing installations/drawings. 5 b/w reproductions of early works, bibliography and potted bio. Interview with Catherine Lacey. Fine condition.

35 uk pounds

Hiller, Susan
SUSAN HILLER
London: ICA, 1986
29 x 21cm, 48pp plus 3 sheets of bound in wallpaper plus printed card covers. Over 60 b/w and colour reproductions of works and installations. Exhibition catalogue which might be regarded as having elements of an artist's book due to the inclusion of the pages of actual wallpaper samples (a children's marketing spin-off from the cartoon 'Transformers' which was watched mostly by young boys) referencing some of Hiller's earliest work. The period of automatic scripts and psychic experimenting that Hiller investigated in the early 80s are well represented, as is her work with women only groups. Very good copy.

25 uk pounds

Hirst, Damien
FREEZE
London: s.p. (Hirst), 1988
30 x 21, unpaginated (36pp) plus card covers. Exhibition catalogue � perhaps the most important of recent times - for the 1988 show Hirst organized and curated, which took place in a docklands warehouse. Essential and very rare. Fine.

995 uk pounds

Hirst, Damien
FRIEZE. The Pilot Number. Editors: Matthew Slotover, Tom Gidley and Damien Hirst.
London: Frieze magazine, London 1991 28 x 23 cm, 34pp plus pictorial covers. The remarkably scarce pilot issue of the arts magazine that was designed by Hirst with a Butterfly cover. One suggestion is that the unsold issues were burnt at the opening party. Fine.

695 uk pounds

Damien Hirst

Hirst, Damien
HOME SWEET HOME
New York, London: Gagosian, 1986
30cm dia porcelain plate produced by Swid Powell from a design by Hirst. A dessert plate as a momento mori � the image is an unappetizing pile of discarded cigarette butts as if the dish had been used as an ashtray. The Hirst's Silk-Cut works were a pre-occupation of the YBA in the �80s. Numbered under the glaze from an edition of 1,500, this multiple is now keenly sought by Hirst collectors. Smokin'. Fine.

1,950 uk pounds

Hirst, Damien.
Historical Relationships
London: ICA, 1991.
7.5 x 17.5cm (in diameter) mixed-media sculptural multiple. Signed and numbered by the artist. First issue of this first object-multiple by the enfant terrible representative of the new (now not so young) British art scene. What goes up doesn't always come down - until the hairdrier is turned off. Edition of 125 examples signed and numbered by Hirst. Fine estate - although the ping pong ball is yelllowed through age (thus the original not a replacement ball). Very hard to find.

4,950 uk pounds

Hirst, Damien
Pharmacy
London: 1992
21.5 x 21.5cm offset litho on card stock with die cut hole. framed as issued. Signed and numbered by the artist from a small (for Hirst who recently has been issuing items in editions of over 1,500!) edition of 200. The contents of a chemist shop are stacked on shelves and the photographic image has a hole punched through it - a release from life's problems through chemicals? A desirable and very hard to find signature work by the quintessential "bad-boy" YBA. Fine estate.

1,950 uk pounds

Hirst, Damien
THE ACQUIRED INABILITY TO ESCAPE DIVIDED
Koln, : Jablonka Gallery, 1993.
30 x 21cm, 26pp plus typographic wrappers. Exhibition catalogue with 19 colour and b/w reproductions of 'pharmacy' works. Scarce.

195 uk pounds

Hirst, Damien
Making beautiful drawings
Berlin: Bruno Brunnet Fine Arts 1994
14.8 x 21.3 artist's book consisting of full page illustrations in colour and black and white of thirty-seven circular drawings and one photograph of a time exposure of the night sky showing circular star tracks due to the earth's rotation. The book came out of a Hirst installation of a drawing machine in the gallery and there is a one page introduction by the leading YBA outlining the machine used to make the drawings, This deluxe edition of the book has one unique pen and one unique colored machine drawing - both by Hirst - inviting comparison between the two modes of production. Fine estate - signed from edition of 100 outside of the additional limited edition of 800. At the exhibition visitors were encouraged to make their own images using the machine "for free"". Images of the drawings available on request.

3,950 uk pounds

Hirst, Damien
DAMIEN HIRST
London, Dillons Bookshop/Booth-Clibborn Editions: 1998
10.5 x 15cm, 2pp announcement card for a Hirst signing of "I want to spend the rest of my life�" . Recto: the image of Hirst, his wife and baby all in vitrines. Verso text only. Fine.

75 uk pounds

(Hirst, Damien)
Chadwick, Daniel
DANIEL CHADWICK. RECENT WORK
London: Lefevre Contemporary Art 1999.
30 x 21cm,, 28 pp plus card covers. Exhibition catalogue for this show of installation and mobile works by Chadwick. More notable is the essay text by Hirst. Very good. A relatively unknown Hirst item.

100 uk pounds

Hirst, Damien
MUSHROOM. FROM THE LAST SUPPER PORTFOLIO.
London: Eyestorm, 1999
152.5 x 101.5 cm. Hirst's love of pharmacy is transformed into 'faux' food labels � here the deep blue of a Pyrimethamine lable becomes Mushroom. Signed and numbered from an edition of only 150 - tiny by Hirst's usual standards. Framed.

4,950 uk pounds

Hirst, Damien
SNOWBLIND
Edinburgh: Canongate Books, 1998
14 x 21.6cm Special Hirst-designed edition of Robert Sabbag's Snowblind. The book has a slipcase, thick glass mirrors for front and back covers (presumably for ease of cutting of cocaine), a fake metal credit card as a bookmark, and a rolled up $100 bill concealed within a well cut into the middle pages (the bill's last few numbers are the same as the edition number of the book) , around which the text flows. Signed by Hirst and numbered. This is a typical artist's book by Hirst (albeit the text is by someone else) and is perhaps fitting to have been editioned by the former cocaine user. In mint condition. Out of print.

1,450 uk pounds

(Emin, Hirst, Hume, Lucas, Turk, Young British Artists)
ANT NOISES 2
London: Saaatchi Gallery, 2000
30 x 21cm - plastic transparent double folder content of printed and xeroxed sheets. The scarce press release from the gallery which reproduced most of the reviews of the show and contains 8 full size (A4) colour inkjet reproductions of the works by Hirst (Horror at Home and The Last Supper suite of prints), Emin (Bed and The Last Thing I said To You was Don't Leave Me Here), Turk, Lucas, Hume and the Champman Brothers. 'Ant Noises' was an anagram of the word 'Sensation' - the name of the ground breaking first YBA retrospective. Scarce ephemera. Fine.

185 uk pounds

Hirst, Damien
CANCER CHRONICLES
London: White Cube, 2003 20 x 13 cm, 20pp plus typographic wrappers. Hirst's poetry book with 13 works mostly about death. Signed in red ink by Hirst and numbered from the edition of 1,000. The edition sold out quickly on release. Fine.

175 uk pounds

SIGNED BY HIRST

Hirst, Damien
THEORIES, MODELS, METHODS, APPROACHES, ASSUMPTIONS, RESULTS AND FINDINGS.
NYC: Gagosian, 2000
92 x 61cm, full colour, one of two different artist designed posters for the NYC show. The image is of ping-pong balls randomly falling on a floor. This copy is unusually signed by Hirst in ink bottom right. Fine.

400 uk pounds

Hirst, Damien
DAMIEN HIRST
NYC: Gagosian Gallery, 2000 4cm cube printed cardboard box content of a single pin-pong ball with the over-printed text � DAMIEN HIRST GAGOSIAN GALLERY � THEORIES,MODELS, METHODS, APPROACHES, ASSUMPTIONS, RESULTS AND FINDINGS plus an 11.2 x 11.2cm, 2pp b/w artist designed leaflet "The pathophysology of death" - a flow diagram of the ways in which decomposition/disintegration of cadavers take place. Fine. Very scarce � an invitation in the form of an artist�s multiple.

295 uk pounds

Hirst, Damien
BURNING WHEEL
London: Paragon Press, 2002
90 x 70cm (sheet size)multiple colour etching on 350 gsm Hahnemuehle paper with elements of both a spin painting and a reference to the rings on a tree. And the circulating stars above Only 68 copies of each etching was made (the numbering was in a colophon not available here since this is from a broken set) but each etching was signed in pencil by Hirst bottom right. Very good. Framed.

2,950 uk pounds

SIGNED BY HIRST

Hirst, Damien
ROMANCE IN THE AGE OF UNCERTAINTY
London: White Cube, 2003
64 x 42cm, full colour artist designed posters � all three different. A very limited edition of 1,000 posters ie less than 350 of each design � which Hirst has signed bottom right in black felt pen. Sold out almost immediately and already much sought after. Images on application.

750 uk pounds for all three posters together in original mailing tube.

(Hockney, David)
Giebel, K.V.
David Hockney in Hamburger Kunsthalle 1995
30.5 x 24 cm unique photograph on Agfa paper. Signed by David Hockney recto in pencil, and signed and titled by Giebel recto.

250 uk pounds

Hockney, David
SIGNED EXHIBITION POSTER
Hannover: Kunsthaus Hannover, 1999
40 x 23.5 duotone (ochre/black) exhibition poster for the "Augenlust", erotic art in the 20th century group show. The large illustration is of Hockney's two boys asleep in bed etching which is hand signed by the artist in felt tipped pen, clearly at the bottom right of the image. Fine condition.

145 uk pounds

Holarek E.
PHADKA O NADSENI. SAIRICKY ZERT. (Trans. The fairy tale of the innocence).
Prague: Ant. Vitek, n.d. (circa 1900)
31 x 21cm, blindstamped and be-ribboned folder with tipped in 30 x 20cm, 40pp book - of which 30pp have original reproduced pen and ink drawings by Holarek. The text tells of the young angel being sent down to earth and being rejected by the various estates of the nation - ultimately being sentenced to death by the courts. Holarek (1867 - 1919) studied at the art academies in Prague (and Munich for six years) before returning to Prague. This was the book version of the extremely rare deluxe version with original watercolours. Very slight markings to the outer folder and some minor marking internally on the title page from the ribbons which are interleaved through the covers but otherwise a near fine copy of this wonderfully attractive book.

295 uk pounds

Holzer, Jenny
Truism pencils
15 x 0.5cm approx wood and graphite foilstamped object multiple i.e. a pencil Albright Knox, USA, 1998 Unlimited edition - Holzer had 6 different Truisms placed on pencils. We can offer a set of 4 from the series - PROTECT ME FROM WHAT I WANT, MEN DON'T PROTECT YOU ANYMORE, THE FUTURE IS STUPID, WHAT URGE, WILL SAVE US NOW THAT SEX WON'T. Write your own.

6 uk pounds for a set of all four

Hompson, Davi Det
YOU KNOW IT HAS TO BE A HAIRPIECE
Virginia, s.p., 1977
20 x 14cm, 32pp b/w artist's book from the Fluxus affiliated Hompson. Various overheard phrases are printed one per page to tell a story of seduction. Finbe.

45 uk pounds

Hora, Josef
DECH NA SKLE (Trans. 'Breath on Glass')
Prague: Fr Borovy, 1938
19 x 12cm, 290pp plus embossed and printed hard covers with printed pictorial dust jacket and ribbon. All in the scarce original publisher's slip case with adhesive printed label. First edition of this extensive novel written at the end of Hora's life which deals with conditions in Soviet Russia. Cover illustration by Eduarda Milena. Near fine with the slightest of wear to the edges of the dj.

125 uk pounds

Hora, Josef
MACHOVSKE VARIACE (Variations on M�cha)
Praha, Borovy Frantisek 1944.
21.3 x 13.5cm, 48pp plus card covers. With 4 drawings by Cyril Bouda. Written for the hundredth anniversary (1939) of the publication of M�j (May) by Karel Hynek M�cha this collection is often regarded as the poet's greatest work. First thus (although there is a scarcer edition with illustrations by Karel Svolinsky) published in the same year) Near fine.

20 uk pounds

Hora, Josef
POLUSENI (FRAGMENT)
Brne: Edice Corona, 1946.
24x 17.5cm, 58pp plus board covers. With illustrations throughout by Eduardo Milena. Posthumous publication of this lengthy poem of love. Some staining to front and back boards, internally fine.

15 uk pounds

Huebler, Douglas
DURATA DURATION
Sperone, Turin, 1970
17 x 11.5 cm, unpaginated plus boards. Printed dustjacket. Artist's book - Huebler's first duration pieces (Duration Piece Nr 1 - 6) where various Italian scenes (a fountain, a street scene, a shop, etc) were photographed according to different predetermined systems each defined by time. The book along with the artist's statement reproduced within in both Italian and English were both the documentation and the work itself. Very scarce conceptual book. Slight bumping to the dustjacket edges but otherwise very good.

400 uk pounds

Huebler, Douglas
VARIABLE PIECE 4. SECRETS
NYC: Printed Matter, 1973
25 x 14cm, 110pp plus card covers. Printed documentation of the Heubler software exhibition where visitors were encouraged to reveal a secret on a poster piece of paper and receive a random secret in return such as: " I participated in the murder of my mother." Fine

45 uk pounds

Huebler, Douglas
THE PEACEABLE KINGDOM
La Jolla: La Jolla MOCA, 1988 22 x 28cm, 52pp plus card covers. Exhibition catalogue documenting a Heubler retrospective. Most of the Variable pieces are reproduced in the context of Variable Piece 70 - Huebler's attempt to document the existance of everybody alive to the best of his ability. Fine.

25 uk pounds

Hugnet, Georges
PETITIE ANTHOLOGIE POTIQUE DU SURREALISME
Paris: Edition Jeanne Bucher, 1934 8vo, 166pp plus original wrappers - the first anthology of Surrealism by one of its main protagonists. The anthology contains 8 plates with numerous illustrations, mostly reproduction of works, some of them little known. Some foxing and light wear on the edges and spine, else a very good solid copy.

125 uk pounds

Hugnet, Georges
TRIEZIEME CAHIER DE HABITUDE DE LA POESIE
Paris, G.L.M., 1937.
14 x 10 cm, 16pp on red paper the first edition of these surrealist poems. Fine.

