Fahlstrom, Oyvind
MINNESLISTA (From "Dr. Schweitzers sista uppdrag"). (Translates as "Dr. Schweitzer�s last mission")
Stockholm, Kerberos, 1964.
Uniformly 35 x 46 cm, 4 sheets loose in printed wrappers. An artist's game/artist's book from the politicaly committed Swedish artist who once designed a board game entitled "Kidnapping Kissinger" which was exactly what is said on the label - a game where the winners successfully kidnap Nixon's right hand man. Here each sheet is illustrated with a coloured, imaginative yet slightly surreal map with texts "PLUTTSALONG / PLUTTS�NG / PLUTTSARONG / PLUTT�NG" which are Swedish portmanteau words which infer uselessness and/or insignificance. The first sheet also contains the "rules of the game" which are equally obtuse whilst still fulfilling the Witgensteinian idea of a game. The whole relates to a series of 'variable paintings' (installations and works which can be recombined in different ways using magnetic pieces) regarding 'Dr. Schweitzer' - a comic, stereotyped authority figure who Fahlstrom uses to create disturbing scenarios where the worldview is unsettled by the intrusion of medical instruments and procedures: thus may be viewed as a symbolic and all powerful stand-in for reactionary government. Small scratch on back cover, otherwise a fine copy of this very scarce 60s work from the famous agit-prop artist who has been influenced at different times by US underground comics (especially Crumb), Scandinavian pornography and Nordic expressionism. Intriguing.

1,000 uk pounds.

(Fahlstrom, Oyvind)
Hultberg, Teddy
OYVIND FAHLSTROM I ETERN - MANIPULERA VARLDEN. Faglar i Sverige, Den helige Torsten Nilsson, bilder & manuskript.
Stockholm: Sveriges Radios F�rlag/Fylkingen,1999.
Folio, 336pp plus cloth boards with dustjacket with laid in 2 cd set of artist's recordings, all in printed slipcase. The title translates as "�yvind Fahlstr�m on the Air - Manipulating the World". Texts in both Swedish and English. The two CDs have recordings of works: "Birds in Sweden" (1963) and "The Holy Torsten Nilsson" (1966). A recent review of the genre - spanning Swedish artist's soundworks. Fine.

60 uk pounds

Feldman, Hans Peter
BILDER
Germany: s.p. (the artist), 1968 - 1971
A number of Feldman's extremely rare artist's books from the earliest period - each is an. approx 12 x 8cm offset book content of appropriated photographs. The books available are
12 BILDER (In flight aeroplanes captured on film from the ground) 1968
3 BILDER (2 busty girls in saucy poses) 1970
7 BILDER (Photographs of weddings) 1970
6 BILDER (Footballers) 1971
14 BILDER (Mountains) 1971
11 BILDER (Clouds) 1971

Each book is 295 uk pounds or all 6 books for 1,950 uk pounds

Feldmann,Hans Peter
POSTKARTENEDITIONEN
n.p., n.p. (Feldmann), n.d. (1974)
14.8 x 10.5cm, 11 postcards from appropriated images one for each month of the year with February missed out . Feldmann sent out such groups of postcards to friends but always removed one card from the set so that no-one had a complete set. This is a pristine unmailed set. Very good. Very scarce.

750 uk pounds

(Fillou/Williams)
Lebel, Jean-Jacques.
2ieme FESTIVAL DE LA LIBRE EXPRESSION. Organised by Jean Jacques Label. Original poster/programme + three handbills and a hand out along with 3 original b/w photographs from the event.
Paris: Centre Americains des artistes, May 17 - 25, 1965.
Poster: 44 x 32cm, black on pink paper - folded with some paper loss bottom right and left. Programme notes participation of Alain Jouffroy, Robert Filliou, Emett (sic) Williams, Earle Brown and many others. Design includes a reproduced photographic image.
Programme hand out for the Earle Brown Lecture on "Composing Music by Chance" and the Filliou/Williams Extra-Sensory Misperception. 27 x 22cm, 6pp. Included in the stapled leaflet is a "souvenir sheet" which consists of a copy of the Filliou/Williams multiple "The Pink Spaghetti handshake". The artists shook hands while holding painted spaghetti onto a sheet of white paper and the resulting "print" was allowed to dry and included here. This is a rare and important example of this famous work - which takes pride of place in both poet's oeuvre and is oft mentioned in William's autobiography. Some folding and tears without any paper loss - a very good example of this rare work
3 handbills: 4to, both 1pp. Mimeotext on white paper. Programme details respectively for the Ferlinghetti contribution ("Underwear")and a Lebel happening and le Groupe Panique International (a drama). Some tears but no paper loss. previous creases where folded. The third hand out is the programme for a concert by Nam June Paik and Charlotte Moorman on 21 May 1965 where works by Paik, Chiari, Brown, Corner, Cage, La Monte Young, Dick Higgins and Ichiyanagi were performed. Interestingly the programme notes the loss of a Paik sculpture "Robot" as having "disappeared mysteriously on the way from iceland to Paris in the international air labyrinth."
Three original photographs - respectively 18 x 24cm, (image 12.5 x 18.5cm) ; 24 x 18cm (image 18.5 x 12.5 cm) and 9 x 13 cm (image 5.5 x 9.5 cm). All are b/w and press shots from "Chapman-Fotogram" Cignac, France (company stamps and hand written descriptions verso) . The images are of a performance by Alexandro Jodorowsky (2 images) where he and his naked female co-performers had his body smeared with honey and hair and where a sacrilegious ceremony was performed where a priest handed out hosts for consumption by the same participants. The third smaller photograph is a portrait of Label. All have very minor surface scratches but are otherwise very good. Images on request.
Together - a rare group of material from this historic festival. The material is also with some significance to the works of several Fluxus affiliated artists (especially the bound in copy of the "Pink Spaghetti handshake") and despite the typical wear associated with such freely distributed material a very desirable group of material.

500 uk pounds

Filliou, Robert ("et co").
POEME COLLECTIF
La Louviere, Belgium: Daily-Bul, 1968
Small 8vo, 16 blank pages, 4pp with text and card wrappers- laid in 2pp card. The artist's book which is intended for use by a group of participants to create a communial poem from Filliou's intial instructions. Numbered from an edition of 1000.

75 uk pounds

Filliou, Robert
UNTITLED (AUTOUR DES VISITES A SPINOZA). Unique work/wall sculpture c. 1968
110 x 14.5 x 4cm sculpture. Cardboard, wood, string and found text on paper. 12 x 14.5 x 4cm cardboard box with a found single page of text from a book "AUTOUR DES VISITES A SPINOZA" glued to the bottom of the box. On the text is glued a wooden block from which over 2m of string is attached. The string is designed (as was typical of this vintage period work by Filliou) to hang the work on a wall. Spinoza was, of course, a Dutch rationalist and determinist (of sorts) and Filliou�s various researches into science and the origin of art are comparable and no less encompassing if less well known. Fine condition with some minor yellowing of the page from the book. Full and clear provenance available.

4,950 uk pounds

Filliou, Robert
TEACHING AND LEARNING AS PERFORMING ARTS
Koln: Konig, 1970.
270 x 210mm, 231 pp. artist's book - spiral bound in yellow card covers. Filliou's notebook is designed for use - a lot of space is left deliberately blank for the reader's participation. Contributions by John Cage, Benjamin Patterson, George Brecht, Allen Kaprow, Marcelle, Vera and Bjoessi and Karl Rot, Dorothy Iannone, Diter Rot, and Joseph Beuys. Fine condition.

85 uk pounds

Filliou, Robert
15 WORKS OF ROBERT FILLIOU TO BE LOOKED UPON AS EXHIBITION FOR THE 3RD EYE
Antwerpen: Wide White Space, 1971
Invitation card designed by Filliou � with a work reproduced verso in b/w . Fine.

75 uk pounds

Filliou, Robert
ROBERT FILLIOU
Berlin: Galerie Rene Block, 1971
15 x 10.5cm, 20pp plus covers. Exhibition catalogue for Fillou�s one man show at the famous Berlin Gallery. 16 works illustrated in b/w with no text. Former owner�s name on inside cover (ex libris the curator and artist, Peter Van Beveran), stamped "Art Information Centre" (a project where artist�s books were meant to be registered and submitted voluntarily) and a numbering system neatly inscribed on the bottom left cover from the Centre but a rarity in any condition. One of only 500 issued.

195 uk pounds

Filliou, Robert
RECHERCHE SUR L�ORIGIN/RESEARCH ON THE ORIGIN/ERFORSCHUNG DES URSPRUNGS
Dusseldorf: Edition der Stadtischen Kunsthalle, Dusseldorf, 1974.
4to card box content of one 11" x 29 ft. (unrolled) printed paper scroll; either end with wooden attachment. Signed and numbered by the artist. Also included (as issued): the catalogue for the title exhibition. Tri-lingual text (German, French & English). Introduction by Jurgen Harten. Dusseldorf: Edition der Stadtischen Kunsthalle, Dusseldorf, 1974. 16 mo. 27 pp. wrappers. One of 400 numbered examples issued of this obviously "lengthy" multiple by Filliou. Both pieces fine in like box.

550 uk pounds

Filliou, Robert
DEBUT FIN D�UN LIVRE SANS FIN
Germany: Klaus Groh, 1973
10.3 x 7.5cm, 32pp plus card covers. Artists book. Hand made on a xerox machine and with rubber stamped covers ("R.F.") this is a very scarce limited edition by the Fluxus affiliate and poet. The work consistes of the number sequence 1 + �.. n+ ,,,, n+1 spread over the pages of the book � thus making the book endless. Numbered and dated in pencil on the inside back cover. Fine.

125 uk pounds

Filliou, Robert
ANNOUNCEMENT CARD FOR PORTA FILLIOU
Canada: Arton's Video Production, 1977
10 x 15cm, 2pp b/w card for Filliou�s Fluxus film. Recto a still from the film showing Fillou's profile in a car. Verso ordering information. Very good.

45 uk pounds

Filliou, Robert
LE SIEGE DES IDEES ANALYSE LOGIQUE DE EDWIGE REGENWETTER
Br�ssel/Hambur: Edition Lebeer Hossmann 1977
Small landscape 4to, 36pp plus card covers. First edition of Filliou's artist book. One of 900 numbered examples. Fine.

45 uk pounds

(Filliou, Robert, Ken Friedman Alison Knowles, Ben Vautier, Robert Watts and Others)
CENIZAS Nr. 6
San Francisco: Cenizas, 1980
8vo, 30pp plus card covers. Self folded and bound. Tipped in 10.5 x 9cm, 30pp, stapled artist's book by Larry Wendt (Earthworm). Ben's contribution is noteworthy - a poem edited from a facsimile reproduction of his letter from Berlin to the editor (Mike Crane) by the selection of sections underlined by Vautier. A single issue of this artist's publication with original and reproduced contributions. Fine.

35 uk pounds

Filliou, Robert
MUSICAL ECONOMY NO. 2
Zurich: Seedorn Verlag, 1983
21.5 x 30.5cm printed transparent envelope content of a 62 x 42cm folded printed poster which reproduces a drawing by Filliou of conductors' stands. One of 150 signed and numbered prints. Fine in like envelope. Scarce.

400 uk pounds

Filliou, Robert.�
LONGS POEMS COURTS A TERMINER CHEZ SOI
Brussels/Hamburg: Editions Lebeer Hossmann, 1984
Sixteen artist's postcards, uniformly 10 x 15cm, which reproduce poems which were left incomplete for the later participation of the owner. Fine.