100 uk pounds

(Arp, Jean).
Hugnet, Georges.
LA SPHERE DE SABLE. Illustrations de Jean Arp.
Paris: Aux depens de Robert-J. Godet, 'Collection pour mes amis', 1943. Large 8vo. 28pp. 16 b/w woodcut textual illustrations by Jean Arp. Unbound signatures laid into green printed paper folio. First edition of this excellent wartime Surrealist collaboration. Composed of poetic texts by Hugnet, as illustrated by Arp. One of 176 numbered examples on pur fil, aside from the 'du tete' of 23 (total issue). A fine example of this attractive and scarce livre d'artiste.

425 uk pounds

WITH A MULTIPLE ON THE COVER

Hutchens, Alice
NEW OLD USED OBJECTS AND COLLAGES
NYC: Bound and Unbound, 1990
30 x 21cm, 12pp b/w plus mylar sheets bound with a slide. Exhibition catalogue of this late Fluxus event - this catalogue has an unusual aspect in that the cover has a "magnetic montage" by Hutchins - various small metal washers are arranged over a photograph of the artist and kept in place by a hidden magnet. Fine.

95 uk pounds

Hutchison, Peter
PARICUTIN VOLCANO PROJECT
n.p.: n.p. (Huchison), n.d. (c. 1969)
22 x 28cm, 6pp (single sided), stapled. artist's book relating the title project where the conceptual artist attempted to create an artificial eco-system involving growing mould on the sides of an active volcano (at no little risk to his own health). One original colour print of the volcano (perhaps an early colour xerox print ) is bound into the book. Limitation not known but this is scarce. Fine.

175 uk pounds

Hutchison, Peter
PARICUTIN VOLCANO
NYC.: John Gibson Commissions Inc), 1970
10.5 x 15cm, 6pp announcement card. Recto: an image of the Volcano from above in blue. A mailed example. Fine.

10 uk pounds

Iannone, Dorothy.
DANGER IN DUSSELDORF - OR I AM NOT WHAT I SEEM.
Stuttgart: Editions Hans-Jorg Mayer, 1973.
Large 8vo. 80pp. B/w line-drawings by the artist throughout. Pictorial wrappers designed by Iannone. First edition of this action-packed bookwork. A characteristic narrative display, which highlights the best of Iannone�s playfully extremist tendencies. This is an A.P. copy removed from the total edition of 200. Signed by the artist. Fine estate. Scarce.

70 uk pounds

Iannone, Dorothy
ARTIST DESIGNED POSTER/HANDOUT FOR A SHOW OF BOOKS AND CARDS
Amsterdam: Other Books and So, Heren, n.d. (1980s)
30 x 21cm, 1pp b/w offset artist poster/leaflet with a full page design by Iannone. The line drawing is of the artist and Dieter Roth in a decorative landscape. Fine.

15 uk pounds

Iannone, Dorothy.
FIRST RECORDING (1969-72).
Berlin: Weins-Laden Verlag, 1993.
L.P. cassette (90 min.) with card insert with tipped on original photographic self-portrait. Housed in plastic case. Signed and numbered by Iannone. First issue of these earliest soundworks by the artist. One of only 100 examples issued signed and numbered by Iannone. As new.

40 uk pounds

Iannone, Dorothy
FOLLOW ME
Berlin: Berliner Kunstlerprogramm des Deutschen Akademischen Austauschdienstes (DAAD), 1978
25 x 20cm, 36pp leporello artist's book with tipped on record sleeve with 45rpm single and ribbon ties. Content of Iannone's detailed drawings in b/w and colour and artist designed labels on the record. Iannone's sexual desire is restated time and time again (often aimed at her lover Dieter Roth) in word and picture. Additional text in German by M. Harding and B. Richter. Romantic, erotic and satisfying. Very good condition. Edition size not known.

175 uk pounds

Immendorff, Jorg
LIDL
Eindhoven: Van Abbemuseum, 1981
30 x 21cm, 96pp plus covers. Useful, informative and well documented account of Immendorff's early 60's LIDLl activities and actions. over 120 b/w and colour reproductions of photographs. LIDL (the sound of a baby's rattle) was the basis for numerous public works, political protests against the state, campus demonstrations and, astonishingly, an artists' sports event which included Robert Filliou, Schmit, Ben, Koepke as active participants and a cycle race to Broodthaer's Eagle Museum. Very good although some grubbiness on the covers and the remnant of a fold on one edge throughout the book.

45 uk pounds

Immendorff, Jorg
KEIN LICHT FUR WEN
Koln: Michael Werner, 1982
added
Immendorff, Jorg
POSITION-SITUATION PLASTIKEN
Koln: Michael Werner, 1979
Exhibition catalogues. Both 30 x 21cm, 20pp with 8 tipped on full colour photographs of unique works in each. Immendorff's sculpture/furniture is contrasted with paintings with an ice motif only 3 years later. Very good.

40 uk pounds the pair

Immendorff, Jorg
SIGNED ARTIST'S POSTCARD
Germany: Konig, n.d. 10 x 15cm, 2pp offset colour postcard which is boldly signed on the front by Immendorff in red felt tip. The image is the artist's 'Ehepaar in Tierhandlung' from 1968. Fine

45 uk pounds

INTERFUNKTIONEN. No. 5. Edited and published by F.W. Heubach. Koln: 1970. 21 x 29 cm. 182 pp. B/w illustrations throughout. Photographic wrappers. Single number of this important documentary review issued in an edition 1000 examples. Original contributions (consisting of pageworks and inserts) by Dennis Oppenheim, Schuldt, Gilbert & George, Christo, and others. Primarily however this edition is mostly significant because of the inclusion of the primary contemporary documentation of Beuys� Aktion "Celtic" (Schottische Symphonie which he performed with Henning Christiansen in Edinburgh 1970. Very good. Increasingly scarce.

245 uk pounds

INTERFUNKTIONEN. No. 6. Edited and published by F.W. Heubach. Koln: 1971 21 x 29 cm. 95 pp. B/w illustrations throughout. Photographic wrappers. Single number of this important documentary review issued in an edition 1000 examples. Original contributions (consisting of pageworks and inserts) by Acconci, Beuys, Nauman, Rainer, Robert Morris, Fulton and Oppenheim and others. This issue was effectively the "land art" issue.. Very good. Increasingly scarce.

200 uk pounds

INTERFUNKTIONEN. No. 7. Edited and published by F.W. Heubach. Koln: 1971 21 x 29 cm. 96pp plus photographic wrappers. Single number of this important documentary review issued in an edition of1000 examples. Original contributions (consisting of pageworks and inserts) by Beuys, Dennis Oppenheim, Richard Long, Robert Smithson, Buckminster Fuller, Nam June Paik, Lotar Baumgarten, Will Insley, Dan Graham and others. A very good example. Increasingly scarce.

145 uk pounds

INTERFUNKTIONEN. No. 11. Edited and published by F.W. Heubach. Koln: 1972. 21 x 29 cm. 168 pp. B/w illustrations throughout. Photographic wrappers. Single number of this important documentary review issued in an edition of1000 examples. Original contributions (consisting of pageworks and inserts) by Daniel Buren (striped pages), Broodthaers, Penck, Nauman, Weiner, Jakobson, Claura, Celant, Graham, Scanga, Beckley and others. A fine example. Increasingly scarce.

125 uk pounds

International Carnival of Experimental Sound
ICES 72
London: ICES, 1972.
28 x 20.2cm, 64pp plus printed covers. The programme for the avant garde music gathering in the Roundhouse, London. With a vast cast of participants including Moorman, Schneemann, Jackson Mac Low and John Cage the event was a significant landmark in new music. As part of the activities, a six hour train ran from London to Edinburgh with 600 people on board - with the entire event filled with happenings, impromptu performances and shows - including works from Geoffrey Hendricks, Carolee Schneemann, Charlotte Moorman, Joe Jones and various people from Beau Geste (who organised that part of the event). Some browning to the cheap paper employed but otherwise very good condition.

100 uk pounds

(Debord, Guy)
INTERNATIONALE SITUATIONISTE, Nos. 7, 8, 9, 11, 12. 1962 - 1969
4to. Various single number of this pre-eminent Situationist periodical with contributions by Debord (editor), Jorn, Vaneigem, et al. Illustrated with photographs and detourned drawings throughout. Foil covers rubbed as usual, otherwise fine.

185 uk pounds each

International Situationism
Debord, Guy
LE POINT D'EXPLOSION DE L'IDEOLOGIE EN CHINE
Paris, Internationale Situationniste, 1967.
8vo, 8pp printed paper wrappers. First edition of this critique of Maoism and the million plus members of the Chinese Communist Party from the rarefied perspective of the smallest organised revolutionary party of the period. Size doesn't matter. Fine.

225 uk pounds

International Situationism
Debord, Guy
CORRESPONDANCE AVEC UN CYBERNETICIEN. Lettre de Abraham A. Moles adress�e au Groupe Situationniste le 16 d�cembre 1963 avec la r�ponse de Debord � Moles, dat�e du 26 d�cembre 1963.
Strasbourg, IS, 1965 4tro, 6pp printed wrappers, reprint from I.S. No. 9 Fine.

185 uk pounds

International Situationism
ADRESSE AUX REVOLUTIONNAIRES D'ALGERIE, ET DE TOUS LES PAYS
Algers, L'Internationale Situationniste, 1965.
21 x 29.7 cm, 3, single sided sheets of paper - stencilled and stapled. Printed in Algeria (clandestinely) the tract outlines the IS res
ponse to the Boumedienne putsch and the immediate French response to the coup. This text was later reprinted in November 1965 as a supplement to I.S. No. 10 translated into different languages. Rare. Very good condition.

295 uk pounds

International Situationism
LES LUTTES DES CLASSES EN ALGERIE. Suppl�ment au No. 10 de la revue I.S.
Paris, I.S. D�cembre 1965.
45 x 55 cm, folded broadside distributed by the IS in Algeria but printed in Paris (as a supplement to the periodical). Very good condition.

225 uk pounds

International Situationism � Danish Section
Nash, Jorgen, Casar and Jens Jorgen Thorsen
NYET! NATIONAL GARDEN VERSUS AVANT-GARDEN.
Kopenhagen: s.p. (Nash as part of the IS in Scandenavia/Flyveblad), mai 1968
30 x 21cm, 1pp leaflet printed black on orange fluorescent paper. A scarce call to arms by Nash and his colleagues which calls on artists to take political responsibility as well as making an offer for the authors to represent the state of anarchism at the Venice Biennale of that year. Fine.

195 uk pounds

(Situationiste Internationale)
Vaneigem, Raoul
AFFICHE FOR INTERNATIONAL SITUATIONIST Nr. 11
Paris: Les Presses du marais, 1969
56 x 37cm red and black on card poster with a detourned image (a comic strip) with text by Vaneigem. Fine condition, famous and very rare.

750 uk pounds

(Intermedia).
SOHO, DOWNTOWN MANHATTAN. Texts: R. Block, L. Alloway, P. Frank, L. Lippard, D. Davis, et. al.
Berlin: Akademie der Kunste, 1976.
Small stout 4to. 432pp. 400 b/w documentary images (installations, performances, site-specific and video works). Original wrappers. First edition. The voluminous catalogue for the title exhibition as curated by Rene Block. Documentation of works by C. Andre, L. Andersen, L. Benglis, Christo, P. Corner, J. Dupuy, S. Forti, J. Jonas, D. Judd, A. Knowles, J. Kosuth, S. Kubota, B. Le Va, G. Maciunas, R. Morris, R. Nonas, C. Oldenburg, N. J. Paik, R. Serra, R. Watts, et. al. Bi-lingual German/English texts. A close to fine example of this excellent contemporaneous reference work.

50 uk pounds

Ireland, Patrick
ROPE DRAWINGS
La Jolla: La Jolla MOCA, 1978
23 x 20.5cm, 32pp plus card wrappers. Exhibition catalogue - showing Ireland's minimalist drawings (18) using tautly hung rope - most being site specific works. Very good, slight marking to the white wraps.

25 uk pounds

IRIS TIME. No's 3 and 10 (46 = all)
Paris: Galerie Iris Clert, respectively Dec., 1962 and Nov, 1963. 2 separate early numbers.
Uniformly, 18.4 x 26.1 cm. 4 pp. per. B/w photo-documentation. Tabloid format. Two early numbers of the influential and eccentric gallerist's intriguing review. Always noted for her presentations of the newest tendencies on the art market in an unconventional manner, Clert's "Iris Time" serves as both documentation, newsletter, gossip tabloid and catalogue forum for the gallery's artists. The first number designates the artists (Pol Bury, Balthazar, Celine, Chaissac, Fievre, Garcia, Getz, Henry, Raymondos and Vail) as "Les Cartel des Magiciens" and carries their images and a satirical nickname for each alongside the regular feature of a horoscope as well as gallery announcements. The second (nr 10) specifically features Pol Bury and a text by Andre Balthazar. And, as usual, Clert�s own image on the masthead posed as a vamp. Both issues in very good to excellent estate with past evidence of neat folding.

75 uk pounds for both issues for 45 uk pounds for a single issue.

Irwin
IRWIN
Paris: Centre National des Arts Plastiques, 1988
26 x 18.5cm, 64pp plus covers. A wonderful exhibition catalogue for this post-Soviet group who work in many media including film, music and theatre. An ornate painterly style is allied to a sharp knowledge of history and art historicism and a witty, sarcastic view of the failed soviet system. Many original works are reproduced herein � most in colour � with a text in French by Brane Kovic. Very good, desirable and scarce.

75 uk pounds

Isou, Isidore.
INTRODUCTION A UNE NOUVELLE POESIE ET A UNE NOUVELLE MUSIQUE.
Paris: NRF/Gallimard, 1947.
Small 8vo. 413pp. Original printed wrappers. First edition of Isou's second book. This work is the most voluminous manifest explication of Lettrist theory from the movement's heroic period. Also included herein is a lengthy sampling of Isou's poetic experiments. This copy is stamped s.p. (service du presse). Some yellowing to rear wrappers, else a very good example of this critical opus. Scarce.

195 uk pounds

Isou, Isidore.
LES JOURNAUX DES DIEUX. Roman. Precede d�une essai sur la definition l�evolution et le bouleversement total de la prose et du roman et de preface-defi de Maurice Lemaitre.
Lausanne: Aux Escaliers de Lausanne, 1950.
8vo. 223 (+7)pp. 50 full-page pictographic images by Isou, 17 of which are in color. Original wrappers. First edition of this epic proto-hypergraphic novel by the founder of the Lettrist group, and preface by Lemaitre. �Les Journaux des Dieux� represents both Isou�s premiere livre d'artiste and the culminating intermedial manifestation (removed of filmic ventures) of the heroic period of Lettrist theoretical explorations. Issued in an unstated, though undoubtedly small edition sans �du-tete�, of which this is an unusually fine and mainly unopened example. Rare.

425 uk pounds

Isou, Isidore.
LES POMPIERS DU NOUVEAU ROMAN. Barthes, Beckett, Butor, Ionesco, Mauriac, Robbe-Grillet, Sarraute, Simon.
Paris: Lettrisme, 1971.
21 x 28cm. 58pp. Frontispiece design by Maurice Lemaitre. Original wrappers. First separate edition of this critical attack upon the various practitioners of the �new novel� by Isou. Originally published in �Le Poesie Nouvelle� no�s 4-5 (1954), and here as �Lettrisme� no. 17. A very good+ example.

40 uk pounds

Isou, Isidore.
COMMENTAIRES SUR VAN GOGH. Unique work. 1985.
46.5 x 55cm. Oil and acrylic on canvas. Figurative elements with integrated hypergraphic text. Signed by the artist. An original work by the founding theorist of the Lettrist movement, which recollects his �Depassement Lettriste (Impressionniste) de la Dimension van Gogh� from 1962. Fine estate. Image and provenance upon request.

4,000 uk pounds

Isou, Isidore.
LES COMMANDITAIRES DES GRANDS PEINTRES. Unique work. 1986.
46.5 x 55cm. Oil and acrylic on canvas. Central �grid� image with integrated hypergraphic text. Signed by the artist. A rather interrogative original work by Isou, which questions the values of formalist-systematic painting. Fine estate. Image and provenance upon request.

4,000 uk pounds

Isou, Isidore.
INTRODUCTION A UNE NOUVELLE POESIE ET A UNE NOUVELLE MUSIQUE.
Paris: NRF/Gallimard, 1947.
Small 8vo. 413pp. Original printed wrappers. Scarce first edition of Isou's first book. This work is the most voluminous manifest explication of Lettrist theory from the movement's heroic period. Also included herein is a lengthy sampling of Isou's poetic experiments. This copy is a rare dedication copy from Isou signed and dated "avril 1947". Some minor yellowing, else a very good example of this critical opus. Scarce.

650 uk pounds

Isou, Isidore
INTRODUCTION A UN TRAITE DE MATHEMATIQUES (1964) PRECEEDEE DE EXPLICATION ET DEVELOPPEMENT DE MON APPORT DANS LES MATHEMATIQUES (1952 � 1972)
Paris: Editions PSI, 1973
30 x 21cm, 52pp plus card covers. First edition � one of a numbered edition of 470 copies aside from the 30 deluxe signed copies � of the continuing Letteriste tradition of reinterpreting the world into their own nuclear weltangschaaung. The second part of the book reproduces 11 paintings in full page, b/w by Isou which relate to the text. An unnumbered copy aside from the edition, there is a slight mark to the front cover where an old price sticker has been removed but otherwise very good.

65 uk pounds

(Jarry, Alfred).
Lot, Fernand.
ALFRED JARRY - SON OEUVRE.
Paris: NRF, 1934.
Small 8vo. 80pp. Original wrappers. First edition of this very uncommon study by the noted scholar Lot. A very good+ copy.

65 uk pounds

(Jarry, Alfred).
Rachilde.
ALFRED JARRY OU LE SURMALE DES LETTRES.
Paris: Grasset, 1928.
Small 8vo. 223pp. Frontispiece portrait by Cazals. Original wrappers. First edition of this intimate biographical study by the (at times) scandalous author of �Monsieur Venus�. Rachilde was a close friend to and enthusiastic supporter of Jarry�s work. Her short story �Le Mortis� (collected in �Contes et Nouvelles�, 1900) was dedicated to Jarry. The title of the work (offered here) refers to his brilliantly absurdist novel �The Supermale�, which concurrently tracks the progress/regress of a cross-country bicycle race, which concludes in an orgiastic contest of sexual endurance. During the previous year (1927), Rachilde published the volatile �Why I Am Not a Feminist�. This example from the numbered issue on alfa. Some minor wear to wrappers, else a very good copy of this uncommon work.

85 uk pounds

(Johns, Jasper).
JASPER JOHNS: Paintings, Drawings and Sculpture, 1954-64. Introduction by Alan R. Solomon.
London: Whitechapel Gallery, 1964.
18 x 19cm. 40pp. 42 b/w reproductions of works + photographic frontispiece portrait. Original wrappers. First edition of this very early European catalogue survey of Johns' oeuvre. A very good+ copy. Scarce.

50 uk pounds

Johns, Jasper
JASPER JOHNS. A ROSE IS A ROSE.
Monchengladbach, Stadtisches Museum, 1968.
20 x 16 x 3.5 cm cardboard box content of two compartments contained within are 3 paper scrolls and a red/green plastic rose. One scroll contains a text in German by Johannes Cladders, and the other two scrolls contain a list of the 130+ works in the exhibition and a number of b/w illustrations. Also reproduces a text in German by Gertrude Stein from 1922. One of only 550 copies. Scarce. Fine.

850 uk pounds

Johnson, Ray
TWO EARLY UNTITLED OFFSET MAIL ART PAGES WITH ENVELOPE
NYC: s.p. (the artist), n.d. (1960)
Two separate 35.4 x 21.2cm offset b/w leaflets sent out by Johnson as mail art efforts. Both have the artist's return mailing address, note the artist as "Ray Johnson Design" and a large reproduced graphic design. The first is of a chair and the florid typographic element shows the influence of Warhol on Johnson - with whom the artist had recently began to correspond. The second sheet shows outlines of various tools including keys, knives, forks, saws etc. Both are carefully folded for mailing and the original mailing envelope is extant here and franked New York 1960. A watermark on the envelope has touched minorly on one of the two enclosed leaflets. These two items precede chronologically the Book About Death which was undertaken after August 1963 but both have very great similarities with that work in style and format. A relatively very early mail art work by the master and a significant find.

575 uk pounds for both mail art pieces and the envelope together.

Johnson, Ray
PAGE 3 FROM THE 'A BOOK ABOUT DEATH" (8AbABY 9/10/63)
NYC: s.p. (the artist), n.d. (c. 1963)
A single 35.7 x 22.2cm page from Johnson's famous and extremely rare mail art book which was published in 13 separate folios (according to Clive Philpot who carried out exhaustive research into the matter and who notes, en passant, Johnson's fascination with the number 13 ) although the pagination (deliberately and erroneously noted by Johnson) would suggest 15. The book was mostly posted out to randomly gathered recipient's addresses by Johnson (a very few friends also received copies). The page offered here is one of the hardest to find - nr 3 in the sequence. The image and text is 8AbABY with an appropriated cartoon and a drawing of watch-scissors. The page has been folded for mailing but the postal envelope is not here available. Some references give the total edition of the book as 500 but the vast majority of these pages were lost. An extremely desirable and rare conceptual mail art item. (Other pages from the Book of Death may be available from Heart Fine Art � please enquire)

325 uk pounds

Ibid
PAGE 15 FROM THE 'A BOOK ABOUT DEATH" (PAPA R SNAKE)
NYC: s.p. (the artist), n.d. (c. 1964) Image on request.

395 uk pounds

Johnson, Ray
THIRTEEN SEPARATE MAIL ART PIECES FROM 'THE PAPER SNAKE'
NYC: The Something Else Press, 1965.
Ten separate 20 x 25cm offset litho pages - all folded mechanically for mailing out. Each page is different and NONE appear in the final printing of the book. All pages were designed by Johnson and were the result of mail art sent by him to Alison Knowles and Dick Higgins who alter collated the whole with Johnson's assent and created the artist's second book. These pages are all indicated verso as "sample pages" and were intended to be sent out by Johnson and the press to promote the book - thus returning the printed page to the original medium of postal art! Here we offer a set of thirteen pages all in fine condition: given Johnson's fascination with the number 13 (see the description of the Book of Death above) then we are tempted to speculate that this may be a complete set of pages produced but that IS speculation. Images on request. Scarce.

850 uk pounds for all 13 pages together

Ibid A small number (4) of duplicate pieces are additionally available. Images on request.

95 uk pounds each.

Johnson, Ray
THE PAPER SNAKE
New York: The Something Else Press, 1965.
20 x 35 cm 50pp. Illustrations throughout in b/w and color. Cloth. First edition of this artists' book. Ffine in fine dust jacket.

150 uk pounds

Johnson, Ray and Russel Edson
WHAT CAN A MAN SEE
Penland: The Jargon Society, 1969
20.5 x 19.5cm, unpaginated (approx 110pp) plus paper covers and printed dustjacket. Artist book with lithographs by Johnson. This book of fables is not only fun to read but the 10 b/w Johnson illustrations match the ethereal style of Edison's writings perfectly. The front and back of the dj also has designs by Johnson. Limitation not known. Very good.

100 uk pounds

Johnson, Ray
RAY JOHNSON'S HISTORY OF BETTY PARSONS GALLERY
NYC: Betty Parsons Gallery, 1973
17 x 11.2cm, 2pp black on white invitation card for a Johnson exhibition. Recto is a reproduction of Johnson's Jackson Pollock collage, verso gallery details. Scarce. A very good unmailed copy.

85 uk pounds

Johnson, Ray
CORRESPONDENCE
North Carolina: Museum of Art, 1976
30 x 26cm, printed folder with numerous b/w 29.8 x 24cm inserts with texts and images by Johnson and some of his correspondents. The extremely rare exhibition catalogue of one of the artist's earliest shows. In near fine condition.

450 uk pounds

Johnson, Ray
PORTRAITS
NYC: Hillwood Art Gallery, 1978 16 x 11.8cm, 2pp b/w invitation card for Johnson's show of portraits. Recto is a drawing by Johnson in reproduction (a snail/penis), verso gallery details. Scarce. A very good copy.

75 uk pounds

Johnson, Ray
RAY JOHNSON
NYC: Hillwood Art Gallery, 1986
17.8 x 12.5cm, 2pp black on pink invitation card for a "multi-media" public performance by the mail artist Johnson. Recto is a portrait of the artist, verso gallery details. Scarce. A very good mailed copy.

75 uk pounds

Johnson, Ray
RAY JOHNSON RAY JOHNSON
NYC: Between Books, n.d. (circa 1977)
28 x 21.5cm, 20pp plus printed card covers with various photographs of the artist in b/w. Exhibition catalogue. Displays 12 works by Johnson, 4 by Grandama Moses, 1 by John Wesley and texts and reproduced articles by Wililiam Wilson (son of May and close friend of Johnson) Very good.

85 uk pounds

(Johnson, Ray)
Willenbecher, John
RAY JOHNSON RAY JOHNSON RAY JOHNSON
NYC: n.p. (Willard Gallery), 1977
28 x 21.5cm, 20pp plus printed card covers with various photographs of the artist in b/w. Exhibition catalogue. Displays many reproductions of works and documents by Johnson and photographs. Very good .

85 uk pounds

Allen Jones

Jones, Allen
ALLEN JONES
London: Arthur Tooth & Sons, 1967
Exhibition catalogue with tipped on artist-designed multiple windcreen/luggage decorative. 21 x 20.25cm (folded) folder content of six 20 x 20cm offset litho inserts, 4 in full colour. 14 works by Jones illustrated with catalogue and biographic details. Tipped onto the cover of the folder is a 13.5 x 10.5cm decal for a card or other windscreen or luggage. The image is of a typical Jones fetishised woman's leg and the plastic is designed to attach to gloass or other surface once soaked in water. It is fair to presume that few will have survived (from an already small edition) due to use and the fragility of the multiple. On this copy the decal is in mint condition even after 30+ years although the folder has a few (but not unsightly) rub marks. Thus rare in this condition.

125 uk pounds

Jones, Allen
ALLEN JONES FIGURES
Berlin/Milan: Galerie Mikro/Edizioni O, 1969
Artist�s book/exhibition catalogue. 30 x 23 cm, 96pp plus card covers and pictorial dust-jacket. Pages printed in colour throughout on varying paper stocks. Minimal text � this is a full colour series of images of works by Jones of fetishised female forms along with his source material. DJ is a little torn in parts and worn but this is a scarce book and is internally very good.

95 uk pounds

Jones, Allen
ONE WAY TRAFFIC
London: Kelpra Studios, 1974
77 x 63.5cm, 15 colour screenprint - a reproduced and appropriated image of a 20 year old Liz Taylor is surrounded by various cuttings from 1960s fetish and other adult magazines - by the judicious use of a limited colour range Jones has unified the overall effect of the cuttings and pictures to suggest Taylor's on-screen sexuality was little more than an extension of other male fantasies. One of 100 (plus 10 A/Ps) printed. Fine estate.

1,350 uk pounds

Jones, Joe
JOE JONES IN PERFORMANCE
Wiesbaden, Germany: Harlekin Art Records /Tone Deaf Music Co, 1977
Standard 33rpm, LP in slipcase produced in an edition of 500 signed and numbered copies. A recording of several concerts of a massive orchestra of instrumental automatons set in motion including a piano with developed keyboard and mechanics, shop-window puppets manipulated by hand, two small guitars, one shadow-object, three xylophones, four lyricas, two tambourines, four normal guitars, one large zither, two balalaikas, one sonia, and three children's guitars. Motors and gravity are the mechanisms used by Jones to make the machines work. Signed on the inner record label as issued, the cover of this LP is a silkscreen from a drawing of one of his machines by Jones. Scarce. Very good condition

145 uk pounds

Jones, Joe
XYLOPHONE
Koln: ? Records, 2002 Standard audio CD in jewel case with 2pp insert. A recording of one of Jone's Fluxus self-playing instruments (the titular hybrid xylophone) where a motor creates the seemingly random and eventually repetitive sounds. Edition of 500. Fine condition.

30 uk pounds

Jorn, Asger
AU SECOURS DE VAN GUGLIELMI
Paris: I.S., 1958
25 x 16 cm, scarce tract where Jorn's text argues the Situationist International's support for the incarcerated Van Guglielmi who had attacked Raphael's 'The Wedding of the Virgin'. This actually was because of a psychotic episode but the vandal was regarded by the IS and Jorn as a hero attacking the "false artistic ideals of the past." Jorn's later split from the I.S. (partly because of their suspicions of his own latter commercial success) did not stop him from funding the organisation nor from the I.S. taking advantage of his largesse. Fine condition.