40 uk pounds

THREE HAND DRAWN FLUXUS CARDS

Fine, Albert
UNTITLED (WRIGHT EMOS). Unique drawing on postcard. 1973
8 x 13cm, 2pp hand drawn black ink on postcard. A unique example of hand-created mail-art by the Fluxus artist and filmmaker Albert Fine. The front of the card is a typographic design in Fine�s ideosyncratic style where letters are embellished with additional ascenders and horizontal flourishes to the point of obscurity - in addition in FIne's unstated rules of design, words could be placed up-side down to further confuse the reader. Fine's texts CAN be read with some difficulty however as Fine�s lettering/ornamentation and the placing of words is consistent (a word can change direction but it remains in series with the rest of a sentence or phrase). Here the text on the front reads: "WRIGHT RONG / ART WRONG / NOT RITE/ DO NOT SEND /SEND TO TUTTLE/SMUDGE" � the "Do not send" is a clear referencing of Ray Johnson�s series of "Do not send to�" mail art pieces. There is also a hand drawn paper clip which is continued 'a la trompe d�oeil' over the overside of the card. The entire work is addressed to "(Norman Viet Con) Doctor Patient 94 Chambers St. NYC 10007". Franked and mailed through the US post, this card has survived in very good condition and is a wonderful piece of personalised mail art.

200 uk pounds

Fine, Albert
UNTITLED (CAFFE ALUMETTE MAGGOT). Unique drawing on postcard. 1973
8 x 13cm, 2pp hand drawn black ink and stains on postcard. Yet another unique example of hand-created mail-art by Fine. The front of this card has been stained with coffee and the stains used (as if by a post-modern Ernst) to create a postcard equivalent of a captured tabletop by Spoerri. Franked and mailed through the US post this item was again addressed to "Tostado Obscure 94 Chambers St. NYC 10007" and is in very good condition.

225 uk pounds

Fine, Albert
UNTITLED (DINASAUR STAMP). Unique drawing on postcard. 1974
8 x 13cm, 2pp hand drawn black ink on postcard. A further unique example of hand-created mail-art from Fine. The front of this card has a typographic design with printed elements to give the impression that the card has been impressed with a rubber stamp. Given the poor quality of many mail art items sent within the network during the 60s and 70s (typically xeroxed collages) this is a timely reminder that some artists took care and effort to create miniature works of art. Franked and mailed through the US post this item was addressed to "Tostado Obscure 94 Chambers St. NYC 10007" and is in very good condition.

195 uk pounds

Fini, Leonor
LEONOR FINI
London: Hanover Gallery, 1967
10 x 21cm, 8pp (including 2 fold-outs) in typographically-designed printed card covers. Exhibition catalogue, 8 b/w reproductions of works and 16 displayed paintings noted. no text. Slight browning to covers and very minor damage to ends of spine but otherwise very good.

45 uk pound

Concrete Poetry /IHF
POETRY 66 Exhibition of Concrete/Spatial Poetry.
Nottingham: Trent Book Shop, 1966
10.5 x 25.5 cm, 4pp announcement leaflet for an exhibition of Concrete/Spatial Poetry at the Midland Group Gallery in Nottingham. 36 contributors listed (including dsh, Hugh MacDiarmid, Bob Copping, Edwin Morgan, Jonathan Williams, John Furnival, Tom Clark and others) and the reproduction of one early poem by Ian Hamilton Finlay - "No Thank You, I Can't Come"which is amusing in context. Very rare.

50 uk pounds

A RARE EARLY STANDING POEM AND BOOKWORK

Finlay, Ian Hamilton
STANDING POEM 1 (PEAR/APPEAR/DISAPPEARED)
Dunsyre: WIld Hawthorn Press, 1963 21 x 18cm, 1pp. the very first of all of Finlay's cards - this is an extreme rarity since the work is often not identified because of the mistakes in both Murray and the Druckgrafik catalogue raisonne - both have incorrect sizes for this work. The words (PEAR/PPEAR/APPEAR/SAPPEAR/ISAPPEAR/DISAPPEAR/ISAPPEAR / SAPPEAR/APPEAR/PPEAR/PEAR) run around the outside of the card - which when stood up creates a 3-D paper sculpture. This copy is believed to be one of only circa 250 produced. Very good. Rare.

345 uk pounds

Ibid Another copy but damaged thus - one large tear (5cm along a seam and then inward for 4cm), a smaller tear (3 cm) and several bumps on the card where a rough heavy object has marked the surface. Nonetheless the item could be easily repaired. This copy is printed on cream coloured card � and as such is unusual since the reported print run according to Murray is on white card. Priced thus due to damage.

90 uk pounds

Finlay, Ian Hamilton (with Michael Harvey)
HOMMAGE TO JONATHAN WILLIAMS
Stoneypath: Wild Hawthorne Press, 1972
17.7 x 13.7cm black on cream artist designed postcard. A drawing of a barque is numbered as to indicate a paint scheme � which is white all over) One of 350 copies. Slightly bumped top right. (Murray 4.65)

45 uk pounds

Finlay, Ian Hamilton (with Karl Torok)
FAMILY GROUP
Stoneypath: Wild Hawthorne Press, 1973
9.7 x 18 cm black on white lithograph of a series of formally trimmed trees � mounted on a 15.5 x 26cm 4pp printed folder. Laid in is a 15.5 x 26cm key to the image in outline � indicating the various trees as named human family members. The similarities with formal, well-manicured, family portraits from the early part of the century is thus made apparent. Mild bumping to edges of folder. One of 350 copies (Murray 5.43)

95 uk pounds

Finlay, Ian Hamilton
PACIFIC
Stoneypath (later Little Sparta): Wild Hawthorne Press, 1975
19 x 28 cm. Board war game for two players consisting of playing board, die cut counters and printed instructions. Fine copy of this rare work. Still in original plastic wallet. This example has never been played - the die cut counters are still in their original card mouldings. Finlay�s fascination with the WWII war in the Pacific led to the production of this unusual artist�s game. (Murray 7.8).

450 uk pounds

Finlay, Ian Hamilton
MARAT ASSASSINE AND OTHER WORKS
London: Victoria Miro, 1986
22 x 11cm, 2pp artist designed announcement card. Reproduces Finlay's 'A David Marat' a plinth with revolutionary rosette along with verso a variation of the same drawing by Gary Hinks - as if seen from behind. Fine. Murray 8.20.

8 uk pounds

Finlay, Ian Hamilton (with Steve Wheatley)
ARCADIAN GLIDERS
England: White Lies Publications, 1981
22 x 15.5 x 1.2cm box content of 9 printed cards (plus instructions) which allow the owner to make model gliders. Scarce multiple. Fine.

135 uk pounds

Finlay,Ian Hamilton (with Jo Hincks)
1794
N.P. (Little Sparta), n.p. (Wild Hawthorn Press): n.p. (1994)
18.5 x12cm, 4pp folded artist designed card. The image on the front of the card is of a wildrose � a reference to the French Revolution. To steal from Yeats: a terrible beauty is born�. Fine estate.

45 uk pounds

Finlay,Ian Hamilton (with Gary Hincks)
REEF POINTS
NYC/Little Sparta: Wild Hawthorn Press/Nolan/Eckman Gallery: 1996
16.2 x 18.4cm, 34pp plus printed boards. Exhibition catalogue which is in fact a Finlay artists� publication. Various methods of stitching of sails are reproduced as lithographs and tipped onto the pages � each functions as an abstract work as well as a visual pun on seamaps. One of 350 copies released. Fine estate.

75 uk pounds

Finlay,Ian Hamilton (with Jo Hincks)
RUDDER
N.p. (Little Sparta), n.p. (Wild Hawthorn Press): n.p. (c. 1997)
17 x 6.8cm printed white folder content of two elements � a printed card with a ship�s rudder � with a clear plastic overlay which is printed with the word "Varnish" . Card or object multiple? One of 350. There is a slight crease damage (1cm) to the plastic overlay � priced thus.

25 uk pounds

Finlay, Ian Hamilton
HUFF LANE
Little Sparta: Wild Hawthorn Press: Xmas 2000
16 x 21.5cm , unpaginated (60pp approx.) in casebound. One of 300 copies - a book of photographs of Little Sparta by Robin Gillanders. Fine.

65 uk pounds

Finlay, Ian Hamilton
A PROPOSAL (FOR THE GROUNDS OF SERPENTINE GALLERY)
Little Sparta/London: Serpentine Gallery/Wild Hawthorn Press 1997
16 x 21.5cm , unpaginated (60pp approx.) in casebound. One of 250 copies a book of suggestions by Finlay for the Serpentine Gallery London on the occasion of its reopening. Fine.

55 uk pounds

Finlay, Ian Hamilton
DIE HEIMAT IST NICHT DAS LAND�.
n.p.: n.p., 1997
52.5 x 80cm silver on grey silkscreen containing the title text in three languages. Based on a work installed in Hamburg, this work translates into a quotation: "The native land is not a land, it is a community of feelings." An unnumbered copy aside from the edition of 75 � fine. (Druckgrafik 4.97.1)

100 uk pounds

(Fischer, Lili).
LILI FISCHER - HAUSGEISTER. Installationen, Objekte, Zeichnungen. Texts by Hanna Hohl, Lothar Romain, et. al.
Heidelberg: Heidelberger Kunstverein, 1988.
21 x 30cm. 68pp. 70 b/w photo-documents. Original wrappers. First edition. The superb catalogue documentation of Fischer�s thematically-related performance and installation work of the title. One of only 500 copies printed. A very good+ example. Uncommon.

40 uk pounds

(Fischer, Lili and Timm Ulrichs, Jochen Gerz)
KUNST LIVE. THEATER, PERFORMANCE, WORKSHOP.
Bremen: VSWK, 1978.
30 x 21 cm, 20pp + wrappers, the programme for a week-long series of performances. 10 b/w images of artists and earlier works - Fischer's contribution was Kraut & Zauber - a daily workshop. Slight tear to spine otherwise VG.

15 uk pounds

Fischer, Lili.
KUNSTLERISCHES ZUBEHOR FUR DAHEIM
Wiesbaden: Harlekin Art, 1989.
30 x 21.5 cm, circa 150 pp. A detailed survey of the performance artist's work including many photographs, drawings and facsimiles - one of 873 examples. Very good.

35 uk pounds

Flavin, Dan
SOME CORNERED INSTALLATIONS IN FLUORESCENT LIGHT FROM DAN FLAVIN SET TO CELEBRATE TEN YEARS OF THE ALBRIGHT-KNOX ART GALLERY FROM MAY 13TH THROUGH JUNE 25TH 1972
Buffalo: Albright-Knox, 1972
42 x 56cm, 5 colour lithograph designed by Flavin based on his title installation - with a 14 word hand written dedication by Flavin in ink neatly written above the title on the front of the poster. Not only very attractive but rare thus. Fine.

325 uk pounds

Flavin, Dan
SOME UNEVEN COOL WHITE CIRCULAR FLUORESCENT LIGHT FOR THE NEW EVEN WALLS OF THE LEO CASTELLI GALLERY.....
NYC: Castelli Gallery, 1974
12.8 x 23.8cm, 1pp black on grey typographic card for a piece of minimalist opportunism from Flavin. Fine. Scarce.