295 uk pounds

A GROUP OF 15 MOSTLY EARLY, SCARCE AND HARD TO FIND EXHIBITION CATALOGUES BY ASGAR JORN, c. 1958 - 1983

The group offered consists of the following exhibition catalogues - all are very good to fine unless otherwise noted.

ASGER JORN. LITHOGRAPHIES. Paris/Rome: Galerie Rive Gauche/Galleria Augustini, n.d. (late 1950s) 33 x 35 folded sheet to create a 15.5, x 12.5cm, announcement and catalogue for a show of lithographs and gravures (9 illustrated, one in colour and 1 b/w).

55 uk pounds

R.A. AUGUSTINCI PRESENTE TRENTE ET UNE PEINTURES DE ASGER JORN. Texts by Yvon Taillandier, Jacques Prevert & Rene Bertele. Paris: Galerie Rive Gauche, 1960. 21cm. sq. 66pp. 50 b/w reproductions. Wrappers. First edition of this Situationist-period catalogue of works by Jorn. The texts by Prevert (two) date from 1957-58. Some minor rubbing to spine. Uncommon.

50 uk pounds

ROEL D'HAESE . ASGER JORN. Munich: Galerie van der Loo, 1960. 24 x 23cm. 34pp plus card covers. Internally 18 full page b/w reproductions and one full colour after overpainted works by Jorn on found "traditional" canvases - landscapes, religious art, (the Olbilder Midifikationen) where new art obliterates the old - and 6 sculptures from the expressionist D'Haese. Fine. Added: 15 x 21cm, 2pp invite card black on red for the exhibition.

50 uk pounds

DIPINTI DI ASGER JORN. Torino: Associazione Arti Figurative, 1961. 23 x 17cm. 8pp plus original wrappers. 5 b/w reproductions. Text by Yvon Taillandier. Some slight browning to wraps. Uncommon.

50 uk pounds

ASGER JORN. Venice: Galleria Cavallino, 1962. 20 x19 cm, 6pp folded. 1 b/w full page reproduction and 1 large b/w photograph of the artist. Text by Jacques Pr�vert, reproduced from a Galerie Rive Gauche show in 1957. Central fold throughout but otherwise very good.

40 uk pounds

ASGER JORN. Munich: Galerie van der Loo, n.d. (1963) 24 x 23cm. 28pp plus card covers. 22 b/w and 1 colour reproductions. Text by C. Caspari. Fine.

45 uk pounds

ASGER JORN. Gouachen, aquarelle, collagen und Tuschen aus der Jahren 1950 - 1962 Munich: Galerie van der Loo, 1963 24 x 23cm. 28pp plus card covers. 57 b/w reproductions. Some slight grubbiness to wrappers and internal title page very slightly marked otherwise very good.

45 uk pounds

50 ASGER JORN. Copenhagen: Galerie Birch, 1964. 21 x 29.7cm. 26pp. 26 b/w reproductions after works by Jorn (dating from 1962-63). Original wrappers. First edition of this catalogue issued to celebrate Jorn�s 50th birthday. Appropriately, some pages are black and red. One of only 500 numbered copies issued. With the exception of very slight browning to the card covers, this is a very good+ copy of this uncommon documentation.

55 uk pounds

ASGER JORN. TOILES - LITHOGRAPHES - DESSINS Bruxelles: Galerie "Taptoe", 1968. 18.5 x 13.5cm. 8pp plus printed wrappers with a Jorn designed 2 colour litho cover (possibly original). 4 b/w reproductions. reproduced text by Dotrement from 1956 on Jorn and Cobra. Some pencil marks internally abnd spotting to the covers , else a very good example of a fragile catalogue.

60 uk pounds

ASGER JORN. Munich: Galerie van der Loo, 1968. 23 x 17cm. 36pp plus printed card covers. Internally 34 full page b/w reproductions - 8 of which are reproduced small in full colour on the cover. Some rubbing and small creases of the extremities of covers, else a very good example. Uncommon.

45 uk pounds

JORN. Torino: Galleria d'Arte "La Bussola", 1970 22 x 15.5cm. 20pp plus card covers. 3 b/w and 14 colour reproductions plus one b/w photograph of the artist. Poem (in Italian) by Jorn. Fine.

45 uk pounds

A. JORN. Milan: Galleria Arte Borgogna, n.d. (c. 1970) 20 x 16cm. 32pp plus printed card covers. 11 b/w (one on cover) and 20 colour reproductions plus one b/w photograph of the artist. Foreword (in Italian) by Jorn. Fine.

45 uk pounds

JORN. Torino: Galleria d'Arte Narciso, 1973 17 x 12.2 cm. 64pp plus card covers. 37 b/w and 4 colour reproductions of paintings and sculptures. Text by Luca Venture. Fine.

45 uk pounds

JORN, LAM, SEBORGA Torino: Galleria d'Arte Narciso, 1977 17 x 12cm. 8pp folded card exhibition catalogue. 3 b/w reproductions of works, one from each artist. Text by Marzio Pinottini. Lists 43 works. Fine. 35 uk pounds

ASGER JORN. Torino: Galleria d'Arte Narciso, 1983 17 x 12cm. 64pp plus card covers. 23 b/w reproductions of works from his first Italian paintings in the late1950s to later 1970s sculptures. Poem (in Italian) by Jorn. Fine.

45 uk pounds

ALL OF THE ABOVE 15 CATALOGUES FOR 600 UK POUNDS.

(Added if the group is purchased as a whole: Untitled, 13 x 16cm, full colour plate of a Jorn painting on stone (a male figure) . No publication or date information available but fine condition.)

(Jorn, Asger).
Cinthio, Erik.
SKANES STENSSKULPTUR UNDER 1100-TALET.
Copenhagen: privately published (Asger Jorn), 1965.
21 x 26.5cm. 401pp. 305 b/w photographs by Gerard Franceschi. Typography and layout by Asger Jorn. Publisher�s imitation blue calf. First edition of this inaugural volume of Asger Jorn�s ambitious book series �10000 Ars Nordisk Folkkonst�. There were twenty-eight volumes proposed, but only Cinthio�s monograph on stone sculpture in Scania was published. One of only 120 numbered copies issued (this example unnumbered). Jorn was not only responsible for the outline an publication, but also provided the unconventional layout for this work. Very good+ example. Issued sans dustwrapper. Scarce.

295 uk pounds

Jouffroy, Alain.
LES QUATRE SAISONS D�UNE AME. Dessins de Manina.
Paris: Editions du Dragon, 1955.
Oblong 4to. 48pp. 24 full-page b/w illustrations by Manina. Stiff printed wrappers with tipped-on pictorial design in colors by the artist. First edition of this collaborative bookwork by the (then) Surrealist poet Jouffroy and his wife �Manina�. One of 200 numbered examples issued. This example inscribed by Jouffroy to Henri-Pierre Roche (author of �Jules et Jim�). Manina�s series (here) of depictions of doomed apparition-like women (including Shakespeare�s Ophelia, a la Millais) are nicely juxtaposed with the intriguing typographic placements of Jouffroy�s concise poetic texts. A close to fine example of this uncommon and attractive work with an intriguing association.

195 uk pounds

Julius, Rolf
KORPERHORIZONT (Portrait von N.).
Berlin: Edition Giannozzo, 1980
14 x 20cm, 70pp plus original wrappers with diecut. Rolf Julius first artist�s book, printed in a limited edition of 300 copies. Alongside a short essay about Julius is the title photo work "Korperhorizont" (Body Horizon). Fine.

95 uk pounds

Rolf Julius

Julius, Rolf
MUSIKSCHICHT, Unique photograph circa 1983
17.8 x 23.9 cm unique black on white photograph. Titled and signed by Julius verso. Image attached. A view of a sound installation from a point high above. Fine condition.

300 uk pounds

Julius, Rolf
JULIUS
Germany: Kunstverein, 1981
21 X 21cm, 10pp plus card covers. 13 b/w reproductions of sound installations (including reproductions of the above two unique Julius photographs) and texts by the artist. Fine.

45 uk pounds

Julius, Rolf
SMALL MUSIC
Bremer Germany: Kunstverein Bremerhaven, 1991 28 x 21.5cm, exhibition catalgoue. 48 pp plus wrappers. 35 b/w illlustrations of works.Text in German and English - some texts by Julius. very good condition with some slight light (sun) fading to the edges of the cover.

25 uk pounds

(�Cricot 2� Theatre).
Witkiewicz, Stansilaw Ignacy.
THE WATER HEN. A Drama in Three Acts. Produced by Tandeuz Kantor�s �Cricot 2� Theatre.
Edinburgh: Edinburgh Festival, 1972.
23cm. sq. Single sheet printed on both recto and verso with text. Issued on the occasion of Kantor�s production of the title theatrical manifestation at the Edinburgh Festival (1972). Noteworthy is the uncredited Witkiewicz translation. His work had a profound philosophic (if not aesthetic) influence upon Kantor. Formerly folded, else a very good+ example of this uncommon document.

50 uk pounds

Kantor, Tadeuz.
THE THEATRE OF DEATH. Translation: Piotr Graff.
Warsaw: Galerie Foksal, 1975.
21 x 30cm. 6pp. Stapled wrappers. First English language version of this concise tract. Kantor was the primary instigator of avant-garde activity in Poland after WWII. His intermedial theatrical manifestations and Happenings typically ruptured the established illusory barriers between performers and audience members (i.e. art and life). A fine example.

45 uk pounds

Kantor, Tadeuz.
CRICOT 2 THE DEAD CLASS
Krakow: Galeria Krzysztofory, 1975.
30 x 21cm. 12pp. Stapled original wrappers. The programme for the premiere of Kantor's play. The text is in Polish and English including a lengthy poetic precis of the action by Kantor and 2 b/w reproductions of works by the dramaticist - actor - artist. A very good example of this scarce primary document.

95 uk pounds

Kantor, Tadeuz.
EMBALLAGES. Texts by the artist & W. Borowski. Translation: Piotr Graff.
Warsaw: Galerie Foksal, 1976.
20 x 29cm. 36pp. Stapled wrappers. First English language version of this compilation-history of Kantor�s poetic �emballages�. The �popular� exhibition of the title (1963) introduced a unique approach to informal painting. A fine copy.

45 uk pounds

(Kantor, Opalka et al.)
TEN POLISH CONTEMPORARY ARTISTS FROM THE COLELCTION OF MUZEUM SZTUKI, LODZ
Edinburgh: Richard Demarco Gallery, 1979
30 x 21cm, 26pp + (4) + 4pp pictorial covers, exhibition catalogue. B/w throughout. 10 reproductions of works by beres, Jurkiewicz, Kantor, Krasinski, Opalka, Pierzgalski, Starcewski, Strumillo, Winiarski, Wodiczko. kator also proivdes a text "From Collage to Emballage" in which he outlies his discovery of emabllage which "allowed me to go beyond painting". His reproduced work is 'Man with Suitcase' from 1967. Opalka's contribution is a detail of "Description of the world" 1967. One of only 1000 copies produced. Fine condition.

40 uk pounds

Kaprow, Allan and Wolf Vostell
A THREE COUNTRY HAPPENING 1966
54 x 42cm b/w announcement poster/invite card for "A 3 country happening". Reproduced drawing by Vostell - this copy is signed and dated 27/4/66 in pencil by Vostell. Folded as issued for mailing. Fine. Rare.

225 uk pounds

Kaprow, Allan
FLUIDS. A HAPPENING BY ALLAN KAPROW
Pasadena: n.p. (Kaprow), 1967
24 x 35cm, announcement and recruitment poster (black and red on cream) for the preliminary meeting to discuss happening where Kaprow planned to place large blocks of ice (30 x 10 x 8 feet) throughout Pasadena and allow them to melt in the sun. Folded but otherwise near fine.

125 uk pounds

Kaprow, Allan
DAYS OFF: A Calendar of Happenings
NY: Museum of Modern Art, 1970
38.5 x 27.5 cm 64pp printed on newsprint and stapled like a calendar at the top, with two holes for hanging on the wall. Each page are reproductions of documents relating to Kaprow's happenings on the dates of the year they originally occurred. Because the entire edition was initially rejected by MOMA (despite it having been commissioned by that body's Junior Council) and would not allow it to be sold via the shop, Kaprow was forced to warehouse the entire edition for a number of years. A very good, rolled copy in original packaging. Scarce.

275 uk pounds

Kaprow, Allan.
ECHO-LOGY
NYC: D'ARC Press, 1975.
23 x 30.5 cm, 12pp programme /photo-documentation of a Kaprow event where participants moved the water from one tributary in Far Hills, New Jersey up stream to another specially dug ditch. Very good.
Added:
Kaprow, Allan
COURSE. A HAPPENING BY ALLAN KAPROW
Iowa: s.p., circa 1974
53 x 48cm, b/w offset wall poster designed by the artist to recruit participants for a similar happening where the water from lower tributaries to a river was moved upstream until all the water was displaced: "No more tributaries". Formerly posted to a wall and displaying signs of adhesive tape and slight tears and one paper peel (with no paper loss) and folds - this is nonetheless despite the damage, an original scarce document of one of the Happener's most important public events.

Together: 125 uk pounds

Kaprow, Allan
RATES OF EXCHANGE
NYC: s.p. (the artist), 1975
41 x 30.5cm, 8pp b/w on card, stapled plus black covers. Artist�s book. Post-happening, Kaprow examined various conceptual activities including inter-personal relations and ways of exchanging wants and desires. B/w images of a performance throughout with accompanying "dramatic" text. Fine. 60 uk pounds Kaprow, Allan WARM UPS NYC: s.p. (the artist), 1975 30 x 21cm, 12pp b/w on card, stapled. A self-published artist's book by the happener which displays various interactions between trios of participants (always two men and one woman - a chance coincidence) and various objects (including an ice cube) which they "warm up". Fine.

60 uk pounds

Kaprow, Allan
SATISFACTION
NYC: s.p. (the artist), 1976
30 x 21cm, 12pp b/w on card, stapled. Artist�s book. Conversations between people on the telephone which consist of negotiations. B/w images of a performance throughout. Fine.