45 uk pounds

Flavin, Dan
CORRIDORS
NYC: Castelli Gallery, 1981 68 x 68cm full colour exhibition poster for Flavin's title installation. The entire poster displays a photograph of the work in situ with text info at the bottom of the image. Folded with some very slight wear at folds but otherwise very good.

95 uk pounds

(Fluxus/Maciunas)
BROCHURE PROSPECTUS FOR FLUXUS YEARBOXES (VERSION B)
Ehihalten: Maciunas, n.d. (circa October 1962)
21 x 21cm, 8pp plus printed card covers (black on olive green card). This is the second � yet still extremely scarce � printing of Maciunas� plans for the future 7 Fluxboxes (most of which did not come to fruition). A slightly earlier version of the prospectus was printed on orange paper but this is the very slightly later b/w copy (a difference of 4 months at most). Page 1 has the famous definition of Fluxus reproduced from a dictionary. Designed by Maciunas this was the first public manifestation of the plans for Fluxus aside from the "Fluxus � Tentative Plans for Contents of the First 6 (and 7) issues" and "News-Policy-Letter No 1" which were only circulated to potential supporters and participants. On the back cover here some gloss paint remains from some past unknown activity but otherwise this is very good+ with minor browning. Amazingly the paint does not distract from the look of this important document partially because of the patterning of the cover paper chosen by Maciunas. Silverman 541. Very rare.

750 uk pounds

(Fluxus) de Ridder, Willem
SOCIETY FOR EXHIBITION ORGANISING
Amsterdam: s.p. (de Ridder), c. 1963
31 x 16.4cm, 1pp leaflet advertising the artist�s offer of organising a surprise exhibition while gallery owners take a long bath or go on vacation (or in a collector�s home if desired). Quite a serious suggestion by de Ridder it is not known how many took up his offer. An early example of this event/happening by the Flux-ateer. Slight crease marks top right but otherwise a fine example of this rare ephemera.

295 uk pounds

(Fluxus)
Maciunas, George
I WISH TO REMAIN ON FLUXUS MAILING LIST �
NYC: FLuxus, n.d. (c.1965)
6.7 x 12cm, 1pp. Maciunas�s typical typography is utilised in creating this small mailing list reminder card which was designed to be returned to the Fluxus HQ. Verso is stamped: "Fluxus PO Box 180 New York NY 10013". Scarce. Fine.

95 uk pounds

Fluxus/Maciunas
FLUXORCHESTRA AT CARNEGIE RECITAL HALL
NYC: Fluxus (Maciunas), 1965
26 x 21.5cm, 1pp black on beige leaflet/poster/programme for this Fluxus event designed by George Maciunas using a repeating "tongue out" logo. This copy was used in an actual Fluxus event on the night and was folded up into a paper airplane and sent out to the audience. Very good condition apart from the foldlines. Very scarce and unique in this manner.

375 uk pounds

Fluxus/Maciunas
MARCH 24, 8PM AT 80 WOOSTER ST. FLUX-HARPSICHORD
NYC: Fluxus (Maciunas), n.d.
28 x 22cm, 1pp black on blue leaflet for this Fluxus event designed by George Maciunas. Only circa 200 were printed for this concert of works by Brecht, Higgins, Ichiyanagi, Jones, Knowles, Maciunas, Paik, Miller, Schmit, Tone, Wada, Wattsa and Young. Slight fading to the upper edge otherwise very good. Rare.

400 uk pounds

Fluxus/Maciunas
ARTIST'S BENEFIT FOR JUDSON CHURCH
NYC: Fluxus (Maciunas), n.d. (circa 1970)
28 x 22cm, 1pp black on green leaflet for a benefit exhibition and sale of works donated by artists including many Fluxus affiliates. This leaflet was designed by Maciunas. The exhibition was "What happened/A look back". Very good apart from a crease fold (caused by cheap paper employed). Rare.

250 uk pounds

Fluxus
Hendricks, Jon and Barbara Moore
WAS IST
NYC: Backworks, 1976 30 x 21cm, 32pp exhibition catalogue for this early show of Fluxus memorabilia and items. 192 items are listed along with small b/w images. Texts in English by Hendricks and Moore. Extremely interesting resource. Fine apart from some browning to the cheap paper employed. This copy was formerly owned by Charlotte Moorman and it has her address sticker on the back (a mailed copy).

95 uk pounds

Fluxus/Maciunas, George
PERPETUAL FLUXUS FESTIVAL
NYC: Washington Square Gallery/Fluxus, 1964.
44 x 41cm, black on brown publicity poster designed by Maciunas in a Fluxus parody of a circus poster. Advertises street events by Brouwn, Ben, Ono, Higgins, Jones, Ay-o, Knowles, Roth Saito and many others. A previously mailed copy, it is nonetheless a very good example of this rare poster.

450 uk pounds

(Fluxus, Zero, Nul)
SIGNALEMENT
Holland: n.p., 1963
Standard VHS cassette containing a 20 minute nationally broadcast (VARA) Fluxus tv program organised by Wim T. Schippers and Willem de Ridder with performances and features on the two artists, Spoerri, and Vostell. There is also an interview with Henk Peeters, the founder of the Nul movement in the Netherlands, where there is an attempt at a definition of the Zero Group's aims: 'We present reality as we see it' and clips of Piero Manzoni, Stanley Brown and Yves Klein at work. In addition, the programme covers among others Pop Art, Nouveau Realisme, Fluxus, the Zero and Nul Groups and kinetic art. To the best of our knowledge, there was no reguilar edition of this video (this version is European PAL only). Fine condition. A interesting document.

150 uk pounds

A RARE FIND

Fluxus Collective/de Ridder, Schippers, Schmit, Williams
INTERNATIONAAL PROGRAME FOR AN EVENING OF NIEUWESTE MUZIEK - NIEUWESTE THEATER - NIEUWESTE LITERATUUR. Werken o.a. van Mood Engerneerin Society Holland (MESH), Fluxus International, High Red Center Tokyo anbd Adynamical Works zpv. Organised by de Ridder, Schippers, Schmit, Williams
Amsterdam, De Kleine Komedie, n.d. (circa 1962)
32 x 21.5c, 4pp black on green programme for an early Fluxus event in Amsterdam - the planned programme includes works by Patterson, Koepcke, Watts, Kusugi, MacLow, de Ridder, Williams, Page, Brecht, La Monte Young, Filliou, Schippers and Schmit. A scarce early document. Slight fading to the green paper (due to light) and some evidence of past folding but otherwise very good. Not in Silverman.

345 uk pounds

Fluxus.
Fluxus international & Co. Co-ordinator Ben Vautier. Katalog der Direction des Musees de Nice Action Culturelle Municipale.
Lyon / Nice: Avril 1979 / 5. juillet au 23 septembre 1979.
23 x 21 cm, yellow ringbinder containing circa 50pp diecut sheets - with many Fluxus artists having a page each including George Brecht, Tomas Schmit, Henry Flynt, George Maciunas, Wolf Vostell, Joseph Beuys , Robert Filliou and others. Very good condition with some marks to the cover.

85 uk pounds

(Fluxus/Happenings)
Dreyfus, Charles
FLUXUS ELEMENTS D'INFORMATION (Documents d'art contemporain Nr 2)
Paris: Musee d'art moderne de la ville de Paris, n.d. (1975)
30 x 21cm, 50pp plus covers - all in spine binder. Exhibition catalogue. A short essay by Dreyfus is followed by 36 pages of very details Fluxus chronology (1958 - 1974) and biographies of all the artists - text in French. Published on the Paris exhibition "Fluxus Documents" it is a very good period document outlining the movement's history realised in part with the help of Ben Vautier and with 6pp of reproduced documents (most common) at the end. Very good if wrappers a little grubby. Essential.

95 uk pounds

(Fluxus/Happenings)
HAPPENING UND FLUXUS
Koln: Kolnischer Kunstverein, 1970
20 x 15cm, 44pp - stapled. Exhibition catalogue from a German show. This catalogue not only has a text in English by Kirby and another detailed German essay by Heubach (the publisher of Interfunktionen) but has on the cover an original drawing (offset) by Wolf Vostell showing the exhibition layout (with drawings of where the various exhibits - Maciunas Flux-Toilet, Kaprow's Yard, Higgins Thousand Symphonies and others including Ay-o, Judo, Jones, Corner, Friedman etc. would have stalls/spaces). One major aspect of this catalogue was a 12pp list of documents and items offered at the show for sale. This copy was originally owned by the English Beau Geste Press/David Mayor who organised Fluxshoe and was an active English Fluxist and is annotated in his hand throughout - mostly noting dates on many of the listed items and a "tick" if he bought the item or not at the show. Thus what might normally be a defect is actually a plus here since this catalogue contains extra research information about many Fluxus items. A very good copy. Rare.

90 uk pounds

(Brecht, George and Dick Higgins)
Knowles, Alison
BEAN PROJECT SUMMER
NYC: s.p. (Brecht), n.d. (1963/1964)
46cm x 18cm (unfolded). Black on cream leaflet/poster designed by George Brecht and Dick Higgins for Knowles. Recto is taken up with a reproduced photographic work by Brecht and verso a complicated typographic design with illustrations which is similar in design to the Water Yam poster that Brecht also designed at this time. References to the first edition of An Anthology, works by la Monte Young and Angus MacLise date this poster at circa 1963. The text (involving beans, natch!) is by Knowles and includes a recipe for Beans Mozarella that you could actually eat (unusual for Fluxus!). Fine, folded as issued. Rare.

395 uk pounds

(Fluxus).
FILM CULTURE - EXPANDED ARTS. No. 43. Special issue of Film Culture.
New York: Film Culture Non-Profit Corp., 1966.
40 x 55 cm. 12pp. B/w illustrations throughout. Tabloid format designed by George Maciunas. Single number of this revue. Denoted as the �Fluxus number�. Includes an extensive account of a symposium on Expanded Cinema (NY Film Festival, 1966) & 5 �Fluxpages� + Fluxsale list. Contributions by Maciunas, (�Expanded Arts Diagram�), Jonas Mekas, Henry Flynt, Gregory Battock, et. al. One of the most desirable numbers of this vanguard publication. Very good apart from some unavoidable small tears where it has previously been folded.

95 uk pounds

(Fluxus)
FLUXFEST
San Francisco: n.p., 1967
28 x 21.5cm, 1pp b/yellow offset invite leaflet/poster for an all day Fluxus festival. Ben Vautier. MKilan Knizak and Ken Friedman are noted as participants on the photographic poster. Fine example.

55 uk pounds

(Fluxus)
FLUXFEST 1967
California, n.p., 1967
45 x 34cm silkscreen poster for West Coast Fluxus event . This design is notable for its psychedelic design which reflects the then vogue for hippie typography and colours. Fine example of this rare poster.

195 uk pounds

(Fluxus)
Schmitt, Tomas & George Maciunas
EKSTRA BLADET no 239.
Copenhagen, 1962. Long folio. 4 pp (two separate sheets), b/w on newsprint. First edition of this collage of news articles covering the Copenhagen Fluxus Festival which acted as publicity for the show. Slight browning to the paper and folded for storage but otherwise very good.

295 uk pounds

(Fluxus)
Maciunas, George
FLUXUS STATIONERY
NYC: Fluxus, 1966
28 x 21.5cm, 1pp offset on white. A stationery design by Maciunas for the four official designated zones of Fluxus � thus Fluxwest � Friedman; Fluxeast � Knizak; Flux-south - Vautier and Fluxnorth - Kirkeby � the addresses all are spaced along the right edge. Circa 500 were printed. Some mild browning to right edge due to the paper employed but otherwise very good. Scarce.

125 uk pounds

(Fluxus)
Filliou, Robert, Ben, Beuys, Schmit, Tomas and others
Untitled announcement leaflet for exhibition of music and works by various Fluxus artists
Amsterdam: Gallerie A, 1975
30 x 21cm, b/w 1pp announcement leaflet. Text in Dutch with a reproduced Schmit drawing "Utopia". Fine but folded for mailing.

25 uk pounds

Fluxus
POSTER FOR FLUXSHOE
Exeter, UK, Fluxshoe, 1972
52 x 44 cm b/cream offset poster for the Fluxus travelling show that moved from town to town within the UK during the 1970s and also featured some well known performance artists. Noted on the poster as participants are Ay-o, Brecht, Chopin, Crozier, Higgins, Lennon, Vautier, Vostell, Watts and many, many more., This copy has had a gallery sticker overlaid for the local event datails and rubberstamped "Good grief!". Very good.

55 uk pounds

(Fluxus)
FLUXSHOE. Conceived by Ken Friedman and Mike Weaver, realised and coordinated by David Mayor.
Devon: Beau Geste Press, 1972
210 x 293mm 144 pp + wrappers. Catalogue for touring exhibition. Numerous contributors to this catalogue/artists' book include George Maciunas, Yoko Ono, Joseph Beuys and Ben Vautier, Bob Watts, Sharrits, Schneeman, etc., etc. Fine condition

100 uk pounds

(Fluxus )
Fluxus International & co.
France,Liege Musee St-Georges, 1980
25 x 26cm silkscreened folder content of circa 100 pages of inserts - each by a participating artist. Most of the major Fluxus artists are included in this useful catalogue. Fine example.

100 uk pounds

Fluxus
AKI-FLUXFEST
Amsterdam: Akademie Voor Beeldende Kunst, 1981
49 x 33.5cm, 3 colour poster for a week of fluxus events organised by Harry Ruhe - with the participation of Eric Andersen, Giuesseppe Chiari, Dick Higgins, Ben Vautier, Wim Schwippers, Takak Saito, Milan Knizak, Willem de Ridder. Folded and posted (slight tear on one side) otherwise very good

25 uk pounds

FUTURE FLUX '90
n.p., n.p.,1990,
28 x 22cm, 6pp stapled b/w offset litho handout listing participantsand their addresses in the 1990 Fluxus /Mail Art exhibition. Slight folds but very good.

15 uk pounds

FLUXUS (V TRE). Editors: Geroge Brecht, Fluxus Editorial Council, George Maciunas.
New York: Fluxus, 1964 - 79.
A number of issues of this important organ for Fluxus propaganda. Originally conceived by Maciunas during a frustrating delay in production of 'Fluxus 1'. Consistently issued during the period of 1964 - 66, later numbers appeared only occasionally in 1970, 76 & 79 (respectively). A complete run being composed of eleven separate issues. The title was derived from Brecht's earlier one- off journal 'V TRE), and this term was integrated into the title of each issue (possibly adapted from the French 'votre' and /or the English 'voter', while eliminating the letter 'o').

Descriptions per number offered here as are follows:

No. 5. Vacuum TRapEzoid. 1965. 17 x 22". Tabloid format. Overall design by Maciunas. Composed of text pieces and scores by various contributors. Formerly folded else in fine estate. Silverman No. 557.

150 uk pounds

No. 8. Fluxus Vaseline sTREet. May: 1966. 17 x 22". Tabloid format. This issue contains two posters for events by Hi Red Center, a pagework by Wolf Vostell & a Flux shop price list. Formerly folded, else in fine estate. Silverman No. 569.

150 uk pounds

No. 9. JOHN YOKO & FLUX all photographs copyright nineteen seVenty by PeTer mooRe. New York: 1970. 17 x 22". Tabloid format. Composed of 123 b/w reproductions of photographs by Peter Moore documenting the 'Fluxfest presentation of John Lennon & Yoko Ono'. Laid-in is the single sheet catalogue of events. This number was edited by Robert Watts. Participants included Maciunas, Higgins, Joe Jones, Flynt, Vostell et. al. Formerly folded else in fine estate. Silverman No. 603.

200 uk pounds

No. 10. FLUXUS maciuNAS V TRE FLUXUS laudatio ScriPTa pro GEoRge. May: 1976. 17 x 22". Tabloid format. Issued on the occasion of a festival organized by George Brecht, Geoff Hendricks, + many others in honor of George Maciunas. Formerly folded else in fine estate. Silverman No. 603.

90 uk pounds

Fine, A. M.
PIECE FOR FLUXORCHESTRA
New York, NY: ReFlux Editions, 1983.
9.3 x 12 x 1.6 cm, transparent plastic box from the original Fluxus source with 25 offset printed cards (some are vintage, others re-printed). The instructions for a 15 minute performance using 15 performers (who remain anonymous amongst the audience until required) are very co-ordinated and great fun. With vintage Maciunas-designed label. Fine.

50 uk pounds

(Fluxus/ Maciunas)
FLUXUS PIN BADGE
n.p.: n.p. (Fluxus), n.d. (circa 1964?)
5 cm dia b/w button plastic badge with metal pin. The image is the well known face with sticking out tongue (such an appropriate logo was never better appropriated by any other art movement). The badge is "copyright 1964". Fine.

65 uk pounds

(Fluxus)
A GROUP OF 20 ANNOUNCEMENT CARDS FROM FLUXUS AFFILIATED ARTISTS FROM THE PERIOD 1980 - 1990 AND SOME ADDITIONAL 21 ITEMS OF EPHEMERAL MATERIAL
The group includes cards designed by Ben (2 cards "Take your time" and "Art does not exist"- 1979/1984), Higgins (3 cards for performances - 1990, 1993 and 1996), Ono (n.d. c. 1993), Knowles (1992), Saito (a 6pp full colour fold out card 1999), Shiomi (1998), Chrstiansen (1992), Patterson (1989), Wada ( 1989), Filliou (c. 1987), Williams (6pp colour fold-out, 1987 and 4pp from 1989) and 6 post-Maciunas Fluxus group shows (1983, 1989, 1990, 1991, 1992, 1996) added: 2 leaflets from Fluxfest 1996 NYC - along with a 7.5cm diameter sticker from the show added: leaflet from Flux Fest 1983 Neuberger Museum added: 4pp 42 x 10cm promotional leaflet for the Fluxus 30th Anniversary (Sound Events) editions added: Filliou 2pp announcement for the release of Arts Vivents c. 1990 added: 4pp announcement for "Women on the Verge (Fluxus and not) NYC 1995 including 1pp A5 leaflet for an Ono event 1995 added: the programme for Fluxfest 1992 NYC 'In and around fluxus' 28 x 21cm, 24pp. added: Ono - Press release for "YEAR LONG PARTICIPATION ART PIECE" NYC 1990 35.5 x 22cm, 1pp mimeographed leaflet along with 2 handouts - one the invite leaflet (replicated from a drawing by Ono) for "painting to Hammer a Nail In" nr 4, 1990 ("Self censorship feeds dictatorship") and the other a short text piece dedicating the 'Painting to hammer a nail in' to all "martyrs in the history of the earth." 1990 and the Judson Centenial newsletter which reports on the Ono event.. added: the programme for The Spirit of Fluxus 1983 Berlin. 24 x 20cm, 16pp. added: the announcement card for "documents from the Harry Ruhe archive"Conz, Italy 1999. 4pp added: the programme for Fluxus Etc. 1983 Neuberger Museum NYC. 4pp tabloid. added: announcement leaflet for "George Maciunas, Fluxus and the face of Time" by Fred Truck / The Electric bank. n.d. added: Announcement leaflet /poster for Fluxus & Happenings Galerie 1900 - 2000 Paris 1989 63 x 30cm and separate 4pp invite card added: Reflux Catalogue nr 3. 21.5 x 18cm, 8pp plus card covers - a nice catalogue from Barbara Moore's reflux editions with a great number of editions reproduced. added: Maciaunas - reprint of "Historical Development and relationship to avant garde movements" no date, no publisher - printed black on red. All of the above

41 separate items for 175 uk pounds

Fondane, Benjamin. (ne. Fundoianu).
LA CONSCIENCE MALHEUREUSE.
Paris: Denoel et Steele, 1936.
8vo. Original wrappers. First edition of this intriguing title by the audacious emigre Romanian avant-garde poet and theorist. There was no large paper or �du tete� examples issued of this work. Some minor browning to wrappers, else a very good copy. Uncommon.

85 uk pounds

DEDICATED BY FONTANA

Tapie, Michel
DEVENIR DE FONTANA
Torino: Fratelli Pozzo, 1961
28 x 29 cm, 212pp plus covers. Reproductions of works thorughout with tipped in colour plates along with the full text of Fontana's 'Manifesto tecnico dello spazialismo' and the 'Manifiesto Blanco' which was written during Fontana's 40 year soujourn in Argentina -the country of his birth. This copy is very good apart from typically missing the hard to find dust jacket but has a hand-written dedication with signature by Fontana on title page. Thus scarce.

425 uk pounds

Fontana, Lucio
CONCETTI SPAZIALLI
Torino: Einaudi, 1970
21 x 13 cm, 160pp exhibition catalogue illustrated throughout. Introduction by Paolo Fossati, texts and manifesto by Fontana. Very good copy of this posthumous survey of the artist's work.

65 uk pounds

(Freddie, Wilhelm).
Schmidt, Palle.
WILHELM FREDDIE. Den Evige Oprorer.
Kobenhaven: Chr. Erichsen�s Forlag, 1976.
4to. 122pp. 109 reproductions of works in b/w and color. Cloth. First edition of this scarce monograph detailing the life and work of the extremist and pioneering Danish Surrealist painter, filmmaker and provocateur. This example signed by Freddie. A fine example in pictorial dustwrapper with one slight closed tear. Essential.

125 uk pounds

Fridjonsson, Helgi.
DAGDRAUMAR.
Reykjavik: self-published, 1983.
Small 8vo. Composed of 26 unnumbered pp. Content of figure drawings on vari-colored stock. Printed wrappers. First edition. One of 100 signed and numbered examples printed of this bookwork by the foremost Icelandic book-artist and publisher. Laid into this copy are two exhibition cards for programs organized or contributed to by Fridjonsson. A fine copy. Scarce.

45 uk pounds

Friedman, Ken
SURREALISM IN EVERYDAY LIFE
California: s.p. (the artist), 1967
28 x 22cm, 4pp (printed one side only on each sheet) b/w mimeograph publicity leaflet for Friedman's instruction courses in surrealism - a precursor to his Fluxus event. Fine condition. Original Friedman graphic on cover. Rare.

45 uk pounds

Friedman, Ken
SURREALIST CONGRESS
San Francisco: s.p., 1967 28 x 22cm, 1pp b/w offset publicity leaflet for an early Friedman's surrealist event - essentially a Fluxus event under a different banner. Fine condition. Original Friedman work on cover. Rare.