60 uk pounds

Kippenberger, Martin
KIPPENBERGER ZUM THEMA FIFFEN, FAUFEN UND VERFAUFEN
Ulm: Studio F, 1982
59.3 x 84, Exhibition Poster. Offset with a design by the artist with an image of several of his paintings. Kippenberger Plakate nr 37. Formerly folded.

120 uk pounds

Kippenberger, Martin
WENN DU EINE BRAUCHST, MUSST DU EINE MITBRINGEN
Koln: Galerie Barbel Grasslin, 1985
69.5 x 49.7cm, Exhibition Poster. Offset with a design by the artist who is rummaging in his pocket. Kippenberger Plakate nr 49.

100 uk pounds

Kippenberger, Martin
HOE KOM IK IN VREDESTIJD MET BOTBREUKEN EN FUTURISME KLAAR
Rotterdam: Galerie van Beveran, 1985 85 x 59.2cm, Exhibition Poster. Offset with a design by the artist showing the younger Kip with various punks (who later turned on him and hospitalised him). Kippenberger Plakate nr 50.

120 uk pounds

Kippenberger, Martin
ARCHITEKTUR
Koln: Galerie Max Hetzler, 1985 84.4 x 59.2cm, Exhibition Poster. Offset with a design by the artist. Kippenberger Plakate nr 52. Formerly folded.

95 uk pounds

Kippenberger, Martin
WAS IST IHRE LIEBLINSMINDERHEIT WEN BENEIDEN SIE AM MEISTEN
Koln: Galerie Klein, 1986/7. 54.5 x 72.3cm, Exhibition Poster. Offset with a design by the artist. Kippenberger Plakate nr 59.

100 uk pounds

Kippenberger, Martin
WAS IST IHRE LIEBLINSMINDERHEIT WEN BENEIDEN SIE AM MEISTEN
Koln: Galerie Klein, 1986/7.
54.5 x 72.3cm, Exhibition Poster. The variation of the poster with no gallery text overprinted. Similar to Kippenberger Plakate nr 59. 100 uk pounds

Kippenberger, Martin
PETRA
Koln: Galerie Capitain,1987.
244.5 x 17cm, 26 pp + 5 foldouts. 24 b/w reproductions of sculptural works, A female counterpart to the earlier catalogue �Peter� with texts only by female colleagues of Kippenberger. Very good. Scarce. Kippenberger Books nr 50.

175 uk pounds

Kippenberger, Martin
3 X 3
NYC: Nolan/Eckman Gallery, 1996. 13 x 18 cm. 2pp announcement card � recto is an image of Kippenberger in Venice covered in pigeons � posing as a statue. Fine. Not in Konig: Kippenberger cards. Scarce.

85 uk pounds

Kippenberger, Martin
MARTIN KIPPENBERGER
NYC: Metro Pictures, 1990. 10 x 23.4cm. 1pp announcement card with a typographic design. Slight scratch to black areas of card, otherwise very good. Kippenberger cards nr 114.

45 uk pounds

Kippenberger, Martin and Wilhelm Schurmann
SONGS OF JOY
Aachen: Neue Galerie Sammlung Ludwig1983
29.8 x 21cm, 20pp plus covers. Exhibition catalogue for early Kippenberger joint show with Schurmann of paintings. 24 works are illustrated (2 in colour). One of 800 copies produced � very good and scarce. Kippenberger Bucher Nr 17.

195 uk pounds

Kippenberger, Martin (with Albert Oehlen and others)
PHOTOCOLLAGE
Aachen: Neue Galerie Sammlung Ludwig, 1983
24 x 16.5cm, 48pp plus covers and dustjacket. Exhibition of group show with texts by Straka and Frohne. 5 works by Kippenberger and the same number by Oehln are illustrated. One of circa 500 copies � very good and scarce. Kippenberger Bucher Nr 19.

95 uk pounds

Kippenberger, Martin and Oehlin, Albert
GEDICHTE
Berlin: Rainer Verlag, 1984. 15 x 10cm, 72pp plus original textual wrappers. Artist's book - the artists' very first joint collaboration in the creation of free verse and one of Kippenberger's earliest bookworks. One of 1,000 copies printed but hard to find. Fine. Koch nr 26. Scarce.

145 uk pounds

Kippenberger, Martin
NUR ANGST VOR FRAUEN DIE SAMT TRAGEN
Oldenburg: Oldenburger Kunstverein, 1986 85.5 x 60.5 cm, artist designed poster offered along with the 15 x 10cm postcard which was intended to be attached by the owner to the top right of the plakat (as displayed in the reproduction in the raisonne). In very fine condition. Kippenberger Plakate 62. Rare

175 uk pounds

Kippenberger, Martin
INVITE CARD FOR MARTIN KIPPENBERGER ARBEITEN MIT PAPIER 1983/85
Oldenburg: Oldenburger Kunstverein, 1986
15 x 10cm, 2pp invitation card. Recto is the photograph of a young girl sunbathing. Verso gallery information. Fine condition. Quite scarce.

95 uk pounds

ibid
ARTIST DESIGNED POSTCARD FOR MARTIN KIPPENBERGER ARBEITEN MIT PAPIER 1983/85
As above but without the gallery information verso. The postcards were sold at the show but also were given out with the exhibition poster (see above) with the intention for the owner to attach it to the poster. Fine.

45 uk pounds

Kippenberger, Martin, Albert Oehlen, Jorg Schlick and Wolfgang Bauer
EXHIBITION POSTER FOR LORD JIM LODGE / SONNE BUSEN HAMMER EXHIBITION
Graz: Galerie Bleich-Rossi, 1985
100 x 71cm, red and blue poster for this Kippenberger influenced group � the design is typographical along with the Sonne Busen hammer symbol. Kippenberger�s contribution to the show was Kritische Apfelsinen fur Verdauungsdorf. In very fine condition. Not in Kippenberger Plakate. Very scarce.

125 uk pounds

Kippenberger, Martin
KRITISCHE ORANGEN FUR VERDAUUNGSDORF
Graz: Galerie Bleich-Rossi, 1985 60 x 42cm, orange and blue exhibition - three photographs of Kippenberger and two of his artistic colleagues. Fine condition. Not in Kippenberger Plakate. Scarce.

100 uk pounds

Kippenberger, Martin
241 BILDTITEL ZUM AUSLEIHEN
Koln: Walther Konig, 1986
18 x 11cm, 46pp plus printed card wrappers. Two b/w illustrations by the artist. Kippenberger translated t-shirts "in Rio jail" into loose, inspired and typically off-beat German equivalents. It also includes "Martin Boorman's" telephone number (now sadly disconnected) where the artist bought a South American garage jsut to be able to install MB's answafone. One of only 500 numbered copies published - but this one has had its number missed out. Fine estate.Kippenberger bucher Nr 44.

45 uk pounds

Kippenberger, Martin and Albert Oehlen
GEDICHTE. Zweiter Teil.
Berlin: Rainer Verlag, 1987
15 x 10.2 cm, 72pp plus card covers book of poems by the artists. For example: "Das Ende der Avantgarde/ 4 3 2 1" Fine estate.

20 uk pounds

Kippenberger, Martin
PETER
Koln: Galerie Max Hetzler, 1987
20 x 15cm, 56pp + card wrappers and pictorial dust jacket. Exhibition catalogue and artist's book. A parody of a 1972 Sonnabend Piero Manzoni catalogue � this was the first in a series of related catalogues. Kippenberger's wooden constructions (often looking like his trip to Ikea had been a disaster) and paintings are reproduced in b/w. The white dj is a touch grubby and edges a little worn but over all a very good copy of this scarce item. Kippenberger bucher Nr 47.

165 uk pounds

Kippenberger, Martin with Michael Krebber and Gunter Forg)
ANLEHNUNGS BEDURFNIS 86
Munich: Verlag Christoph Durr, 1987
15 x 9.6cm, 88pp plus covers. Various different papers used in the production. Artist's book - designed by Kippenberger. 15 sculptural works reproduced in b/w on the theme of broomstick. Kippenberger also listed the addresses of all his ex-girlfriends along with telephone numbers. Sadly the wrappers are neither little nor black. Only 500 printed. Fine and extremely scarce. Kippenberger bucher Nr 48.

200 uk pounds

Kippenberger, Martin
PETRA
Koln: Galerie Gisela Capitain, 1987
20 x 15cm, 22pp with 5 fold-out pages + pictorial card wrappers. Exhibition catalogue and artist's book- the feminine counterpart 9from within the series of related catalogues) to Peter (above) here from a gallery run by a woman. The texts are only by women. Again wooden constructions (often looking like his trip to Ikea had been a disaster) and paintings are reproduced in b/w as is the close up of the artist wearing underpants printed to look like a map of Africa. White wrappers minorly grubby but over all a very good copy of this scarce item. Kippenberger bucher Nr 50.

125 uk pounds

Kippenberger, Martin
POP IN
Graz: Forum Stadtpark, 1987
Standard 7 inch single in artist designed printed sleeve. Part of the realise of the various Peter books � this is a very scarce object multiple. Very good in very good sleeve. It is referenced in Kippenberger bucher Pg 135.

245 uk pounds

Kippenberger, Martin and Oehlin, Albert
GEDICHTE ZWEITER TEIL
Berlin: Rainer Verlag, 1987.
15 x 10cm, 70pp plus original textual wrappers. Artist's book - the artists' second joint collaboration in the creation of textual free verse. One of 600 copies. Fine. Koch nr 54. Scarce. 120 uk pounds Kippenberger, Martin NORMAL PETRA Koln: Kunsthalle Winterthus/Galerie Gisela Capitain, 1988 20 x 15cm, 60pp and pictorial card wrappers. Exhibition catalogue and artist's book- drawings, constructions and paintings are reproduced in b/w. there is an amusing foreword by "J.K." (the artist in disguise) which warns the reader that Kippenberger's work is shoddy and hackneyed. Another in the series of the �Peter� catalogues. White wrappers minorly grubby but over all a very good copy of this scarce item. Kippenburger bucher Nr 62 .

165 uk pounds

Kippenberger, Martin (with Michael Krebber and Gunter Forg)
ANLEHNUNGS BEDURFNIS 86
Munich: Verlag Christoph Durr, 1987
15 x 9.6cm, 88pp plus covers. Various different papers used in the production. Artist's book - designed by Kippenberger. 15 sculptural works reproduced in b/w on the theme of broomstick. Kippenberger also listed the addresses of all his ex-girlfriends along with telephone numbers. Sadly the wrappers are neither little nor black. Only 500 printed. Fine and extremely scarce.

200 uk pounds

Kippenberger, Martin
MARTIN KIPPENBERGER: COLLAGES 1989
New York: David Nolan Gallery, 1989
Small 4to. exhibition Catalog which also served as an artist designed poster for the exhibition as one 53.5 x 96.5cm sheet which is staple bound inside the photographically illustrated wrappers is folded down to a small size as issued. Fine example, albeit some light handling damage to the wrapper spine. Increasingly scarce.

95 uk pounds

Kippenberger, Martin
GELENKE I.
Stuttgart: Patricia Schwartz Verlag. 1989.
20 x 13.5cm, 128pp Artist's book - full of aphorisms and jokes by Kippenberger. . One of around 1,000 copies. Fine. Kippenberger Bucher nr 79.

95 uk pounds

Kippenberger, Martin
ONE OF 80 UNIKAT-BUCKLEIN
Zurich: Edition Parkett, 1989
A normal ( 26 x 21cm) edition of Parkett (nr 19) which is hollowed out and contains a 15.3 x 9.5cm, approx 160pp plus covers, unique booklet by Kippenberger. The deluxe edition for the Parkett Magazine (which also contains articles relating to the artist) - each booklet within the edition was made up of the same page reproduced many times throughout along with an ironic cover title. This was one of only (it is believed) two booklets which reproduced all of the 80 pages from the other books and was released as part of the edition. The booklet is signed by Kippenberger. Very rare. In fine condition. Ref: Kippenberger Bucher Nr 67.

2,995 uk pounds

(Kippenberger and Albert Oehlen)
Nelson & the Alma Band
THE ALMA SONG
Leiterwagen Records 1990
Standard 45rpm single in printed (artist designed) sleeve. One of Kippenberger�s rare record multiples. Near fine.

250 uk pounds

Kippenberger, Martin
HEAVY BURCHI
Koln: Kolnischer Kunstveiren, 1991
25 x 21cm, 60pp plus wrappers. Artist book which takes the form of an exhibition catalogue - consisting of photographs of paintings produced for Kippenberger by assistant based on his descriptions of the works. The paintings were then destroyed and displayed as rubble in the gallery - the photographs one of only two forms of documentation extant (the other being the book Heavy Madel which consists of Kippenberger's drawings of the paintings - the concept having come full circle). One of 1,000 copies. very good. Kippenberger Bucher nr 102.

95 uk pounds

Kippenberger, Martin
GIVE ME A HAND BEFORE I CALL YOU BACK
Graz: Galerie Bleich-Rossi, 1991
100 x 71cm, large three-colour artist designed poster for a two week exhibition of mostly Kippenberger�s works and that of some friends. In very fine condition. Not in Kippenberger Plakate. Very scarce.

145 uk pounds

Kippenberger, Marcel
SOCKETS
Edition Julie Sylvester, 1991
10 x 15cm card with a tidily wrapped pair of the artist's own previously worn socks attached and the whole shrink wrapped (perhaps we should be grateful for that). One of only 10 produced, signed and numbered. Fine condition.

1,800 uk pounds

Kippenberger, Martin
BROKEN CENTIMETRE
Kassel: Documenta: 1991
5 x 1cm dia. Gold coloured metal bar in blue printed suede bag. A multiple created by the artist to parody De Maria�s conceptual work where a kilometre long rod was set in the earth. Limitation not known for certain although the suggestion in the numbering (which is stamped into the bar) is that there were 100,000 copies � but this seems unlikely and most probably part of Kippenberger�s joke. Scarce.

495 uk pounds

Kippenberger, Martin and Walter Grond
DAS FELD
Graz/Wien, Verlag Droschl 1991.
15 x 21cm, 292pp plus wrappers plus dust jacket. Kippenberger's design for Grond's novel. regarded as a Kippenberger artist's book - nr 92 in the catalogue raisonne. very good.

85 uk pounds

Kippenberger, Martin
UNTITLED (ASHTRAY)
Koln: Benedikt Taschen Verlag., 1991
28 x 26 x 5cm approx -the deluxe edition of the Ten years after catalgue - which consists of a moulded plastic ashtray made out of an encapsulated Kippenberger monologue (nr 197 in Koch) which has been mutilated, cut, shaped and hollowed out and has had cigarettes stubbed out on it (the cigarette stubs are still there - again sealed in the heavy plastic resin. Signed and numbered from and edition of 50 on the book - each within the edition is unique. Some very minor chipping around the edges of the plastic and some remains of a paper label on the bottom of the object which does not detract. Somewhat ugly but typical of the artist's self-deprecating sense of humour. Very scarce Reference = Pg 231 of Koch Kippenberger Bucher.

3,250 uk pounds

ONE OF 70 SIGNED COPIES

Kippenberger, Martin
HOTEL-HOTEL
K�ln, Walther K�nig, 1992.
30.2 x 21.4. 496pp plus card covers. With 245 illustrations after drawings by Kippenberger on hotel stationary. One of only 70 copies signed by Kippenberger and numbered within the total edition of 950 copies. Very good with a couple of small nicks on cover, internally fine. Kippenberger books 109. Very scarce.

395 uk pounds

FROM THE LORD JIM LODGE SERIES

Kippenberger, Martin , Grond, Walter and Schlick, J�rg;
SONNE BUSEN HAMMER Das Zentralorgan der Lord Jim Loge Number 6 Die Daxennummer [Habemus Papam oder Die Betrunkene Laterne Ein Drama]
Munich: Kunstraum Daxer, 1992
Uniformly 14.8 x 10.5cm, pagination varies per. 4 separate numbers from the series of small booklets released by the "Lord Jim Lodge" a "collective" of artists which included Kippenberger between the years of 1990 and 1995. Each had different contributors but many can be regarded as being part of Kippenberger's artist's book output. All are very good condition . Usually circa 500 issues were issued. See - ref: Kippenberger artist's books nr. 117
We can offer the following numbers from the series: Number 5 (die Damennummer), Number 6 (die Daxernummer), Number 7 (die Logonummer) 2 volumes together as issued. Number 9 (die Mannernummer)

Each is 95 uk pounds except for number 7 which is 125 uk pounds (2 vols) or 375 uk pounds for all four numbers together.

(Kippenberger, Martin)
Wurthle, Michel
EMBAUCHE AU BALKAN. 24 ELASTISCHE SELTEN ZUM THEMA EINSTELLUNGSGESPRACHE ODER �THE HAPPY END OF FRANZ KAFKA�S AMERICA�
Hamburg: Meterverlag, 1994
18.5 x 12cm, 136pp with pictorial wrappers - an artist's book which was one of those associated with the Kippenberger installation "The Happy End of Kafka�s Amerkia". That installation took the motif of a the job interview as its metaphor (and displayed chairs and tables for the imaginary meetings in Rotterdam) � and a number of artist�s books were encouraged by Kippenberger to be released as part of that exhibition. This fictional �spy" story concludes with 800 applicants attending such a job interview. The story is reproduced twice � firstly in a near-unreadable typographic experiment (extremely large type) and secondly in a more usual form. Fine. Scarce - one of only circa 600 � 800 issued. Kippenberger books - nr 132.

125 uk pounds

Kippenberger, Martin
RUDIGER CARL EINSTELLUNGSGESPRACH TISCH Nr 54. Dialog fur zwei Akkordeons zum Thema Das gluckliche Ende von Franz Kafka's "Amerika"
St. Georgen: Martin Kippenberger, 1994
29.7 x 21cm, 24pp with pictorial cover - an artist's book in the form of sheet music issued during the End of Franz Kafka's Amerika. The music is four identical musical scores for two accordions which are adapted by the use of various textual languages and a lay-out reflecting an answer and question session (as per the overall theme of the exhibition - that of job interviews). Fine. Scarce - one of only circa 500 issued. Kippenberger books - nr 127.

100 uk pounds

Kippenberger, Martin
WINDOW SHOPPING BIS 2 HUR NACHTS
Wine: Galerie WInter, 1997
84 x 59.2cm, offset - exhibition poster - the image is of Kippenberger's half face. Very good + condition although there is a slight crease bottom left. Designed by the artist this is a scarce document - and turned out to be Kippenberger's last exhibition while he was alive.

90 uk pounds

Klein, Yves.
MONOCHROME UND FEUER. Text by Paul Wember.
Krefeld: Museum Haus Lange, Krefeld, 1961.
23.5 x 32cm. Printed card folder content of 3 folded sheets (comprising 12pp., including text and works exhibited + 24 illustrations, one being in color). Additionally, laid-in (as issued) are 3 silkscreened prints on card by the artist (one IKB blue, one in pink, and one in gold with applied gold leaf). The rare catalogue-multiple for this keynote exhibition. Here, Klein installed a series of mono-pink, mono-blue and mono-gold canvasses, a fire sculpture, fire wall and tactile sculptures. All of which were exhibited here for the first time. A fine example of this exceedingly rare document, especially so given the inclusion of the monochrome prints.

2,450 uk pounds

Klein, Yves
YVES-PEINTURES
Madrid: Editions Franco de Saravia, 1954
From an edition of 150 plus 4 Aps where only 60 were completed with 10 monochromes papers, different colors, all signed by Klein. The copy i found is dedicated and signed and dated 1955. It is in very good condition. So rare that the last European retrospective was unable to source a copy.

20,000 uk pounds

Klein, Yves.
CONFERENCE A LA SORBONNE. 3 juin, 1959.
Paris: CNAC, 1959.
Two 12" 33 rpm recordings in gatefold sleeve. 'IKB' inner-sleeve. Outer sleeve with a photographic portrait of Klein. The rare unique issue of these recordings of Klein's lectures 'The Evolution of Art Toward the Immaterial' & 'The Architecture of the Air'. One of an edition of only 500 numbered examples. Both discs in very fine condition in like gatefold sleeve.

Please enquire

Klein, Yves.
PRINCE OF SPACE. MUSIK DER LEERE. Charles Wilp dirigiert, Soloist: Cosmos Berthold Finkelstein (Helikon).
Dusseldorf: Site & Sound Production, 1959.
12" 33 rpm recording in printed sleeve. The first and only issue of this recording of Klein's 'Symphonie Monoton-Silence'. Fine condition in like sleeve. Scarce.

Please enquire

Knizak, Milan.
HALSCHMUCK.
Remscheid: Edition Vice-Versand, 1969.
Object multiple. Aluminum necklace with attached scissors, measuring 27.5cm in diameter. A rather dangerous multiple for the adventurous dresser from the Czech Fluxus actioneer. Edition not noted. Very good condition. Scarce.

195 uk pounds

Knizak, Milan
BASNE 1954 - 1990
Czechoslovakia: Nakladatelski M.U.K.L., 1990
Small 8-vo, 182pp plus wrappers. The collected poems (arranged chronologically) of the Fluxus stalwart and anti-statist Knizak in the original Czech. Very good with some minor grubbiness to the covers and the remains of a former price ticket mark on the back cover.

35 uk pounds

Knizak, Milan
MILAN KNIZAK
Wien: Prodomo., 1990 34 x 24cm, 36pp plus wrappers. Exhibition catalogue of Knizak's disassembled, repainted and rebuilt furniture which he first began working on in the mid-60s and continued until the mid-80s. 53 reproductions of works, most full colour and full page. Fine condition.

30 uk pounds

Knobel, Imi
UNTITLED. Artist's multiple.
N.p.: KNOBEL, 1981
4 x 4 x 1.5cm (approx) red enamel and metal pin. Artist designed multiple � a badge in the shape of an explosion. Stamped verso: �IMI 1989� Limitation unknown. Fine.

45 uk pounds

Knowles, Aliston
THE BEAN GARDEN
Geneva: Ecart, 1981
21 x 14.5cm, folded, artist designed invitation card for a one day performance by the Fluxus affiliated artist. The image employed is that of a torn 'advertisment' for "no frills beans". The show consisted of 4 works - Bean Greet, The Boston Beans (for George Maciunas), The Showmaker�s Assistant, Natural Assemblages and the True Crow. Knowles� use of a bean as a metaphor for growth has been a constant motif in her work. Scarce. Fine condition

30 uk pounds

Knowles, Alison.�
GEM DUCK
Cavriago/Reggio Emilia: Edizioni par Dispari, 1977
22 x 16.5cm, 50pp plus covers. Signed and dedicated by Knowles. Slight yellowing to rear wrappers otherwise a very good association copy of this artist's book.

75 uk pounds

Knowles, Alison & Goldstein, Malcolm
BREATH RIVER ROUTE. A performing installation space by Malcolm Goldstein and Alison Knowles.
NYC: Emily Harvey Gallery, 1986
55 x 40cm, blue and red on cream artist designed exhibition poster. Folmerly folded but otherwise fine.

45 uk pounds

Kolar, Jiri
SEDM KANTAT
Prague: Druzarvo Dtlo, 1945
22 x 15.5cm, 24pp (two uncut folios) plus wrappers and pictorial dustjacket. A relatively early book of poems by Kolar from the period when he was a member of the Prague Art Group 42 and prior to his imprisonment by the State in 1950 - later he was prohibited from publishing anything from the late 60s until 1989. Despite this Kolar joined the international pressure group Charter 77 - increasing oppression and harassment eventually meant he had to leave for Paris. Incidentally, by 1937 Kolar had already produced the first of his collage works for which he alter become famous but it wasn't until after the period in jail that he came to reject traditional poetry and concentrate mostly on visual and concrete works. Kolar returned to Prague for the last 4 years of his life and died in 2002. A frontispiece by Frantisek Hudecek is also reproduced on the cover. A fine copy of a scarce publication.

125 uk pounds

Kolar, Jiri
DNYVROCE
Prague: Fr. Borovy, 1948
22 x 14.5cm, 118pp plus pictorial wraps. A collection of Kolar's poems from the period of 1946 - 1947. The cover is by Zdenka Sklenare. This copy is additionally dedicated and dated in ink "4.11. 48". A very good copy with only minor rubbing to the cover.

95 uk pounds

(Konkretion)
A complete run of KONKRETION. Edited by Bjerke-Petersen
Copenhagen, Oslo, Stockholm: Konretion, 1935 - 1936.
The run consists of 5 issues numbered #1 - 6 (= all published). 5/6 was a special double number - see below.
Quatro. Pagination varies per issue - all unusually (for a periodical) have board covers. A complete set of this Danish art review is a rare find especially in this condition. Especial mention may be made of the Surrealist number (see below) which alone is often sought by collectors. Very good.

750 uk pounds

KONKRETION #5/6. Edited by Bjerke-Petersen
Copenhagen, Oslo, Stockholm: Konretion, September 1935 + March 1936
Quatro. 32pp plus board covers. Special double edition of this Danish art review devoted to French surrealism with poems in their original language by Paul Eluard, Hugnet, Dali, Peret as well as illustrations by Dali, Valentine Hugo, Magritte, Man Ray, Arp. This is a very good example of this rare review.

195 uk pounds

Komer & Melamid
Freedom Can
s.p. New York: 1991
10.5cm x 7.5 dia. tin can contain mass produced food stuff (unidentified) with original full colour xerox label. Capitalism in a can. Microwavable. Signed by the artists.

65 uk pounds

Konrad, Karel.
EPISTOLY K NESME. Lym Milencum.
Prague: Melantrich, 1941.
8vo. 73pp. (+2). Frontispiece design by Frantisek Tichy. Original wrappers. First edition of this scarce wartime poetic work by Konrad. This example signed by the author. Some minor starting, else very good in like dustwrapper with a pictorial design by Tichy. Rarely encountered thus.

125 uk pounds

Konrad, Karel.
DOPROVODY.
Prague: Nakladetal/Svoboda, 1950.
8vo. 108pp. Pictorial wrappers. First edition of this polemic work by the author. A far cry from the heady days of 'Devetsil'. A close to fine example of this uncommon title.

50 uk pounds

Jeff Koons

Koons, Jeff
Ball-Paddle-Game
Germany: Guggenheim, 1999
Artist's multiple. Approx.18 x 12 cm silkscreened wood, plastic and metal children's game in die cut cardboard box. Typically a playful multiple by the rejuvenated neo-pop funster. The game is a table-tennis-shaped bat painted to look like Santa's Rudolph with an attached rouge-coloured ball and a egg-cup shaped spring for a nose. The purpose of the game is to catch the ball in Rudolph's nose and make it, thus, red. The perfect art Christmas present if a little early in the year. Signed and numbered by the artist from a small edition of 100. Fine estate.

450 uk pounds net

Koons, Jeff
Untitled (Expresso Cups)
Italy, Illy, 1999
Six 7cm by 10cm dia. approx expresso cups and saucers - part of the series of Illy artist designed cups - numbered and signed in the design. Almost immediately out of print on publication - the image is of six different Koon's animal outlines. Fine estate.

185 uk pounds

Koons, Jeff
Signed exhibition poster
Germany: Staatsgalerie Stuttgart, 1993
84,5 x 60 cm, off set exhibition poster signed and dated recto by Koons with an added drawing of a flower. Scarce.

195 uk pounds

Kostelanetz, Richard
AD INFINITUM A FICTION
Germany: Klaus Groh, 1973
10.3 x 7.5cm, 32pp plus card covers. Artists book. Hand made on a xerox machine and with rubber stamped covers ("R.K."). The text is a concrete poetry work � with an ever expanding series of patterns created on a typewriter being reproduced. Numbered and dated in pencil on the inside back cover from an edition of 80. Fine.

85 uk pounds

Kostelanetz, Richard
INVOCATIONS
NYC: Folkways Records, 1983
Standard 33rpm record in printed cover with a design by the artist and 4pp printed insert. 61 minutes. Artist record where various prayers in 24 different languages were mixed to create an overall religious work. First edition ahead of a number of other versions created by Kostelanetz in different languages. Fine.

50 uk pounds

Kounellis, Janis
JANIS KOUNELLIS
Pescara: Mario Pieroni, 1975
39.5 x 28.5, b/w exhibition poster. Kounellis has overlaid David�s Death of Marat with a butterfy. The soul excapes? Fine.

55 uk pounds

Kounellis, Jannis
JANNIS KOUNELLIS
Luzern: Kunstmuseum, 1977
4to, unpaginated exhibition catalogue. One oF the very first of Kounellis' first one man shows in a museum; with texts by Jean-Christophe Ammann and Marlis Gurterich. Very good copy.