45 uk pounds

Friedman, Ken
FLUXGARNISHT (A FLUXUS JAM)
San Francisco: (the artist), 1967 22 x 33cm, 1pp b/blue offset publicity leaflet for a Freidman organised Fluxus event on the West Coast where participants were encouraged to build a co-operative large sculpture out of items brought to the site on the day. Reproduced drawing by John Furnival and another of the Maciunas designed Fluxus stamp. Fine example of this rare document.

60 uk pounds

Friedman, Ken
HAPPENING NEO HAIKU EVENT
San Francisco: (the artist), 1967
28 x 21.5cm, 1pp b/yellow offset publicity leaflet for a Freidman organised Fluxus event in Port Loma (Red Shed). Design incorporates the Maciunas designed Fluxus stamp. Fine example.

50 uk pounds

Friedman, Ken
TONY TUSLER
San Francisco: (the artist), 1967
22 x 28.5cm, 1pp b/yellow offset publicity leaflet for a Freidman organised Fluxus event in Port Loma (Red Shed). Original Friedman drawing. This is noted as a "Flux West Production" and "Fluxwest events co-ordinated by Ken Friedman". Fine example.

45 uk pounds

Friedman, Ken
TRANSFER A FLUXUS SEE-POEM
San Francisco: (the artist), 1967
28 x 22cm, 1pp b/orange-red offset - an unusual Fluxus coincrete poem piece with an original graphic by Friedman. Rare. Fine example.

50 uk pounds

Friedman, Ken
KOOKFEST - SRB
San Francisco: (the artist), 1967
28 x 21.5cm, 1pp b/w offset publicity leaflet for a Freidman organised Fluxus event in under the title of the Surrealist research Bureau. Original Friedman graphic. Fine example.

40 uk pounds

Friedman, Ken
SURREALIST CONGRESS OF AMERICA
San Francisco: (the artist), 1967
28 x 2wcm, 1pp b/w offset publicity leaflet on card for a Freidman organised Fluxus one day Congress / event). Photograph of an early Friedman event - where participants wore masks on stage. Fine example.

45 uk pounds

Friedman, Ken
UNTITLED FLUXUS/CONCRETE POEM (DADA)
USA: n.p. (Freidman), n.d. (1968)
30 x 21cm, 1pp A4 leaflet containing a concrete design by Friedman who at the time was organising Fluxus events in California as Fluxus Zone West. This is one of a number of handouts produced as free artworks by freidman who sometimes called his activities the "Surrealist Research Bureau". Fine, scarce.

65 uk pounds

WITH AN ORIGINAL SIGNED DRAWING

(Friedman, Ken)
Robson, Ernest M.
THOMAS ONETWO
NYC: Something Else Press, 1971
21.3 x 14.5cm, 80pp plus hard covers. A book of a parable by Robson with 10 original lithographs by Ken Friedman who was working as an editor with Higgin�s press at that time. This copy has a unique initialled and dated drawing of three hearts in black ink on the inside front cover. Unique thus. Fine. 100 uk pounds Furnival, John UNTITLED. (MANHATTAN) Woodchester: Openings Press, 1973 43 x 57cm, b/w lithograph of a complex Furnival drawing using typewriter and hand-drawn letting. Edition size unknown. Two small marks but overall they do not detract. Very good else.

60 uk pounds

Friedman, Ken
ANNOUNCEMENT CARD FOR INTERNATIONAL SOURCES MAGAZINE
Sacramento, Calefornia: Composer/Performer Editions, 1973
8 X 14cm, 2pp artist designed postcard which displays a reproduction of a Friedman collage which was the front cover of this special number of IS edited by Friedman (which included articles on Paik and Ray Johnson). Fine, unmailed.

35 uk pounds

Friedman, Ken
UNTITLED. UNIQUE FLUXUS COLLAGE 1973.
30 X 40cm, a unique collage consisting of various used postal labels on a deliberately torn envelope - the whole attached to a card. Signed and dated "KF72" by the artist. One of the labels is for Emmett Williams and another from Eric Andersen and incorporates the latter's signature. Fine estate.

145 uk pounds

Friedman, Ken
KEN FRIEDMAN
NYC: Nobe Gallery, 1979
42 x 30cm vb/w exhibition poster with b/w reproduction of a Friedman drawing "The Burghers of Calais". Formerly folded.

30 uk pounds

(Friedman, Ken)
FRIEDMANSWERK
Koln: Edition Hundertmark, n.d.
42 x 30cm, b/w announcement poster for the Fluxus West release of the Friedmanswerk Box with works by all of the Fluxus artists included. 16 small b/w reproductions of the works and a list. Folded but otherwise very good.

35 uk pounds

Friedman, Ken
UNTITLED ESSAY ON MAIL ART/INTERMEDIA Circa 1980.
5pp A4 xeroxed pages of typescript (with hand-written but also xeroxed corrections) stapled together which includes a long essay by Ken Friedman on correspondence art and intermedia. As far as we know the only copy of an unpublished article. Fine

30 uk pounds

Friedman, Ken
COMPLETION
Germany: Klaus Groh, 1974
10.3 x 7.5cm, 32pp plus card covers. Artists book. Hand made on a xerox machine and with rubber stamped covers ("E.A.") this is a limited edition by the Fluxus affiliated artist. The work consists of the text: "When you have finished reading this sentence you have finished reading my book" spread out one word at a time. Numbered and dated in pencil on the inside back cover from the total edition of 80 copies. Fine.

65 uk pounds

Friedman, Ken
GARNISHT KIGELE
NY: ReFlux Editions, 1983.
9.3 x 12 x 1.6 cm, transparent plastic box and an opaque white bottom from the original Fluxus source. Contains a lapel button printed with "Garnisht Kigele" which is apparently Yiddish slang for "nothing pudding". With vintage Maciunas-designed label.

45 uk pounds

Friedman, Ken
OPEN AND SHUT CASE
New York, NY: ReFlux Editions, 1987.
9.3 x 12 x 1.6 cm, opaque white plastic box from original Fluxus source, containing a vintage attached card which tells the opener to "Shut Quick". Vintage Maciunas-designed label with detailed instructions on how to use the box.

45 uk pounds

Friedman, Ken
ACROPOLIS OF TULSA
USA: Philbrook Art Center, 1978
51 x 41cm exhibition poster illustrated with a design by Friedman (an owl on the Acropolis). Folded and printed verso with gallery information for mailing, otherwise fine.

50 uk pounds

Friedman, Ken
FLUX MED - ROBERT WATTS
Madrid: Obra Grafica, 1987.�
29.5 x 21.5 cm, unpag., designed titles by Watts and many b/w and colour illustrations with a pseudo-medical feel. Embossed dj. Text in English and Spanish and includes an extensive list of exhibitions, performances, etc. A very good copy with slightly faded and worn in part dustwrapper. Laid in a gallery price list of works by Watts.�

65 uk pounds

Friedman,Ken
52 Events
Edinburgh, Shgow and Tell Editions, 2001
140 x 158mm artists book and diary. (With Paul Robertson) 118pp plus card wrappers and dj. 53 (not 52!) of Friedman's event scores are reproduced in a deconstructed 2002 diary. With 5pp of detailed, fascinating and historically important notes on the events and the Fluxus movement. Small edition of 250 signed and numbered books (with 10 deluxe copies available - contact HFA for details). On-line version of the book and order form here. Fine estate.

25 uk pounds

Friedman, Ken
A FLUX CORSAGE BY KEN FRIEDMAN
New York: ReFlux Editions, 2002
9.3 x 12 x 1 cm, transparent plastic box from original Fluxus source with printed vintage Maciunas designed label, containing loose plant seeds. Unlimited edition. Fine condition

40 uk pounds

Fulton, Hamish.
THE SWEET GRASS HILLS OF MONTANA (KUTOYISIKS) AS SEEN FROM THE MILK RIVER OF ALBERTA (KINUKSISAKTA).
Torino: Sperone Editore, 1971. Small 4to. 88pp. Solely composed of b/w drawings as documentation + minimal accompanying text by the artist. Boards. First edition of this very early bookwork by Fulton. The on-site documentation of the title series of walks. A close to fine example in like black dustwrapper.

195 uk pounds

A GROUP OF 4 INVITE CARDS BY FULTON

Fulton, Hamish, Richard Long and others ARTISTS OVER LAND 21 x 14.6cm, 2pp b/w invite card for a group show. Recto is a b/w image of Fulton�s photogrpah On Illampu Bolivia 1972. ADDED: Fulton, Hamish WINTER SOLSTICE FULL MOON NYC: John Weber Gallery, 1992 17.8 x 12.8cm, 2pp. Typographic design after text by Fulton. Record of a continuous 125 mile walk without sleep. Fine. ADDED: Fulton, Hamish NO TALKING FOR 14 DAYS NYC: John Weber Gallery, 1998 15.2 x 10.8cm, 2pp. Typographic design after text by Fulton: A 21 day wandering walk/20 nights camping in the Beartooth mountains of Montana ending with the September full moon 1997. Fine. ADDED: Fulton, Hamish YOU ARE INVITED TO TALK THE WALK BY HAMISH FULTON NYC: Art In General, n.d. 10.2 x 7cm, 1pp. Typographi only. A dull little card for �completists� only (I understand: I�m one too). Fine. It is interesting how Long and Fulton have diverged as artists � the former continuing to "make his mark" on the landscape while Fulton has tended to incorporate elements of performance in his walks � including strong elements of behavioural restriction which mirror the later years of other gallery-based performance artists. As a result the latter�s work is more literal and conceptual in that the early photopieces have been replaced by text-only works � the inner emotions of semi-masochistic activities being invisible to the camera�s focus.

The group � 45 uk pounds

Furnival, John
A SMALL GROUP OF 15 ITEMS RELATING TO THE WORK OF THE CONCRETE POET AND ARTIST
Consisting of: LES TOURS DE BABEL CHANGEES EN PONTS. n.p., n.d. 21 x 21cm, 2pp b/w folded card. A single reproduction of Furnival drawing. Probably limited edition but unknown. Slight damage from pin holes where the piece has been carefully attached to a wall, otherwise very good. EPITAPH FOR LORINE NIEDECKER. Woodchester: Openings Press, n.d. 14 x 19.6cm, 2pp b/w card #14 in the openings Press Card Series. The typographic design says: "So long" in Furnival's hand. Fine. CHRISTMAS BROADSIDE Buffalo: State Universitiy of New York at Buffalo, 1981 21.4 x 14cm, 4pp, small folded broadside on card . With Jonathan Williams: " The blood red berries on the cold dark snow" Edition of 2,000 copies. Fine except for some minor damage from light on the spine. JOHN FURNIVAL Selected work of the last 20 years. Verona: Conz, n.d. (prob 2000) 22 x 17cm, 16pp plus wrappers. Exhibition catalogue. Fine. Invite card for FRYING TONIGHT 1983 Arnolfini, Bristol. 21 x 15cm, 2pp b/w. Recto: a Furnival design. Fine Invite card for JOHN FURNIVAL 1987 Galerie Hoss, Stuttgart.. 11 x 16cm, 2pp full colour. Recto: reproduction of a mail art piece. Fine Invite card for JOHN FURNIVAL WORKS 1998 Bath University. 21 x 15cm, 2pp b/w. Recto: reproduction of "Ant on Bruckner" drawing. Fine Invite card for JOHN'S JAM SESSION. England: s.p., n.d. 21 x 15cm, 2pp b/w. Recto: reproduction of collage and verso a Furnival drawing. Fine FURNIVAL GARDENS. Invite card for an open house at Furnival's home. Woodchester; s.p., 1999. 21 x 15cm, 2pp b/w. Recto: photograph of the artist as a "gardener" with pitch fork under a fortuitously discovered sign: "Furnival Gardens" . Fine DOROTHY Oxform: Bear Lane Gallery, n.d. 25 x 20.5cm, 8pp plus wrappers. Ex. cat. for concrete poetry show including Furnival. 5 works reproduced. Very good. FURNIVAL Germany, n.p., circa 1978, 25 X 21cm exhibition catalogue - 20 single sided pages, a mixture of mimeographed and offset pages and the whole collated into a plastic spine.3 works illustrated full page b/w and one photograph of the artist. Very good. ASTRID AND JOHN FURNIVAL, USA: Roswell Museum, 1984 17 x 25cm, 12pp plus pictorial card wrappers. 8 works reproduced. This copy is dedicated by Furnival in blue ink inside the cover. Fine. A handwritten and signed postcard from the artist to Harry Warschauer dated 24 July 1984. 150 words approx dealing with a request for the use of a Warschauer "translation" A xerox of an ALS dated 12 December 1983 from the artist to Harry Warschauer. Text relates to further co-operation regarding Warschauer's "translation" into Hebrew of a Gomringer work "Silenzio". Added: a artist's postcard reproduction of Warschauer's translation of "Silenzio"

99 uk pounds the group

(Furnival, John)
Meyer, Thomas
THE BANG BOOK
USA: The Jargon Society, 1971
23 x 20.5cm, 44pp plus wrappers and printed mylar dj. Meyer's homo-erotic ghost tale/poem about Wild Bill Hickok, his ghost and a young boy's introduction into an aggressive frontier manhood. This copy is signed on the title page by Furnival. Very good copy with a 5 x 1cm loss of plastic from the rear of the transparent dust jacket.

45 uk pounds

(Futurist manifesto).
Carra, Carlo.
LA PEINTURE DES SONS, BRUITS ET ODEURS. Manifesto Futurista.
Milan: Direzione del Movimento Futurista, 1913.
Quarto single sheet folded to comprise 4pp. First French language issue of this all encompassing tract. A veritable appeal to the senses. Herein, the dynamic painter and theorist calls for: "Reds, rrrreds, the reddddddest rrrrreds that shouuuuuuut. Greens that can never be greener, greeeeeeeeeeeens, that Screeeeeeam, yellows as violent as can be, polenta yellows, saffron yellows, grass yellows� Oblique lines which affect the soul of the observer like so many bolts from the blue, along with lines of depth�.. Ellipsoidal curves seen like nets in movement�. We have already evolved, as artists, a love of modern life in its essential dynamism - its sounds, noises and smells - thereby destroying the stupid pattern for the solemn, the bombastic, the serene, the hieratic and the mummified: everything purely intellectual, in fact. Imagination without strings; words-in-freedom, the systematic use of onomatopoiea, antigraceful music without rhythmic quadrature, and the art of noises. These have derived from the same sensibility, which has generated the painting of sounds, noises and smells". Some typical minor browning (owing to stock), else a very good example of this ultra-dimensional statement. Scarce.

245 uk pounds

(Futurist manifesto).
Pratella, Balilla.
MANIFESTE DES MUSICIENS FUTURISTES.
Milan: Bureaux de �Poesia�, Oct. 1911. Quarto single sheet folded to comprise 4pp. The French language issue of the composer, inventor, and painter�s initial manifest. Pratella produced three manifests altogether, which were subsequently collected in his �Musica Futurista per Orchestra� (1912), accompanying by a piano reduction. Some typical browning, else a very good example of this very important document.

195 uk pounds

Garnir, Ilse & Pierre.
LE SPATIALISME EN CHEMINS.
Amiens: Editions Corps Puce/Collections �Le Poemir et Poezie�, 1990.
16.5 x 24cm. 192pp. Original wrappers. First edition of this extensive collection of concrete poetic experiments by the authors. The Garniers were the originators of the text-based spatialist form, and throughout the 1960�s they published the journal �La Lettre� and a series of bookworks and manifestos. A fine copy.

40 uk pounds

Garnier, Ilse & Pierre.
ESQUISSE PALATINES
France: Collection Spatialisme. Editions Andre Silvaire, n.d. 31 x 22.5 cm b/cream printed folder content of 18 b/coloured cards: uniformly 27 x 21.3 cm. A collection of concrete poetic experiments by the authors. The Garniers were the originators of the text-based spatialist form, and throughout the 1960�s they published the journal �La Lettre� and a series of bookworks and manifestos. A fine copy apart from slight bumping to the folder.

50 uk pounds

Garnier, Ilse & Pierre.
POEMES MECANIQUES
Paris: Editions Andre Silvaire, 1965
16 x 13.5 cm, 30pp. Original wrappers. First edition of this early collection of concrete typewriter prints and the first of a series of "Spacialisme" publications produced as suppliments to the 'Les Lettres' revue. The Garniers were the originators of the text-based spatialist form, and throughout the 1960�s they published the journal �La Lettre� and a series of bookworks and manifestos. A very good copy with a signed ink dedication from the authors (with a contact address) to the artist/critic R. Joostens on the first page.

95 uk pounds

Gautier, Jean Paul
Signed postcard with small unique drawing
21.2 x 17cm offset card - Gautier as Botticelli's Venus (as realised by Samuel Sallout) rises from the waves. Signed recto in ink, Gautier has dedicated the card and drawn a stylised head in his typical oblique style.

55 uk pounds

General idea
FILE MAGAZINE
12 ISSUES including the scarce nr 1 and 2. issues and the artist's book "General Idea" issue plus 1 suppliment - a index of Canadian mail art (29 numbers = all) 1972 - 1983 - VOl 1 Nr 1, Vol 1, Nr 2 and Vols 3-3 to Vol 5 - 4
File was General Idea's art periodical counterpoint to the USA's LIFE magazine and the earlier numbers parodied the covers. Content is a mixture of conceptual, mail and intermedia art including the GI's own work - often with a homoerotic element. Ray Johnson was a frequent contributor here and Issue 1 has Mr Peanut on the cover. The first two numbers here are very scarce indeed but are not in good condition - the wrappers are torn apart and detached and one has doodles on the masthead but all pages are present and all the other issues are very good - over all a worthwhile and scarce part run of this influntial artist publication. Notable is the General Idea number which has a content entirely of three day-glo stylised poodles in various adventurous and flexible sexual positions.

All 12 numbers and the suppliment for 750 uk pounds

(A.A. Bronson)
Harrison, A.S.A.
TWENTY TWO WOMEN TALK FRANKLY ABOUT THEIR ORGASMS
Toronto: Coach House Press, 1974
31 x 23cm, 78pp plus boards and pictorial dj. An interesting book of verbatim interviews by the author asking women about their intimate sexual moments. Typical of the self-awareness books that came out in the 1970s as a result of the feminist movement and a growing realisation of the marginalisation of openly expressed sexual feelings in many women�s lives; the design and a short dust jacket note are by A.A. Bronson of General Idea. A book with serious and useful intent it is not without fascinating anecdote - even if it requires one to admit the pleasure is mostly voyeuristic: "I think one day I did about ninety-seven. Then I got hungry. And I went out for fish and chips with coleslaw. I had a mad craving for fish and chips and coleslaw." Bronson's design is mostly functional but also clear and neat. Slight bumping to extremes and mildly bowed but overall very good.

65 uk pounds

General Idea
MENAGE A TROIS
Toronot: Art Metropole. (General idea), 1978
27 x 20.5cm., 18pp plus printed card wrappers. Limited edition artist's book in the form of a magazine/exhibition catalogue, (500 printed) very good although slightly browned on the spine of the cover. Ref General Idea: Multiples

25 uk pounds

General Idea
NAZI MILK Photographic print on kodak paper. Circa 1985.
26 x 20.4cm. b/w. The image is that of the well known General Idea 'aryan' boy with milk moustache - the image is the same as the front cover of FILE magazine FALL 1979 (#29m in the catalogue raisonne) since it is not only reversed from the editioned print but the hand position is different but matches the one on the FILE cover. One tiny surface surface scratch but otherwise very good condition. After discussion with AA Bronson it is still not clear as to the provenance - it may possibly be a GI issued print but more likely a promotional item used during a gallery show. Offered thus.

75 uk pounds

General Idea
AIDS Stamps
Parkett, Zurich, Switzerland, 1998
25.5 x 21cm single sheet of perforated stamps, signed and numbered. The General Idea AIDS logo repeated thirty-five times on a sheet of postage stamps. Produced as a multiple for Parkett No. 15. From the edition of 200. Now scarce - as the edition is out of print. Fine.

650 uk pounds

General Idea
AIDS Stamps
Parkett, Zurich, Switzerland, 1998
25.5 x 21cm single sheet of perforated stamps. The General Idea AIDS logo repeated thirty-five times on a sheet of postage stamps. Produced as a multiple for Parkett No. 15. An unsigned and unnumbered copy. Fine.

60 uk pounds

General Idea
General Idea: Multiples Catalogue Raisonn�. Multiples and Prints 1967-1993. �
S. L. Simpson Gallery: Toronto 1993
Small 8vo, 140pp plus wrappers - with many ilustrations. While this edition does not cover the entire cannon of GI work (it is missing details of the last 20 or so issued works before the tragic deaths of two of the group) it does include a General Idea multiple, Yen, 1993, loosely inserted. Edition of 500 signed and numbered copies. Fine.

65 uk pounds

General Idea
TEST TUBE.
Amsterdam, De Appel n.d. (circa 1978) 29. 5 x 42 cm. offset exhibition poster printed offset black and green on white. Folded. ADDED: General Idea GENERAL IDEA. NYC:, Centre for Canadian art, 1986 12.7 x 17.8 cm. Invitation card (typographic). Mailed copy. ADDED: General Idea GENERAL IDEA. TEKENINGEN DRAWINGS 1989 - 1993 Amsterdam: Stedelijk, 1994 12.5 x 17.4 cm, 4pp. Full colour invitation card (with an image of Untitled (A Box for a Hoax series) Fine. ADDED: General Idea GENERAL IDEA. EDIZIONI PERFORMANCE VIDEO FILE Firenze: Zona, 1978 14 x 14 cm, 2pp. B/w invitation card (with an image of a drawing recto. Fine.

55 uk pounds for all 3 items together

General Idea
GENERAL IDEA
NYC: 49th Parallel, 1981
25 x 19cm full colour 2pp invitation card. Recto: a full colour reproduction of Liquid Assets the test tube cocktail server from the Colour Bar Lounge at the 1984 Miss General Idea pavilion. A mailed copy � hence the colour image is a bit rubbed especially because of the use of gold ink on part of the image.

20 uk pounds

General Idea
PLACEBO PIN. Artist's multiple.
Toronto: General Idea, 1993 1.5 x 4 x 1.5cm (approx) enamel and metal pin. Artist designed multiple which was produced as an unlimited edition. The c in Placebo is a copyright sign � thus reminding the world of the campaign against pharmaceutical companies� use of copyright on research and medicines for HIV, etc. GI editions nr 148. Fine.

25 uk pounds

General Idea
PUTTI. Artist's multiple.
Toronto: General Idea, 1993
5 x 5 x 3cm (approx) soap shaped as a baby seal in a plastic bag along with a base (a 10.5cm dia.) printed pulpboard (beermat), the all in a grippa-bag. Artist's multiple which was produced in an edition of 10,000 copies. Cute. Fine.