45 uk pounds

Kruchenykh, Alexi.
ZAUMNYI LAZYK U SEFULLNOI V., IVANOVA, LEONOVA, BABELLIA, VESELOGIO I DR.
Moscow: V.S.P., 1925.
Small 8vo. 59 (+5)pp. Two textual vignettes by V. Kalugina-Klutsis. Wrappers with a woodcut design in red and black (also) by Kalugina-Klutsis. First edition of this extraordinary theoretical excursion by one of the founding voices of Russian Futurism. Here, Kruchenykh endeavors to prove that the successes of many of the most popular Russian writers of the 20�s (Ivanov, Leonov, Babel, et al) has been due to their conscious or unconscious implementation of �zaum�; Kruchenykh�s signature �transrational language� method. One of a stated issue of 3000 copies. Bibliographic list of the author�s works (1912-24) at end. Slight wear and chipping to extremities of the fragile wrappers designed by Kalugina-Klutsis, else an exceptionally very good example of this rare and intriguing work.

1,150 uk pounds

Kruger,Barbara
It's a small world (but not if you have to clean it)
New York, USA, 1992
Small t-shirt - with colour transfer and text on white cotton. Have you washed up recently? Out of print editioned clothing multiple.

55 uk pounds

Barbara Kruger

Kruger, Barbara.
Stop. Look for the Moment When Pride Becomes Contempt.
np: c1980s.
Wrist watch multiple. Chrome frame, red rim with text, face with b/w image on black vinyl strap. Complete in original box with red felt wrapper.

275 uk pounds

Kruger, Barbara.
DIEN KORPER IST EIN SCHLACHTFELD.
Germany: Authentics, 1990.
Folio. [pp. 160]. pictorial boards. From an incompleted edition of only 300 copies - the publishers failed to complete the run. The back and front covers of this blank notebook displays a silkscreen version of Kruger's "Your Body is a Battlefield" image. Thus scarce.

250 uk pounds

Kruger, Barbara
I SHOP THEREFORE I AM
Koln: Kolnischer Kunstverein, n.d. (1980s)
40 x 32 cm (approx) paper shopping bag multiple. Silkscreened by the artist in 3 colours on a double sheet manilla with recto her anti-commercialisation message. Most were used in the shop to wrap purchases. This is an unused pristine copy. Scarce.

120 uk pounds

Kudo , Tetsumi
BOTTLED HUMANISM/INSTANT SPERM
Artifact from Happening, 1962
12 x 12 x 0.6cm (approx.) - a filled rubber condom (prophylatic) brand unknown. Astonishingly the condom is unbroken and still flexible � unusual with latex/rubber items from the 60s. Content of loose seeds inserted by Kudo. Knotted and then again tied with a pink printed ribbon "INSTANT SPERM". Distributed free by the artist at a 1962 public performance. Added: 27 x 21cm mimeographed leaflet published by Kudo and issued at the performance. The leaflet has a grease mark from where the condom has been stored on top of it for many years otherwise in very good condition. Text in English. "Instant sperm excels in efficiency and portability. You can put it in your bag or pocket and use it when you need." Added: 21 x 14.5cm mimeographed leaflet published by Kudo again in 1962 �HAPPENING /"Harikari" of humanism/ Bottled humanism/ Cutlets of humanism/Steak Tartare of humanism�

All 3 items together 445 uk pounds

Kudo, Tetsumi
CULTIVATION BY RADIOACTIVITY
Holland Galerie Mickery Loenersloot, 1968
4-to, 20pp exhibition catalogue plus original silkscreen cover (of an electric diagram) designed by Kudo. 20 b/w illustrations of works by the artist. Internally there is an electric diagram silkscreen print on transparent paper bound in. Fine. Scarce.

125 uk pounds

Kupka, Francois (Frantisekj) and others,
L'ASSIETTE AU BEURRE NO 57 May 1902 .
n.p. (Paris): L'Assiette au Beurre, 1902
32.5 x 24.5cm, 32pp self cover. Content of ten, two colour original lithographs by Kupka and five original lithographs by Noel Dorville, LeFevre and Dellanoy, Cadel. This weekly anarchist magazine attracted the support of many Parisien avant gardists. Again an exceptionally fine copy of this scarce propaganda vehicle.

225 uk pounds

A COMPLETE SET OF ALL 152 NUMBERS OF L'ASSIETTE AU BEURRE MAY BE AVAILABLE FROM HEART FINE ART - PLEASE ENQUIRE.

Kupka, Frantisek. and Sova, Antonin.
BALADA O JEDNOM CLOVEKI A JEHO RADOSTECH. (The ballad of a man and young woman)
Prague: Hejda & Tucek, n.d. [1902]
29 x 20.5cm, 84pp plus original printed wrappers. Contains 8 tipped on b/w plates of etchings by Kupka. Slight paper loss around the edges of the covers but overall a very good example of this lengthy moralist tale.

150 uk pounds

Kupka, Frantisek.
TVORENI V UMENI VYTVARNEM. Z Francouzskeho Rukopisu prelozila Vera Urbanova tisteno jako Cesky original.
Prague: Manes, 1923.
20.5 x 15.5cm, 212pp plus original paper wrappers. Frontispiece, textual illustrations and cover design by Kupka. First edition of this key theoretical work by Kupka relating to the title consideration - namely, "creation in the plastic arts" which strove for a spiritual 'energetic transformation of matter ' and as such is an important text in the development of abstract art. This copy has triangular paper loss to both top and bottom edges of the front cover and to the top of the spine and a few early pages are a little loose but copies are hard to come by in any condition. An essential item priced thus.

145 uk pounds

(KWADRAAT-BLAD/QUADRAT-PRINT)
Fuller/Levine/Miller/Munari/Rot/Sandberg/Vinkennoog and others
A COMPLETE SET OF 33 VOLUMES OF KWADRAAT-BLAD/QUADRAT-PRINT: STEENDRUKKERIJ DE JONG (ed.)
Hilversum: Steendrukkerij De Jong, 1955 - 1974.
Size and formats vary per issue - usually contained within a 30 x 30cm folder. De Jong's experiments in printing which incorporated the entire range of the plastic arts, literature, graphic design architecture and music. Each print was a wonderful exercise in stretching the technical ability of designers and printers and more astonishingly was given away free by de Jong to clients, friends, artists and interested parties - notable within the full set of 33 separate issues are the artist designed issues by Levine (House - a conceptual work), Bruno Munari (the earliest of Munari�s experimental �unreadable books�, ) and Dieter Roth (Daily Mirror). A complete listing of all 33 issues is: Cor Klaassen: Stad op steen (1955) Ed van der Elsken: Kunstkaart (1955) B.Majorick/Chagall: De klokken van Chagall (1956) Triso Henstra: Litho (1956) Otto Treuman: Buckminster Fuller (1958) Sandberg: NU I, in het midden van de 20e eeuw (1959) Ton de Leeuw: Muziek en Techniek (1960) Simon Vinkenoog (ed.): Schrijftaal 1 (1961) B. Majorick: Genenis van een compositie (1961) W. Katavolos: Organics (1961) Gerard Wernars: "50" Jublieum de Jong & Co. (1961) Rietveld: Schr�derhuis (1963) Simon Vinkenoog (ed.): Schrijftaal 2 (1963) Diter Rot: Daily Mirror (1964) Bruno Munari: Onleesbaar kwadraat-blad (1964 ) Pim van Boxsel: Philomene (1966) Gerard Unger: Een tegenvoorstel (1967) Henry Miller: Extra Zending Schrijftaal (1967) Wim Crouwel: New Alphabet (1967) Sandberg: NU 2 (1968) Anthon Beeke Alphabet (1970) Van Reeuwijk: Muziekpapier (1970) Wim Spreeuwers: 16 kubussen en een speelveld (1970) Timothy Epps Alphabet (1970) Gerard Wernars (ed.): Liber Amicorum (1970) Pieter Brattinga: Cijfer, kassabonnen (1971) Les Levine: House (1971) Aloisio Magelhaes: Topografische analyse (1974) Mart Kempers: 3 litho's (1974) Mulder/Doebele/Wernars: Vijf speelkaarten Jan Sleper: Litho Cees Timmers: La Fontaine Simon Vinkenoog: Schrijftaal 3 (1974). Many of these issues are rare alone - as a group and in such good condition, this is a very desirable collection.

800 uk pounds for all 33 numbers

KWY. Revue trimestrielle d�art actuel. No.6. Edite par le groupe KWY.
Paris: KWY, Printemps 1960.
26 x 17 cm. 31pp. Articles by M. de Castro; Sebastao Fonesca, Jose Escada, Alfredo Margarido, Antonio Saura and Michel Tapie. and original handprinted screenprints by Escada - Tapie (a 3 page fold-out) and Duarte. Original printed wrappers. Single number of this strikingly designed Parisian-based avant-garde revue, as edited and published by Lourdes Castro and Rene Bertholo. KWY represented an aesthetic bridge between Nouveau Realiste, Zero, post-Surrealist and pop art tendencies. Limited to 500 copies. A fine example. Rare.

400 uk pounds

KWY. Revue trimestrielle d�art actuel. No.8. Numero Vostock.Edite par le groupe KWY.
Paris: KWY, Autumn 1961.
30.5 x 21 cm 48pp. Card wrappers with silver foil upper cover designed by Castro with a rolled up length of foil attached to the inside back cover. Much of this issue is duplicated with hand printed serigraphs by Bertini, Vieram Szenes, Benrath, Singer, Pinheiro, Da Silva, Goncal, martins, Biasi, Chgristo, vertholo, Millaries, Weelen, Voss, Pfhaler, Gerresheim and others. Also included is a piece of magnetic tape atacched by Jean-jacques Levequwe which contains a recording from the soviet space flight "Titov" of that year. Limited to only 300 copies. A fine example. Rare.

695 uk pounds

KWY. Revue trimestrielle d�art actuel. No.9. Edite par le groupe KWY.
Paris: KWY, Printemps 1962.
20.5 x 30.7cm. 32pp. Hand-printed original serigraphs in colors by Guido Biasi, Bernard Noel, Jan Voss, Paul Wunderlich & Rene Bertholo + b/w images after works by Christo, Cy Twombly, and Lourdes Castro. Original printed wrappers. Single number of this strikingly designed Parisian-based avant-garde revue, as edited and published by Lourdes Castro and Rene Bertholo. Included herein are the aforementioned original graphics by Biasi, Bertholo, Noel, Voss & Wunderlich, as well as texts by Benjamin Patterson, Francois Dufrene, et. al. A very good example. Rare.

525 uk pounds

KWY. Revue trimestrielle d�art actuel. No.12 �Album�. Edite par le groupe KWY.
Paris: KWY, Hivier 1963. 20.5 x 30.7cm. 38pp. Content of hand-printed serigraphed postcard works and/or attached object-multiples by Balthazar, Rene Bertholo, Pol Bury, Corneille, Carlos Cruz-Diez, Lourdes Castro, Julio Leparc, Camille Bryen, Ferro, Herve Telemaque, Paul Colinet, Guidi Biasi, Jan Voss, and many others. A special �Album� number of this avant-garde journal. Content of original postcard works and kinetic object-multiple inserts by manifold contributing artists (see above). One of only 300 unnumbered examples issued of this ambitious assemblage. A fine example with all elements intact. Rare thus.

800 uk pounds

Lacy, Suzanne
MONA BY NUMBERS
San Francisco: MOMA, 1978
15 x 10cm artist designed postcard - a paint by numbers drawing of the Mona Lisa as prepared by the feminist and conceptual artist Lacy. The paint by numbers idea is a conceptual nod to Lynn Hershman who produced a photograph as herself as "Roberta Breitmore" with lines painted on her face for make up ie different colours in different places - the card is dedicated to "Roberta B." . Only 200 printed. Fine.

25 uk pounds

Lagerfeld, Karl
Karl Lagerfeld Photographer
Germany: Benedikt Taschen Verlag, Koln, 1990
29.7 x23cm large format 158pp, contains many black and white and colour photographs by the fashion and art photographer. Tipped on photograph onto the board covers, as issued without dust jacket. This copy is very clearly signed by Lagerfeld in black ink on the half title. Thus scarce. Slight easily repairable nick to spine cloth, otherwise very good condition.

45 uk pounds

Latham, John
REPORT OF A SURVEYOR
Stuttgart: Editions Hansjorg Mayer, 1984
30 x 21 cm. 64pp plus typographic covers. Artists book/exhibition catalogue - content of conceptual texts discussing the role of the artist in a parliamentary democracy - essentially an utopianist view of the potential role of the artist within government. Very good.

50 uk pounds

Latham, John
ARTISTS WITHOUT RIGHTS. WITHHOLDING OF TAX.
London: s.p. (the artist), 1985
30 x 21 cm. 1pp offset letter printed recto only. A textual statement by Latham outlining why he has refused to pay income tax to the government because of "proof" that the latter have secretly conspired against him to stop his work. Minor tears and creases to the edges but substantially very good

ADDED:
30 x 21 cm. 1pp xeroxed letter printed recto only. Latham's note to an unknown recipient regarding the statement above and how it might be distributed with a draft letter. This copy of the letter is signed in black pen by Latham and has the artist's phone number.

50 uk pounds

Latham, John
THE ARTS COUNCIL OF GB HAS BEEN FOUND SENDING FALSE INFORMATION TO PARLIAMENT AND GOVERNMENT
London: Artist Placement Group, 1985
30 x 21 cm. 1pp offset open letter printed recto only. A textual statement by Latham (without any sense of logic or structure) outlining his belief that the government had conspired against him.
ADDED:
Latham, John
APG RESEARCH HAS REACHED A CONCEPTION OF ART THAT WILL REDEFINE PROBLEMS OF AN ECONOMIC KIND
London: Artist Placement Group, 1985
30 x 21 cm. 1pp xeroxed open letter printed recto only. Latham's text on a proposed role for artists within the European Economic Community (now the European Union). This copy of the letter is signed in blue pen by Latham and has the artist's phone number.and address added. APG notes Ian Breakwell and H. Davies as Directors along with Latham and other British conceptualists. Both very good.