25 uk pounds

(Gilbert, Stephen).
Jaguer, Edouard.
STEPHEN GILBERT.
Copenhagen: Ejnar Munksgaard, 1950.
13 x 17cm. 16pp. 12 b/w reproductions of works by the artist. Stiff wrappers with an original lithographed design by Gilbert. First edition of this first monograph devoted to the artist�s oeuvre. Gilbert was the only British member of the Cobra group. One of a series of 15 monographs issued in the important Cobra Bilbliotheket series, as edited by Asger Jorn. A close to fine example. Scarce.

75 uk pounds

Gillick, Liam
UNTITLED. Unique work. Glasgow, 2002
A standard white t-shirt with a hand-drawn design by Gillick in black ink. Created for a charity event, the text is "ZWEITAUSENDUNDZWEI" on the front. Signed and dated. Fine. Image on request.

195 uk pounds

Gilbert & George
A MESSAGE FROM THE SCULPTORS
London: Gilbert & George, 1970.
One of the earliest G&G postal sculptures. The work consists of a folding card with a embossed and printed cover content of 4pp with b/w text " G&G are walking along a new road..." and taped in five "sculptors' samples" which are under clear scotch tape namely: "G&G Make-up / G&G tobacco / G&G hair / G&G shirt / G&G breakfast" alongside a pouch which holds five small original photographs by the artists. This copy is in the original, postmarked mailing envelope. A very good example although mailed. Ref.: Eindhoven G + G 1968 - 1980, pg 61. Very rare.

2,250 uk pounds

Gilbert & George
GENTLEMEN... Having a lovely time
London: the artists,1972. ca.
14 x 9 cm. A handsigned and postmarked postcard " The Gentlemen" which was designed by the artists as one of their "postcard sculptures". One of two such works from '72 which show the artists at one with nature enjoying rural England while wearing tweeds. Ref.: Eindhoven G + G 1968 - 1980, pg 102.

350 uk pounds

Gilbert & George
The Paintings (with us in the nature) of Gilbert & George, the human sculptors.
Amsterdam, Stedlijk Museum, Oct. 1971.
14 x 9 cm invitation card for this important G&G show of large paintings hung on the walls - perhaps the beginning of an end of an important era for the artists and their work - after a short hiatus of significant work during the late 70s, they moved away from conceptual and hand drawn works towards large-scale photographic installations. Scarce. Fine.

95 uk pounds

Gilbert & George
THE PAINTINGS (WITH US IN THE NATURE) OF GILBERT & GEORGE, THE HUMAN SCULPTORS
Art for All / Stedelijk Museum London / Amsterdam 1971
21 x 15cm, 8pp. Statements by the artists in English and Dutch. Published at the occasion of the artists' exhibition at Stedelijik Museum where their wall sized paintings of rural scenes were displayed. Scarce.

125 uk pounds

Gilbert & George, the Human Sculptors
THE PAINTINGS (WITH US IN THE NATURE)
Dusseldorf/London: Art for All 1971
21 x 15cm, 4pp plus typographic covers. Text in English ("Six Points towards a better understanding") and 1 b/w reproduction of a G&G painting as well as a translation into German. Very similar to the publication produced in Amsterdam the same year where G&G's nature paintings were also shown, this is the much scarcer variant of this artists� book. Fine.

165 uk pounds

Gilbert & George
IN THE BUSH/GORDON'S MAKES US DRUNK/PORTRAIT OF THE ARTISTS AS YOUNG MEN
Koln, Videogalerie Gerry Schum, 1972
12.5 x 15.5 cm announcement card - recto a design by the artists where they have adapted the Gordon's Gin label by replacing the manufacturer's name with their own, verso gallery details - a mailed copy. Scarce. Very slight tear to bottom edge - otherwise very good.

100 uk pounds

Gilbert & George
GILBERT & GEORGE (PINK ELEPHANT)
Dusseldorf, Konrad Fischer, 1974
11 x 15cm invitation card - reproduction of a close-up of a pink embroidered elephant on front, verso gallery details. Scarce. Fine. Unmailed.

95 uk pounds

Gilbert & George
ANY PORT IN A STORM
Paris, Galerie Sonnabend, "Early 1973"
11.5 x 8.8 cm invitation card - typographic design by the artists parodying a gin bottle label. Scarce. Fine. Unmailed.

95 uk pounds

Gilbert & George
BLOODY LIFE
Paris, Galerie Sonnabend, "Spring 1973"
11.5 x 8.8 cm invitation card - typographic design. Scarce. Slight tear to bottom edge, Priced thus. Mailed copy.

65 uk pounds

Gilbert & George
THE RED SCULPTURE
London: n.p., 1975
17.8 x 12.6cm, 2pp postcard - recto there is a full colour of the duo with faces painted red in the middle of their last grand public performance (the 'Cherry Blossom' section) before they moved onto the large scale photoworks of recent years. Fine

45 uk pounds

Gilbert and George
DARK SHADOW
London: Gilbert and George the Sculptors, 1974
13 x 19.5cm, offset printed artists book in eight chapters, with 128 duo-tone photographic plates, each with a facing page of text, hard bound cloth covered boards no dj as issued. G&G's second book: each book had a unique cover of red and black stained cloth with gold blocked title, This is an unnumbered and unsigned copy of the book aside from the numbered edition of 2,000. Fine.

275 uk pounds

Gilbert & George
DARK SHADOW
London, Nigel Greenwood, 1976
15 x 20 cm announcement card - typographic design, gold foil on red. Fine - announces the book.

50 uk pounds

Gilbert & George
DARK SHADOW
Amsterdam, Art & Project, 1977
10 x 21cm announcement card - typographic design. Fine - announces the book.

45 uk pounds

Nan Goldin

Goldin, Nan
Kee in bed, E. Hampton, N.Y.
n.p., 1995
27 x 39cm (image) c-print signed by the artist verso. Goldin's documentary record of alternative lifestyles (and death-styles) in the US brings the viewer away from voyeurism but rather forces a concerned viewpoint. Fine estate.

900 uk pounds

Nan Goldin

Goldin, Nan
Lynelle in Japanese restaurant, N.Y.C.
n.p., 1996
27 x 39cm (image) c-print signed by the artist verso.Fine estate.

825 uk pounds

Goldin, Nan
April out of the window
n.p., 1996
39 x 27cm (image) c-print signed by the artist verso.Fine estate.

795 uk pounds

Gomringer, Eugen. Translated by Harry Warschauer.
SILENCIO. Openings Press Card Series Nr. 16.
Bath: Openings Press, n.d. (c. late 1980s) 14 x 18.9cm artist's card. Gomringer's best known (and possibly concrete poetry's most famous) work translated into Hebrew by Warschauer. The original "sh" is replaced by the equivalent symbol and as with the original the middle space is left empty and, thus, silent. Limitation not known. Fine.

15 uk pounds

INVITATION CARD FOR FGT'S 3RD SHOW

Gonzalez-Torres, Felix
TOM BURR FELIX GONZALEZ-TORRES MICHAEL JENKINS JOHN LINDELL
NYC: Paula Allen Gallery, 1989
14 x 10.8cm, 1pp typographic design announcement card. Felix Gonzalez-Torres, when one considers the matter, had a surprisingly short solo career (ignoring his role within Group Material) - with a first exhibition in 1987 and a retrospective at the Whitney only 7 years later (one year before his death). This is the scarce invite card for his 3rd show (as part of a group show). Fine condition. Scarce.

65 uk pounds

Gonzalez-Torres, Felix
ANNOUNCEMENT CARD FOR UNTITLED (IMPLOSION)
NYC: Edition Julie Sylvester, 1991 5.34 x 10.2cm, 1pp typographic design announcement card for a Gonzalez-Torres edition silkscreen. Sadly no image. Formerly folded.
Added:
8 x 12.5cm, 4pp invite card for a posthumous show in Paris at Jennifer Flay's Gallery in 2000. Full colour image of a candy pile work.

Together 25 uk pounds

Gonzalez-Torres, Felix
UNTITLED (BLUE)
NYC: Andrea Rosen, 1993
31 x 22cm sheets of transparent paper bound together by a single metal paperclip. The first sheet is printed minimally with the details of the artist's show and the following 12 sheets (perhaps one for each month) consist of a pale blue printing on each page - reminiscent of the artist's later solitary mood and his fascination with the creation of a minimalist conceptual art. All bookworks by Gonazalez-Torres are extremely scarce despite usually being distributed without charge by the artist during shows. This has minor former crease lines top left on the cover sheet where it has been opened and a very small, slight rust stain from the paperclip but is otherwise very good+.

275 uk pounds

Gonzalez-Torres, Felix
FELIX GONZALEZ-TORRES
LA: MOCA, 1994
28 x 22cm, 80pp plus extended wrappers bearing a detail of Untitled (Jorge), exhibition catalogue in the form of a monograph for a travelling show about the conceptualist which toured before his death. Gonzalez-Torres work is perhaps one of the most effective and accessible of the conceptualists - Kosuth's essay contained within discusses in part the difference between the emotive work of FG-T and that, of say, Flavin despite surface similarities. Other essays by Cruz, Goldstein and Merewether amongst others. 16 reproductions including an extended work Untitled (21 days of bloodwork - steady decline) which with a single sloping-down line sums up the tragedy of AIDS and personal loss. Fine.

50 uk pounds

Peter Greenaway

Greenaway, Peter
THEY ALL DO HATE HIM AS ROOTEDLY AS I
Geneva: Association Stairs, 1994
100 x 60cm, offset four-colour lithograph. Greenaway's later work has been heavily influenced by his work with Tom Phillips on "Dante's Inferno" - a densely layered, very ornate - almost rococco-esque - working of drawn and photographed images in image manipulation programmes creates fascinating works - full of Shakespearean and other references. Fine estate. Image on request.

600 uk pounds

Greenaway, Peter
UNTITLED (ANGEL)
Geneva: Association Stairs, 1994
60 x 100cm, offset four-colour lithograph. A different image from the series - a dramatic angel moves across the picture plane. Fine estate. Image on request.

600 uk pounds

Gudmundsson, Kristj�n
Once Around The Sun
4to, unpaginated. Uniformly 2 volumes in slip case, 2nd ed/100, Aachen M�nchen: Ottenhausen Verlag, 1982
Gudmundsson's work is conceptual and minimalist and very reminiscent of Stanley Brouwn or Roman Opalka in that his interest is in the way humans represent the world and universe around them. This artist's book involves the printing exactly the distance and the time taken for the earth to go around the sun by the use of lines and dots which represent the physical space and time. The exactitude of the system is impressive and the books contain no text at all. This is the second edition of only 100 books and follows a minuscule, extremely rare first edition printed by the Silver Press in both Reykjavik and Amsterdam in 1975-76. Scarce. Fine condition.

550 uk pounds

Gudmundsson, Kristj�n
Down
Amsterdam: Piesport, 1989 4to, unpaginated. Again a second edition after a very rare first - the unpaginated book contains a repeated line of whose true total length is exactly the distance from the earth's highest mountain top to the deepest point below the sea. One of only 150 copies after 30 (released although 150 were planned) first edition copies. This second edition had to be created after the artist found that new scientific research had found a deeper trench!

125 uk pounds

(German Dada/Letterisme)
Hausmann, Raoul
SOUNDREEL /INTERVIEW AVEC LES LETTRISTES. Tonband Nr. 5.
Marketplatz, Germany: S-PRESS, 1971 15x 15cm, printed slip case content of card covers and a single standard audio-cassette in original plastic bag and colophon sheet. Raoul Hausmann was one of the founding members of Dada Berlin together with Richard Hulsenbeck and Frantz Jung. He founded and ran with Joannes Baader and Hulsenbeck, "Der Dada," the best known publication of the Berlin dadaists. His work in creating photo-montages influenced John Heartfield and Georges Grosz amongst others. After creating many "phonetic poems" during this early Dada period he returned to the genre late in life and published many sound poems - something which unsurprisingly led him to the Lettristes. Here are two recordings of the poet (dealing with Dada and the Letterists, recorded respectively in 1951 and 1962) issued soon after his death as part of a series of such publications from the publisher Einhorn. This copy is dedicated and signed by Einhorn on the internal covers. Edition not known although a reel-to-reel version was also published. Fine, increasingly scarce.

175 uk pounds

A SMALL ARCHIVE OF MATERIAL FROM ART�S SHOCK TROOPS

Guerrilla Girls WHY IN 1987 IS DOCUMENTA 95& WHITE AND 83% MALE NYC: Guerrilla Girls, 1987 8.7 x 5cm, b/w card with title message. Distributed at Documenta and elsewhere � agit prop that really agitates. Fine and scarce. ADDED: Guerrilla Girls THE ADVANTAGES OF BEING A WOMAN ARTIST NYC: Guerrilla Girls, n.d. (circa 1990) 28 x 21.5cm, b/w small poster. The advantages include: "Not having to be in shows with men." and "Not having to choke on big cigars or paint in Italian suits". Witty but very pointed. Fine and scarce. ADDED: Guerrilla Girls HOT FLASHES Nr 1 NYC: Guerrilla Girls, 1993 56 x 31cm, b/w broadside/journal. Taped on (as issued) subscription card. Various articles � some close to libel - about the injustices of the artworld. Great reading and mostly accurate. The subscription card offers a cheaper rate for women and �artists of color� than to white males. Folded for mailing. Fine. ADDED: Guerrilla Girls 3 WHITE WOMEN, 1 WOMAN OF COLOR AND NO MEN OF COLOR � OUT OF 71 ARTISTS NYC: Guerrilla Girls, n.d. 10 x 15cm, b/pink card designed to be mailed to Margit Rowell of MOMA, NYC. Complaining of the lack of ethnic and gender balance in a still life show. Recto is a collage utilising Meret Oppenheim�s furry tea cup and the Gorrilla masks worn by GG. Fine. ADDED: Guerrilla Girls GUERRILLA GIRLS EXHIBITION OF POSTERS NYC: Guerrilla Girls, 1992 30 x 21cm, 1pp b/yellow announcement leaflet for the title show. Folded for mailing. Fine. ADDED Guerrilla Girls GUERRILLA GIRLS EXHIBITION OF POSTERS NYC: Guerrilla Girls, 1992 8 x 21cm, 2pp b/yellow typographic announcement card for the title show. Fine. ADDED: Guerrilla Girls GUERRILLA GIRLS NEED YOUR BANANAS NYC: Guerrilla Girls, 1995 30 x 21cm, 1pp b/w appeal leaflet trying to raise money for further activities. Folded for mailing. Fine. ADDED: Guerrilla Girls GUERRILLA GIRLS NYC: Guerrilla Girls, n.d. (circa 1995) 30 x 21cm, 1pp b/w appeal leaflet (original xerox) trying to sell posters by the GG raise money for further activities. Fine. ADDED: Guerrilla Girls CONFESSIONS OF THE GUERRILLA GIRLS NYC: Guerrilla Girls, 1995 10 x 15cm, b/w card promoting the book Confessions of the GG and also an invite to a show in the New Museum of Contemporary Art. Fine. Missed if not forgotten � for two decades the �conscience of the art world� attacked stereotyping, lack of gender and racial balance and dodgy curatorial practice. This is a small group of material and emphemera from mostly the later years of their activities.

All nine items together 200 uk pounds

(Goldsworthy, Andy; Mach, David)
IMPULSE 8. 4 KUNSTLER AUS ENGLAND
Monchengladbach: Galerie Lohrl am Abteiberg, 1985
23 x 31cm individually numbered folder with printed label content of a 24pp + wrappers exhibition catalogue with 34 b/w reproductions of works by Goldsworthy, Mach, Connearn and Leapman and a folded exhibition poster - 60 x 40cm. Fine condition - a relatively early group show for the land artist Goldsworthy displaying his early experiments in drawing with natural materials and intervening directly in nature with found materials (branches, reeds, mud). Mach's witty photo-assemblages/collages are also reproduced. Edition not known (this one is numbered #110).

50 uk pounds

Gordon, Douglas�
TRUST ME
Prague: Gandy Editions, 1997
Large screenprint, signed and dated by Gordon from an edition of 100. Filmaker and photographer Gordon incites the viewer to take him at face - or, at least, arm - value by reproducing his isolated forelimb with its "trust me" tattoo. Fine estate.

185 uk pounds

Douglas Gordon

Gordon, Douglas
Kittelmann & Gordon
Germany, K�lnischer Kunstverein, 1999,
A set of four 10cm x 3.5cm "shnaps" drink glasses from the Scottish filmmaker and conceptualist - perhaps English purchasers can fill them with a festive G&T - Gordon's of course. From an edition of 200.

60 uk pounds for a set of all 4 glasses. Please note shipping must be insured - charged at cost.

Gordon, Douglas
Masked Portrait of an Ettrick Shepherd
Edinburgh: Cannongate, 2001
50 x 40cm digital print using archival inks on 300 gsm cotton rag art paper. Signed and numbered from a small edition of 100. Gordon is internationally known for films such as "Through a looking glass" (shown at the Venice Biennale in 1999 appropriating "Taxidriver") and "24 hour Psycho" as well as his photographic work. His reproduced image of a painted cloth which has a form that resembles a sheepdog hints at a visual pun regarding James Hogg, the Scottish author of the "Confessions of a Justified Sinner" and former Borders' shepherd.

150 uk pounds

(Land Art)
Gormley, Antony, Wilson, Richard and others
TSWA3D
London: Television South West, 1987 29 x 21cm, 60pp plus covers. Catalogue for a variety of land and site specific artworks throughout the UK which included works by Antony Gormley, Kate Whiteford, Richard Wilson and others. The whole unusually sponsored and published by a television company in an edition of 500. Each artist's work is documented in a series of b/w photographs and accompanying texts. Very good example.

15 uk pounds

FIVE ORIGINAL PAINTINGS BY JANE GRAVEROL

Graverol become the pre-eminent female artist of Belgian Surrealism after she met the Surrealist group (primarily Magritte, Scutenaire, Goemans, Colinet and later Mariens and Nouge) in 1949. Soon she was an important and central part of the group's breakaway from mainstream (ie as defined by Breton) movement explicitly repudiating Breton's increasing mysticism and remaining decidedly revolutionary. After founding the Temps Meles group with Andre Balvier, Graverol helped organise an important conference with Marien on the surrealist revolutionary icon Majakovskij which directly led to the founding of �Les Levres nues� � the publishing house which for many years was the main propaganda vehicle for the group. After 1954, she became the Director of the venture � while maintaining her own her own art activities throughout. Slowly her work became better known and Graverol experimented with many different media eventually producing works in oils, pastels and gouache and sometimes other mixed media - works which have increased in their fame as the role of female surrealists became better understood and noticed. Nonetheless, there is an unavoidable, understandable and distinct influence of Magritte within some of her works - yet his fame and popularity has unfairly overshadowed her (and other Belgian surrealist�s) work for many years. She died in 1984. We offer here five paintings all from the collection of R. Ortmans � Graverol�s daughter.

Graverol, Jane
UNTITLED (BLEEDING WOMAN) Unique work. Early 1970s.
65 x 50cm, pastel on paper. Unsigned. Verso � written in pencil on the back � "Pastel de Jane Gaverol authentique par sa fille R. Ortmans." And signed by Ortmans beneath. The surrealist image is of a bleeding (two limited cuts on legs and body) reclining woman who has a cloth-covered head - the figure posed in an industrial landscape. Fine estate � extremely attractive.

1,250 uk pounds

Graverol, Jane
UNTITLED (FLOWER) Unique work. Early 1970s.
65 x 39cm, oil on paper. Unsigned. Verso � written in pencil on the back � "Painture de Jane Gaverol authentique par sa fille R. Ortmans." And signed by Ortmans. The surrealist image is of a flower with a unfeasibly long stamen in a bleak sun-bleached landscape. There are several, minor, unfinished pencil sketches by Graverol verso. Fine.

1,250 uk pounds

Graverol, Jane
UNTITLED (BURNING HOUR-GLASS) Unique work. 1973.
50 x 38cm, pastel on paper. Signed and dated bottom right by Graverol in paint. The surrealist image is of a hourglass with flames burning brightly in the upper enclosure while sand falls below (as normal) � the whole against an intense blue background. Fine.

1,450 uk pounds

Graverol, Jane
UNTITLED (CLOUDY WOMAN) Unique work. Early 1970s.
Paper size � 64 x 34.5cm, image size 59 x 34.5cm, gouache on paper. The surrealist image is of a woman in a jungle � but the silhouette is filled with clouds - a common Graverol trope � still the Magritte influence is very clear here. The work is unfinished bottom left with various vegetation drawn in but remaining unpainted but this does not distract from a fine work. Verso: "Painture de Jane Gaverol authentique par sa fille R. Ortmans." And signed by Ortmans. Fine.

1,200 uk pounds

Graverol, Jane
UNTITLED (COILED SERPENTS) Unique work. Early 1970s.
Paper size � 58 x 38.5cm, image size 32.5 x 52cm, gouache on paper. The surrealist image is of several pairs of entwined serpents or possibly dragons in a mottled sky: the most abstract of the paintings offered here. The image is painted on the top left of the sheet and may require cropping if ilater framed. verso: "Painture de Jane Gaverol authentique par sa fille R. Ortmans." And signed by Ortmans. Fine.

750 uk pounds

For all 5 paintings together � 4,950 uk pounds

Gursky, Andreas
Hand-signed invitation card
Kunstehalle Dusseldorf, Germany 1999
10.5 x 21cm 4pp offset folded invitation card signed over the internal image by Gursky in red marker. Image is of "May day III" from 1998.

85 uk pounds

Haacke, Hans
MOBIL UPSTAIRS AT
NYC: John Weber Gallery, 1981
15 x 10cm, 1pp announcement card showing Haacke's appropriation of the Mobil logo. A mailed copy but otherwise very good.

20 uk pounds

Haacke, Hans
4 WORKS 1983 - 1985
NYC: John Weber Gallery, 1985
28 x 22cm, 18pp plus card covers. White plastic slide binding. Exhibition catalogue of Haacke's political interventions - Margaret Thatcher as a Pieta (as if!). Text in English by Haacke. Scarce. Fine.

125 uk pounds

Haacke, Hans
HANS HAACKE. Volume II works 1978 - 83.
London/Eindhoven, Tate Gallery/ Van Abbemuseum, 1984 27 x 21cm, 124pp plus printed card covers. Exhibition catalogue - effectively a catalogue raisonne of Haacke's agit-prop photography. Extensive interviews with the artist and texts in English by Haacke. Very good condition

25 uk pounds