50 uk pounds

Lawler, Louise.
UNTITLED BOOKWORK
NYC: s.p. (Lawler): 1978
Two uniform volumes, both 17.8 x 12.8cm, unpaginated (52pp each) with one volume having a red cover and the other a blue cover. Artist�s book � which between the two volumes reproduces the faces of the entire deck of cards, one per page. The edition was published in two near identical versions � one which cost $7.95 and the other $100. This is the latter more expensive edition (�deluxe� if one must), the point being one supposes that monetary value is entirely arbitrary. We charge even more for it now: the irony is transparent. Both volumes in fine condition.

195 uk pounds

Lax, Robert
SPRING SONGS BY ROBERT LAX
Devon, UK: Kontexts Publications, 1974
21.8 x 10.5cm, 4pp printed and folded card. Concrete poem relating to the environment - the words GREEN/GREEN compete with the word CAR/BON and SUN/SUN - a warning about global warming many years before it became a common concern. Each word is in an appropriate colour. One of 500. Fine.

15 uk pounds

Le Brocquy, Louis
STUDIES TOWARDS AN IMAGE OF W.B. YEATS
Edinburgh: Richard Demarco Gallery, 1977
30 x 21cm, 38pp + 4pp pictorial covers, exhibition catalogue. Le Brocquy's homage to his hero consists of many, many studies worked and reworked from photographs. The results are often comparable to the best of his fellow countryman Bacon's portraits but with a more definite celtic edginess. 26 b/w reproductions of the studies (most full page) and 1 in full colour (cover image). Short essay by John Montague and a text by the artist as well as biographical details. Striking. Fine condition.

45 uk pounds

(Lettrist periodical).
INTERNATIONALE LETTRISTE. No.3. Directeur gerant: B.D.Brau. Redacteur en chef: G.E. Debord.
Paris: Internationale Lettriste, Aug., 1953.
Single 270 x 420mm. printed on recto only. Single number (of four issued) of this proto-Situationist revue, which re-marked the rupture between the Debord/Wolman and Isou/Lemaitre factions within the Lettrist movement. Contributions by B.D. (i.e. Jean Louis) Brau, G.Debord, G.M. Langlais, G.G. (i.e. Gil J.) Wolman. �Internationale Lettriste� would be followed up by the journal �Potlach� (1954-55), and the historic formative Bauhaus Imaginiste conferences of 1956, which lay the groundwork for the inaugural manifestation of the I.S. Fine estate. Rare.

225 uk pounds

Lemaitre, Maurice.
LE FILM EST DEJA COMMENCE?
Paris: n.p., 1951.
48 x 59cm announcement poster for the first performance of Lemaitre's filmic masterpiece. The date is handwritten on the poster in Lemaitre's hand and signed in red pencil. Lemaitre specified: "This film must be projected under special conditions: on a screen of new shapes and material and with spectacular goings-on in the cinema lobby and theatre (disruptions, forced jostling, dialogues spoken aloud, confetti and gunshots aimed at the screen...)". The performances did not simply consist of a film but what would now be recognised as a happening long before Fluxus or Kaprow. The poster is slightly ragged around edges but otherwise very good. Very rare especially signed thus.

545 uk pounds

Lemaitre, Maurice.
LE FILM EST DEJA COMMENCE/SEANCE DE CINEMA. Preface de Jean Isidore Isou.
Paris: edited by Andre Bonne for Collection Encyclopedia du Cinema, 1952. 182 pp. 5 b/w reproductions. Photographic wrappers. First edition. The earliest of the Lettrist author, artist and filmmaker's theoretical works on cinema and the Lettrist manifestation thereof. A fine copy.

130 uk pounds

Lemaitre, Maurice.
JOUNAL D�UN DRAGUEUR OU L�AMOUR.
Paris: Le Terrain Vague, 1960.
8vo. 201pp. Original wrappers. First edition of this text work by the pioneering co-founder (with Isidore Isou) of the Lettrist group. Issued in an �unstated� (though undoubtedly small) number of copies, sans any �du tete� or large paper issue. A fine, primarily unopened example. Uncommon.

85 uk pounds

Lemaitre, Maurice.
BILAN LETTRISTE.
Paris: Richard Masse, 1955.
Small 8vo. 160 pp. 115 typo-pictorial "notations". Original card wrappers. First edition thus of this important bookwork by Lemaitre. Substantial additional material has been added to this so-called "second version" of 1952's "Sisteme de Notation pour les Letries", the distribution of which was suspended owing to the publisher's financial woes. A primary example of Lettrist Hypergraphic notation issued at the height of the group's influence. A close to fine copy. Scarce.

180 uk pounds

Lemaitre, Maurice
CANAILLES. AUTOMONOGRAPHIE SUPERTEMPORELLE.
Paris: s,p, (Lemaitre), 1964
27 x 20.8cm, unpaginated (approx 100) plus pictorial wrappers. First edition. Artist book/hypergraphic novel from one of Lettrisme's founders. this is the true first edition - with Lemaitre typically binding together different stocks of papers (some better reproduced than others as issued). This is one of 300 numbered copies and is a rare lettriste publication. Slight wear and tear at the bottom of the spine otherwise very good.

175 uk pounds

Levine, Les.
PRESS KIT: "Les Levine Copies Everyone".
Toronto: Issacs Gallery, 1970.
22 x 26 x 2.5 cm. printed card box content of 157 unbound sheets, including text introduction, checklist, photo-documentation, press clippings, bio. & bibliography. First issue of this engaging and inventive boxed self-reflexive and documentary multiple by the concept and book artist. All elements fine in like box. Uncommon.

175 uk pounds

Levine, Les.
HOUSE.
Hilversum: Steendrukkerij de Jong & Co., 1970.
25 cm sq. 27 pp. 25 full-page photographs in b/w with facing unprinted black pages. Printed wrappers. First edition. One of the series of experiments in printing ("Quadrat-prints") published by de Jong & Co. A conceptual work by Levine composed of photographs of a rural house at various stages of demolition. "Each photograph in this book is a working plan for a sculpture or monument". A fine copy.

60 uk pounds

Levine, Les
WIRE TAP
NYC: Fischbach Gallery, 1970
10.5 x 18.3cm, 2pp announcement card for the Levine edition. Recto is an image of Levine watching the video. Fine.

45 uk pounds

Levine, Les
LES LEVINE�S I AM NOT BLIND. An Information Environment about unsighted people.
Hartford, USA: Wadsworth Atheneum/ Lions Gallery of the Senses, 1976
20 x 20.5cm, 24pp plus card covers. Exhibition catalogue/artist�s book relating to Levine�s experiences of interviewing unsighted people and realising that they did not believe their lack of visual experience made them without visual sensation (albeit imaginary in many cases). Levine�s installation played recordings with many of the interviews and this book reproduces most in printed form. Very good.

45 uk pounds

Levine, Les
COUNTRY BILL BOARDS
NYC: Ronald Feldman, 1981
10.5 x 15cm, 2pp announcement card for the Levine exhibition. Recto is an photograph by Levine of a young "redneck". A mailed copy - a bit creased.

25 uk pounds

Levine, Les
CHEAT HATE KILL LIE RADE RAPE SELL STARVE STEAL WIN/MASS MEDIA LOCAL NEWS
NYC: Ronald Feldman, 1985
10.5 x 15cm, 2pp announcement card for the Levine public performance using the Spectacolor Light Board in Times Square. A mailed copy - a bit creased. 25 uk pounds Levine, Les GIANT COMPUTER ASSISTED DRAWINGS NYC: carpenter + Hochman, 1986 23 x 19.8cm, 2pp announcement card in pink and white for a Levine show. Typographic design. Fine.

20 uk pounds

Levine, Les
AFTER ART
New York: Museum of Mott Art (the artist), 1974.
21.5 x13.5 cm, 12pp plus printed wrappers. Levine's tongue in cheek offer to act as a consultant to other artists, their widows, agents and dealers follows his statement that "Art is dead". Often hilarious, Levine's fee of a minimum of 35$ a hour covers such services as helping women artists "to develop guilt feelings in critics so that they will write about your work" or a reading service for conceptual artists: "We also stand by and turn pages for artists who wish to do their own reading." Wonderful. Fine.

55 uk pounds

Levine, Les
LES LEVINE�S GREATEST HITS
NYC: Mott Art, 1974
59 x 44cm, b/w artist designed poster. The image is deliberately racist � Levine in black-face posing as if a minstrel � promoting a series of video tape performances. Folded for mailing (and address label verso) but otherwise very good

95 uk pounds

(Lewis, Wyndham)
WYNDHAM LEWIS AND VORTICISM
London: Tate Gallery, n.d. (c. 1956)
24 x 17cm, 24pp plus wrappers. Exhibition catalogue for a travelling exhibition of Vorticist art which took place soon after Lewis had became blind. A 2pp insightful, if a little reactionary, foreword by the artist and a short essay by John Rothenstein. Four b/w plates of works by Lewis and 81 works by him and fellow travellers are noted with full details. Some pencil markings throughout but otherwise a very good late period document.

50 uk pounds

Lewitt, Sol
WALL DRAWINGS AND STRUCTURES LOCATION OF SIX GEOMETRIC FIGURES VARIATION OF INCOMPLETE OPEN CUBES
NYC: John Weber Gallery, 1974
40 x 40cm, 4pp b/w artist book. Lewitt's systematic recreation of geometric variables. Slight bumping. Scarce.

95 uk pounds

Lewitt, Sol
INCOMPLETE OPEN CUBES
New York:, Weber Gallery, 1974
20.4 x 20.5 cm, 264pp plus card covers. The first edition of this seminal Lewitt work � the book consists solely of all possible combinations of a cube with one or more faces or sides missing with the images created as line drawing and sculpture. Very scarce despite an edition size of 2,000 unnumbered copies. Slight browning to edges of slightly bumped covers but otherwise very good.

95 uk pounds

Lewitt, Sol
BUTTON BADGE MULTIPLE
New York:, Rosa Esman, n.d.
5.4 x 5.4 cm square button badge with a Lewitt design � four squares with diagonal, horizontal and vertical lines in each � creating all the possible straight line variations. Presumably a promotional gift /invite object for the show. Fine estate.

35 uk pounds

Lewitt, Sol
BOOKS 1966 - 1990. Deluxe edition.
Koln: Koenig, 1991
Black heavy folio case containing the catalogue raisonne for Lewitt's artist book productions along with 3 signed and numbered etchings by the artist. One of only 20 copies - fine.

995 uk pounds

LeWitt, Sol and Creeley, Bob
Echo (for Eck)
Morning Star Publications, Edinburgh: 1993
37.5 x 39cm offset litho poster, printed on both sides. Folded as issued in printed envelope. Creeley's poem is illustrated in two mono designs by Lewitt. Numbered from an edition of only 250.

65 uk pounds

Lichtenstein, Roy.
KUNSTLERTELLER.
np: Rosenthal [Porcelain], Studio-Linie, nd.
Twelve and one eigth inches in diameter original plate multiple. Glazed porcelain. Loosely inserted in the original clamshell box with printed certification booklet. Edition of 3000, numbered on verso; signed by Lichtenstein in the print, on recto & verso. Not dishwasher proof.

750 uk pounds

Lichtenstein, Roy
Vernissage. Hand signed exhibition programme.
Hamburg: Vernissage, Feb. 1995
28.5 x 23cm 70pp self cover exhibition programme and magazine issued at the time of the artist's late, and comprehensive, Munich retrospective. 53 full colour reproductions of Lichtenstein's work (and additionally other pop artists including Warhol, Johns, Hamilton, and others outside the movement including Picasso). Texts in German. Lichtenstein signed the cover of this magazine while at the opening in blue ink over an image of his 'Girl Waiting'. Fine estate.

150 uk pounds

Other prints and signed posters by Roy Lichtenstein are available - contact Heart Fine Art for details.

Long, Richard, J. Kounellis, J. Schnabel and Clegg + Gutton.
LES VIN DU MUSEE
Bordeau: MACB, 1996 Four different 75 cl bottles of wine (two white, two red) with artist designed labels. Issued as an "unlimited" edition, the majority of those issued were most probably drunk. The Long label was originally intended to be on red wine but on seeing the item the artist changed his mind and labelled a white bottle instead. Fine.

125 uk pounds for all 4 bottles together

Long, Richard
RICHARD LONG
Paris: Galerie Yvon Lambert, 1975
10 x 15cm 2pp invitation card with a graphic design by Long on the recto and gallery details verso. Fine.ADDED: Long, Richard
ROISIN DUBH/A SLOW AIR
London: The Arts Council, 1976
10 x 15cm 2pp publicity card for the title edition print. Fine.

Together 30 uk pounds

ONE OF ONLY 15 DELUXE COPIES

Long, Fulton, Ackling, Tremlett, Kitai, Paolozzi, Lewitt.
ON LOAN . An exhibition of borrowed art
London: Coracle Press, n.d. (circa 1980) 8.5 x 7 x 6cm cardboard box of 62 library tickets in readers' pockets. The conceptual catalogue for this show where artists either lent works or lent works from their own collections of other people's art. This is the deluxe version of this catalogue (where the lists of works are simply listed on each library ticket corresponding to the artist (without images) where each of the library tickets is hand signed by the artist. Only 15 copies of this version of the work were produced (aside from 350 copies of the unsigned work) and is thus rare. Participating artists included Richard Long, Hamish Fulton, Roger Ackling, R.J. Kitaj, Eduard Paolozzi amongst others (all of whom signed their cards) and contained works by Lewitt and other conceptualists lent to the show. Fine in like box.

450 uk pounds

(Cobra / Lucebert aka Lubertus Jacobus Swaanswijk)
Eijkelboom, J.
LUCEBERT
Amsterdam: J.M. Meulenhoff, 1964
24 x 17cm, 48pp plus printed covers. Monograph on the poet-painter of the COBRA movement as part of the essential series �Art & Architecture in the Netherlands�. Noted (even before Richter) for his daily practice of painting, he was firstly a then an active member of the COBRA movement which led to his fascination with and influence by Art Brut. 8 colour images, 17 b/w and a lengthy commentary by the author. Fine.

45 uk pounds

All items subject to availability and our terms. While we will do our best to minimise change, because we are trading internationally all prices are liable to change due to currency fluctuations - please contact Heart Fine Art Ltd for a firm quotation. All invoices billed in pounds stirling unless otherwise agreed in advance. To check current conversion rates then one easy way to do is to consult the following on-line currency converter.

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